Art of Fiction

ISBN-10: 0140174923

ISBN-13: 9780140174922

Edition: 1992

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Book details

List price: $16.00
Copyright year: 1992
Publisher: Penguin Publishing Group
Publication date: 7/1/1994
Binding: Paperback
Pages: 256
Size: 5.00" wide x 7.75" long x 0.50" tall
Weight: 0.396
Language: English

Writing both literary criticism and novels, British author David Lodge has learned to practice what he teaches. A professor of Modern English literature, both his fiction and nonfiction have found a large readership in the United Kingdom and the United States. To maintain his dual approach to writing, Lodge has attempted to alternate a novel one year and a literary criticism the next throughout his career. Lodge's fiction has been described as good writing with a good laugh, and he is praised for his ability to treat serious subjects sardonically. This comic touch is evident in his first novel, "The Picturegoers" (1960) in which the conflict of Catholicism with sensual desire, a recurrent theme, is handled with wit and intelligence. "How Far Can You Go" (1980) released in United States as "Souls and Bodies" (1982) also examines sexual and religious evolution in a marvelously funny way. "Changing Places: A Tale of Two Campuses" (1975, 1979), based on Lodge's experience in Berkeley as a visiting professor, won the Hawthorne Prize and the Yorkshire Post fiction prize and solidified his reputation in America. Some of the author's other hilarious novels include "Nice Work" (1989), which Lodge adapted into an award-winning television series, and "Therapy" (1995), a sardonic look at mid-life crisis. Lodge's nonfiction includes a body of work begun in 1966 with "The Language of Fiction" and includes "The Art of Fiction: Illustrated from Classic and Modern Texts" (1992) and "The Practice of Writing: Essays, Lectures, Reviews and a Diary"(1996). In a unique approach, he often uses his own works for critical examination and tries to give prospective writers insights into the complex creative process. David John Lodge was born in London on January 28, 1935. He has a B.A. (1955) and M.A (1959) from University College, London and a Ph.D. (1967) and an Honorary Professorship (1987) from the University of Birmingham. Lodge is a Fellow of the Royal Society of Literature.

Beginning (Jane Austen, Ford Madox Ford)
The Intrusive Author (George Eliot, E. M. Forster)
Suspense (Thomas Hardy)
Teenage Skaz (J. D. Salinger)
The Epistolary Novel (Michael Frayn)
Point of View (Henry James)
Mystery (Rudyard Kipling)
Names (David Lodge, Paul Auster)
The Stream of Consciousness (Virginia Woolf)
Interior Monologue (James Joyce)
Defamiliarization (Charlotte Bronte)
The Sense of Place (Martin Amis)
Lists (F. Scott Fitzgerald)
Introducing a Character (Christopher Isherwood)
Surprise (William Makepeace Thackeray)
Time-Shift (Muriel Spark)
The Reader in the Text (Laurence Sterne)
Weather (Jane Austen, Charles Dickens)
Repetition (Ernest Hemingway)
Fancy Prose (Vladimir Nabokov)
Intertextuality (Joseph Conrad)
The Experimental Novel (Henry Green)
The Comic Novel (Kingsley Amis)
Magic Realism (Milan Kundera)
Staying on the Surface (Malcolm Bradbury)
Showing and Telling (Henry Fielding)
Telling in Different Voices (Fay Weldon)
A Sense of the Past (John Fowles)
Imagining the Future (George Orwell)
Symbolism (D. H. Lawrence)
Allegory (Samuel Butler)
Epiphany (John Updike)
Coincidence (Henry James)
The Unreliable Narrator (Kazuo Ishiguro)
The Exotic (Graham Greene)
Chapters etc (Tobias Smollett, Laurence Sterne, Walter Scott, George Eliot, James Joyce)
The Telephone (Evelyn Waugh)
Surrealism (Leonora Carrington)
Irony (Arnold Bennett)
Motivation (George Eliot)
Duration (Donald Barthelme)
Implication (William Cooper)
The Title (George Gissing)
Ideas (Anthony Burgess)
The Non-Fiction Novel (Thomas Carlyle)
Metafiction (John Barth)
The Uncanny (Edgar Allan Poe)
Narrative Structure (Leonard Michaels)
Aporia (Samuel Beckett)
Ending (Jane Austen, William Golding)
Bibliography of primary sources
Index of Names
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