| |
| |
| |
An Introduction to the Indigenous Arts of North America Art History and Native Art | |
| |
| |
What is 'Art'? Western Discourses and Native American Objects | |
| |
| |
Modes of Appreciation: Curiosity, Specimen, Artefact, and Art | |
| |
| |
What is an Indian? Clan, Community, Political Structure, and Art | |
| |
| |
Cosmology | |
| |
| |
The Map of the Cosmos | |
| |
| |
The Nature of Spirit | |
| |
| |
Dreams and the Vision Quest | |
| |
| |
Shamanism | |
| |
| |
Art and the Public Celebration of Power | |
| |
| |
The Power of Personal Adornment | |
| |
| |
'Creativity is our Tradition': Innovation and Tradition in Native American Art | |
| |
| |
Gender and the Making of Art | |
| |
| |
| |
The Southwest The Southwest as a Region | |
| |
| |
The Ancient World | |
| |
| |
From the Colonial Era to the Modern Pueblos | |
| |
| |
Navajo and Apache Arts | |
| |
| |
| |
The East The East as a Region | |
| |
| |
Hunting Cultures, Burial Practices, and Early Woodlands Art Forms | |
| |
| |
Mississippian Art and Culture | |
| |
| |
The Cataclysm of Contact: the Southeast | |
| |
| |
The Early Contact Period in the Northeast | |
| |
| |
Arts of the Middle Ground | |
| |
| |
Arts of Self-Adornment | |
| |
| |
| |
The West Introduction | |
| |
| |
The Great Plains | |
| |
| |
The Intermontaine Regionan Artistic Crossroads | |
| |
| |
The Far West: Arts of California and the Great Basin | |
| |
| |
| |
The North Geography, Environment, and Language in the North | |
| |
| |
Sub-Arctic Clothing: Art to Honour and Protect | |
| |
| |
The Arctic | |
| |
| |
| |
The Northwest Coast Origins | |
| |
| |
The Early Contact Period | |
| |
| |
Styles and Techniques | |
| |
| |
Western Connoisseurship and Northwest Coast Art | |
| |
| |
Shamanism | |
| |
| |
Crest Art | |
| |
| |
The Potlatch | |
| |
| |
Art, Commodity, and Concepts of Replication | |
| |
| |
Northwest Coast Art in the Twentieth Century | |
| |
| |
| |
The Twentieth Century: Trends in Modern Native Art Questions of Definition | |
| |
| |
Commoditization and Contemporary Art | |
| |
| |
Moments of Beginning | |
| |
| |
The Southern Plains and the Kiowa Five | |
| |
| |
The Southwest and the 'Studio' Style | |
| |
| |
The Display and Marketing of American Indian Art: Exhibitions, Mural Projects, and Competitions | |
| |
| |
Native American Modernisms 195080 | |
| |
| |
Institutional Frameworks and Modernisms in Canada | |
| |
| |
Postmodernism, Installation, and other Post-Studio Art | |
| |
| |
Notes List of Illustrations | |
| |
| |
Bibliographic Essay Timeline | |
| |
| |
Index | |