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| Introducing Jazz | |
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| Listening to Jazz | |
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| The Birth of Jazz | |
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| Early Jazz | |
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| The Swing Era | |
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| Bebop and Modern Jazz | |
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| Mainstream Jazz | |
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| Free and Exploratory Jazz | |
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| Fusion | |
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| Latin Jazz | |
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| Jazz Worldwide | |
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| Jazz Forward | |
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| Introducing Jazz | |
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| Take Note | |
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| ISSUES: Jazz as an "American" Art Form | |
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| STYLE/TECHNIQUE: Listening with Untrained Ears | |
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| First Listening | |
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| Listening with Untrained Ears | |
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| Defining Jazz: A Beginning | |
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| Improvisation in Jazz | |
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| Other Dimensions of Jazz | |
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| Jazz and Society | |
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| Jazz and the Arts | |
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| Social Life and Issues | |
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| Jazz and Historic Trends | |
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| National Identity | |
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| Racial Identity | |
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| ISSUES: Jazz as African-American Music | |
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| Cultural Significance | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| Listening to Jazz | |
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| Take Note | |
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| Listening Focus: Melody | |
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| Listening Tips for Jazz Melody | |
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| Listening Focus: Harmony | |
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| Listening Tips for Jazz Harmony | |
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| Listening Focus: Rhythm | |
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| Listening Tips for Jazz Rhythm | |
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| Listening Focus: Form and Structure | |
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| Chorus Form | |
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| Compound Form | |
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| Listening Tips for Jazz Form and Structure | |
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| Listening Focus: Color and Texture | |
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| Listening Tips for Jazz Color and Texture | |
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| Listening Focus: Voice, Feel, and Expression | |
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| Listening Tips for Voice, Feel, and Expression | |
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| Listening Focus: Improvisation | |
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| Listening Tips for Jazz Improvisation | |
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| Listening Focus: Style and Experimentation | |
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| Listening Tips for Style and Experimentation | |
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| Musicians' Roles, Individual and Collective | |
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| STYLE/TECHNIQUE: The Team Sport of Jazz | |
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| Listening Tips for Musicians' Interaction | |
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| Jazz as an Art Form | |
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| STYLE/TECHNIQUE: Standard Practices in Jazz | |
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| Listening Tips Wrap-Up | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| The Birth of Jazz | |
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| Take Note | |
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| Timeline | |
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| Old-World Roots | |
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| African Influences | |
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| LISTENING FOCUS: Simpa (Fire) | |
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| European Influences | |
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| New Orleans | |
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| New Orleans' Six Jazz-Creating Conditions | |
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| Listening Guide: In Gloryland | |
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| History/Culture: Parading with a Brass Band | |
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| Musical Antecedents | |
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| The Blues | |
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| LISTENING FOCUS: Old John Henry Died on the Mountain | |
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| LISTENING FOCUS: Boll Weevil | |
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| JAZZ CLASSICS: St. Louis Blues | |
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| Ragging and Ragtime | |
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| Listening Guide: Maple Leaf Rag | |
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| ISSUES : The Ragtime Wars | |
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| Jazz: An Improvisational Music for Dancing | |
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| New Orleans Notables | |
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| LISTENING FOCUS: Livery Stable Blues , | |
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| New Orleans Style and "Jass" Variants | |
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| JAZZ CLASSICS: Tiger Rag | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| Early Jazz | |
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| Take Note | |
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| Timeline | |
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| Chicago | |
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| LISTENING FOCUS: Dipper Mouth Blues | |
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| Listening Guide: West End Blues | |
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| Listening Guide: Black Bottom Stomp | |
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| Kansas City | |
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| New York | |
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| White Bands | |
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| JAZZ AND THE ARTS: Jazz and Classical Music: The First Half of the 20<sup>th</sup> Century | |
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| Harlem and the Cotton Club | |
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| Listening Guide: Black and Tan Fantasy | |
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| History/Culture: The Cotton Club | |
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| JAZZ AND THE ARTS: Jazz and Tap | |
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| Vocalists | |
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| Jazz Arrangers of the '20s | |
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| Regional Bands | |
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| ISSUES: Jazz: Musical Virtue or Vice? | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| The Swing Era | |
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| Take Note | |
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| Timeline | |
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| Jazz: A Mass Attraction | |
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| JAZZ AND THE ARTS: The Swing Dances | |
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| STYLE/TECHNIQUE: Big Band, Big Sound | |
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| The Great Black Bands | |
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| History/Culture: Stompin' at the Savoy | |
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| Listening Guide: Ko-Ko | |
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| Listening Guide: One O'Clock Jump | |
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| The Great White Bands | |
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| Listening Guide: Honeysuckle Rose | |
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| Big-Band Care and Maintenance | |
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| All-Women Bands | |
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| Shapers of the Sound | |
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| STYLE/TECHNIQUE: What Does an Arranger Do? | |
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| Anatomy of an Arrangement | |
