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| General Introduction | |
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| Plato | |
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| Ion | |
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| From Republic | |
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| From Phaedrus | |
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| From Sophist | |
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| From Philebus | |
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| From Cratylus | |
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| From Metaphysics | |
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| Poetics | |
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| From Rhetoric | |
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| From Brutus | |
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| Quintus Horatius Flaccus (Horace) | |
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| Art of Poetry | |
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| From Geography | |
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| Publius Cornelius Tacitus | |
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| From a Dialogue on Oratory | |
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| On the Sublime | |
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| From How the Young Man Should Study Poetry | |
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| From Lives of the Sophists | |
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| From Enneads | |
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| From on Christian Doctrine | |
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| From Consolation of Philosophy | |
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| From Summa Theologica | |
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| From the Banquet | |
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| From Letter to Can Grande Della Scala | |
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| From Life of Dante | |
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| From Genealogy of the Gentile Gods | |
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| Naugarius | |
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| From Poetics | |
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| From the Poetics of Aristotle Translated and Explained | |
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| Apology for Poetry | |
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| From the Cause, the Principle, and the One | |
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| From on the Defense of the Comedy of Dante | |
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| From the Arte of English Poesie | |
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| From Discourses on the Heroic Poem | |
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| From Novum Organum | |
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| From the Advancement of Learning | |
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| From the Wisdom of the Ancients | |
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| Of the Three Unities of Action, Time, and Place | |
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| An Essay of Dramatic Poesie | |
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| The Art of Poetry | |
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| From an Essay Concerning Human Understanding | |
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| Essay on Criticism | |
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| From on the Pleasures of the Imagination | |
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| From the New Science | |
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| Of the Standard of Taste | |
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| Of Tragedy | |
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| From a Philosophical Inquiry into the Origin of Our Ideas of the Sublime and Beautiful | |
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| From Conjectures on Original Composition | |
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| Rambler 4 (On Fiction) | |
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| From Rassalas | |
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| From Preface to Shakespeare | |
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| From Elements of Criticism | |
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| From Laoco+N | |
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| From the Paradox of Acting | |
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| From Discourses on Art | |
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| From Critique of Judgment | |
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| From a Vindication of the Rights of Woman | |
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| From the Marriage of Heaven and Hell | |
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| From Letter to Thomas Butts | |
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| From Annotations to Reynolds? Discourses | |
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| From a Vision of the Last Judgment | |
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| From Letters on the Aesthetic Education of Man | |
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| From Critical Fragments (Lyceum Fragments) | |
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| From Athenaeum Fragments | |
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| On Incomprehensibility | |
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| Preface to the Second Edition of Lyrical Ballads | |
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| From Shakespeare?s Judgment Equal to his Genius | |
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| From the Principles of Genial Criticism | |
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| From Biographia Literaria | |
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| From "Essays on Method" in the Friend | |
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| From the Statesman?s Manual | |
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| From on the Constitution of Church and State | |
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| From Biographia Literaria | |
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| From The Eighteenth Century | |
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| From Essay on Aesthetics | |
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| From Catium and Hellas | |
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| From Introduction to General Linguistics | |
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| From Announcement of an Essay on the Language and Nation of the Basque | |
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| From on Comparative Linguistics | |
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| From on the National Characteristics of Languages | |
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| From Basic Characteristics of Linguistic Types | |
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| From on the Episode from the Mahabharata Known as the Bhagavad-Gita II | |
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| From on the Differences in Human Linguistic Structure | |
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| From Letter to Benjamin Bailey | |
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| From Letter to George and Thomas Keats | |
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| From Letter to John Taylor | |
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| Letter to Richard Woodhouse | |
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| Thomas Love Peacock | |
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| The Four Ages of Poetry | |
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| A Defense of Poetry | |
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| Arthur Schopenhauer | |
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| From the World as Will and Idea (Representation) | |
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| From the Philosophy of Fine Art | |
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| From the American Scholar | |
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| The Poet | |
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| From the Poetic Principle | |
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| Preface to the 1853 Edition of Poems | |
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| The Function of Criticism at the Present Time | |
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| From the Study of Poetry | |