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Introduction, The Organ, Registration | |
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Introduction | |
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The organ | |
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General description | |
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Classes of pipes | |
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Qualities of tone color | |
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Mutation stops | |
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Mixture stops | |
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Registration | |
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Germany in the seventeenth and eighteenth centuries | |
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France in the seventeenth and eighteenth centuries | |
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Italy in the seventeenth century | |
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Germany in the nineteenth century | |
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France in the nineteenth century | |
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United States in the twentieth century | |
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Use of the swell pedal and crescendo pedal | |
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An Outline of Study for the Beginning Organist | |
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Manual Technique, Manual Exercises, Part Playing | |
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Manual technique | |
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Position at the console | |
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Manual exercises | |
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Attack and release | |
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Legato and detached notes | |
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Finger extension | |
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Finger independence | |
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Finger substitution | |
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Glissando | |
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Finger crossing | |
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Part playing | |
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Learning Techniques and Compositions for Manuals | |
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Learning techniques | |
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Practicing | |
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Fingering | |
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Touch | |
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Accents | |
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Memorizing | |
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Compositions for manuals | |
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Pedal Technique and Pedal Exercises | |
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Pedal technique | |
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Position at the console | |
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Practice techniques | |
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Pedal exercises | |
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Attack and release | |
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Intervals within the compass of a fifth | |
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Each foot moves the interval of a second | |
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Each foot moves the interval of a third | |
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Heel and toe pedal substitution | |
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Each foot moves the interval of a fourth | |
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Each foot moves the interval of a fifth | |
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Each foot moves the interval of a sixth | |
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Exercises based on pedal parts in compositions by J.S. Bach | |
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Pedal glissando | |
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Two- plane pedaling | |
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Advanced pedal substitution | |
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Alternate toe in wide intervals | |
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Heel and toe in wide intervals | |
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Broken chords | |
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Pedal exercitum BWV 598, J.S. Bach | |
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Double notes | |
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Chords | |
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Studies and Compositions for Manuals and Pedal | |
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Performance Practice | |
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Ornamentation | |
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Spain | |
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Italy | |
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England | |
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France | |
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Germany | |
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Ornaments | |
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Embellishment of sixteenth-century music | |
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Notes Inegales | |
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Fingering | |
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Sixteenth century | |
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Seventeenth century | |
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Eighteenth century | |
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Touch | |
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Legato | |
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Nonlegato | |
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Staccato | |
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Phrasing | |
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Articulation | |
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Affektenlehre (Doctrine of Affections) | |
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Tempo Rubato | |
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Style and Interpretation | |
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Service Playing | |
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Service playing | |
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Hymn playing | |
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Adapting piano accompaniments | |
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A supplementary list of easier service music | |
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Scales for Manuals and Pedals | |
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Practice techniques | |
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Appendices | |
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Graded course in organ playing | |
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Organ specifications | |
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Organ music of the renaissance and baroque | |
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Bibliography | |
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Glossary | |