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| Small Groups and Solo Artists | |
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| Solo Instrumentalists | |
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| LISTENING FOCUS: Body and Soul | |
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| Singers | |
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| History/Culture: John Hammond: Talent Scout, Jazz Catalyst | |
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| History/Culture: The New Orleans Revival | |
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| The End of the Swing Era | |
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| STYLE/TECHNIQUE: Boogie-Woogie | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| Bebop and Modern Jazz | |
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| Take Note | |
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| Timeline | |
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| The Postwar Jazz Scene | |
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| History/Culture: After Hours at Minton's | |
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| Parker, Gillespie, and the Birth of Bebop | |
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| Listening Guide: Shaw 'Nuff | |
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| ISSUES: Boppers Versus Moldy Figs | |
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| Listening Guide: Embraceable You, Take A | |
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| STYLE/TECHNIQUE: Old Chords, New Melodies | |
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| History/Culture: Swing Street | |
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| HISTORY/CULTURE:: Big Bands in the Modern Era | |
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| History/Culture: Norman Granz and Jazz at the Philharmonic | |
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| ISSUES: The Jazz Musician as Outsider | |
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| Piano Modernists | |
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| Listening Guide: Misterioso | |
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| JAZZ CLASSICS: 'Round Midnight | |
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| Cool Jazz and the West Coast Scene | |
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| Listening Guide: Boplicity | |
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| JAZZ AND THE ARTS: Jazz and Film | |
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| Beyond the Cool | |
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| JAZZ AND THE ARTS: Jazz Poetry | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| Mainstream Jazz | |
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| Take Note | |
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| Timeline | |
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| Setting the Stage | |
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| Miles Ahead | |
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| The Birth of Hard Bop | |
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| Listening Guide: The Preacher | |
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| History/Culture: New York Nights | |
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| West-Coast Bop | |
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| STYLE/TECHNIQUE: Breaks and Fours | |
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| Three Tenor Torchbearers: Gordon, Rollins, and Coltrane | |
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| Listening Guide: Giant Steps | |
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| TWO TAKES ON THE PIANO | |
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| Listening Guide: Blue Rondo a la Turk | |
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| Soul Jazz | |
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| ISSUES: Jazz and Religion | |
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| History/Culture: Down Beat and the Jazz Magazines | |
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| History/Culture: Jazz Festivals | |
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| Continuing Traditions | |
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| JAZZ AND THE ARTS: Jazz on Television | |
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| Vocalists of the Mainstream Era | |
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| JAZZ AND THE ARTS: Jazz and Fiction | |
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| Alternate Currents | |
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| JAZZ AND THE ARTS: Jazz and Visual Art | |
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| Listening Guide: So What | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| Free and Exploratory Jazz | |
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| Take Note | |
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| Timeline | |
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| 1959 A Turning Point in Jazz History | |
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| ISSUES: Jazz: The Sound of Freedom | |
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| Free-Jazz Ancestors | |
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| Free-Jazz Innovations | |
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| Sonic Freedom | |
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| Harmonic Freedom | |
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| Formal Freedom | |
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| Rhythmic Freedom | |
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| STYLE/TECHNIQUE: How to Listen to Free Jazz | |
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| Free-Jazz Innovators | |
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| Coleman, Taylor, and Coltrane | |
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| Listening Guide: Ramblin' | |
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| History/Culture: The Loft Scene | |
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| Jazz Underground | |
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| Other Free Instrumentalists | |
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| Listening Guide: Ghosts (First Variation) | |
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| Listening Guide: Bush Magic | |
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| History/Culture: Jazz Cooperatives | |
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| Free Spaces | |
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| JAZZ AND THE ARTS: Jazz on Radio | |
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| Experimental Composers | |
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| JAZZ AND THE ARTS: Jazz and Classical Music: The Second Half of the Twentieth Century | |
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| ISSUES: The Growing Role of Women in Jazz | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| Fusion | |
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| Take Note | |
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| Timeline | |
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| Defining Fusion Jazz | |
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| Foreshadowing Fusion | |
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| Early Mixes | |
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| Rock, Funk, and the Climate for Fusion | |
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| Early Fusions | |
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| Miles Davis: Fusion Pioneer | |
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| Listening Guide: Miles Runs the Voodoo Down (single version) | |
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| Fusion in the Early '70s | |
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| STYLE/DEVELOPMENT: Offspring of Bitches Brew | |
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| Lifetime | |
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| Mahavishnu Orchestra | |
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| Weather Report | |
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| Listening Guide: Birdland | |
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| Return to Forever | |
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| Headhunters | |
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| Listening Guide: Watermelon Man | |
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| History/Culture: The Soul-Funk Connection | |
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| R&B Fusion | |
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| Polishing and Popularizing Fusion | |
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| ISSUES: Jazz Versus Fusion | |
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| Later Fusions | |
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| Listening Guide: Bright Size Life | |
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| Conclusino | |
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| History/Culture: Hip-Hop and Jazz | |
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| JAZZ CLASSICS: Post-Mainstream Jazz Standards | |
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| Chapter Summary | |
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| Discussion Questions | |
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| Key Terms and Key People | |
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| Latin Jazz | |
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