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Preface | |
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Beginning (Jane Austen, Ford Madox Ford) | |
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The Intrusive Author (George Eliot, E. M. Forster) | |
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Suspense (Thomas Hardy) | |
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Teenage Skaz (J. D. Salinger) | |
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The Epistolary Novel (Michael Frayn) | |
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Point of View (Henry James) | |
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Mystery (Rudyard Kipling) | |
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Names (David Lodge, Paul Auster) | |
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The Stream of Consciousness (Virginia Woolf) | |
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Interior Monologue (James Joyce) | |
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Defamiliarization (Charlotte Bronte) | |
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The Sense of Place (Martin Amis) | |
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Lists (F. Scott Fitzgerald) | |
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Introducing a Character (Christopher Isherwood) | |
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Surprise (William Makepeace Thackeray) | |
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Time-Shift (Muriel Spark) | |
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The Reader in the Text (Laurence Sterne) | |
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Weather (Jane Austen, Charles Dickens) | |
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Repetition (Ernest Hemingway) | |
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Fancy Prose (Vladimir Nabokov) | |
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Intertextuality (Joseph Conrad) | |
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The Experimental Novel (Henry Green) | |
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The Comic Novel (Kingsley Amis) | |
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Magic Realism (Milan Kundera) | |
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Staying on the Surface (Malcolm Bradbury) | |
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Showing and Telling (Henry Fielding) | |
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Telling in Different Voices (Fay Weldon) | |
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A Sense of the Past (John Fowles) | |
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Imagining the Future (George Orwell) | |
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Symbolism (D. H. Lawrence) | |
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Allegory (Samuel Butler) | |
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Epiphany (John Updike) | |
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Coincidence (Henry James) | |
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The Unreliable Narrator (Kazuo Ishiguro) | |
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The Exotic (Graham Greene) | |
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Chapters etc (Tobias Smollett, Laurence Sterne, Walter Scott, George Eliot, James Joyce) | |
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The Telephone (Evelyn Waugh) | |
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Surrealism (Leonora Carrington) | |
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Irony (Arnold Bennett) | |
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Motivation (George Eliot) | |
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Duration (Donald Barthelme) | |
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Implication (William Cooper) | |
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The Title (George Gissing) | |
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Ideas (Anthony Burgess) | |
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The Non-Fiction Novel (Thomas Carlyle) | |
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Metafiction (John Barth) | |
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The Uncanny (Edgar Allan Poe) | |
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Narrative Structure (Leonard Michaels) | |
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Aporia (Samuel Beckett) | |
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Ending (Jane Austen, William Golding) | |
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Bibliography of primary sources | |
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Index of Names | |