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| Introduction | |
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| Painting | |
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| Against Imitation | |
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| Form in Modern Painting | |
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| A Formal Analysis | |
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| Modernist Painting | |
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| American-Type Formalism | |
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| W0I>Intentional Visual Interest | |
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| The Limits Of Likeness | |
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| Reality Remade | |
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| Artistic Crimes | |
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| The Philosophical Disenfranchisement of Art | |
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| Aesthetics and the Work of Art | |
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| Mimesis As Make-Believe | |
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| The Origin of the Work of Art | |
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| The Truth in Painting | |
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| Why Are There No Great Women Artists? | |
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| Photography | |
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| The Work of Art in the Age of Mechanical Reproduction | |
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| Why Photography Is Not Art | |
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| Transparent Pictures | |
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| What''s Special About Photography? | |
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| Photographs and Contexts | |
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| Film And Video Art | |
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| Allegory of the | |
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| The Power of Movies | |
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| Woman as Image, Man as Bearer of the Look | |
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| Audience, Actor, and Star | |
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| Space, Time, and Motion in Film | |
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| Video: Distinctive Features of the Medium | |
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| The Third Dimension: Architecture and Sculpture | |
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| , Virtual Space | |
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| Ornament and Crime | |
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| Towards an Architecture | |
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| Architecture as Decorated Shelter | |
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| A Discussion of Architecture (with Christopher Norris) | |
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| The Dislocation of the Architectural Self | |
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| Nolo Contendere | |
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| Representation and Expression in Architecture | |
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| Nature and Art | |
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| Music | |
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| The Expression and Arousal of Emotion in Music | |
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| A Wealth of Wordless Knowledge | |
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| Representation in Music | |
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| Sound and Semblance | |
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| The Recording Angel | |
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| Phonography | |
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| Being True to the Work | |
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| African Music | |
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| On the Concept of Music | |
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| Dance | |
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| Virtual Powers | |
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| What Is Going on in a Dance? | |
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| Working and Dancing | |
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| Dances of the Secret Society | |
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| Literature | |
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| What Is Literature? | |
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| The Poetic Expression of Emotion | |
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| Metaphor | |
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| Literature as a Performing Art | |
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| The Intention of the Author | |
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| Beneath Interpretation | |
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| What Is an Author? | |
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| Theatre | |
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| On Tragedy | |
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| The Birth of Tragedy | |
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| On Oedipus Rex and Hamlet | |
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| Metatheatre | |
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| Melodrama | |
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| Performance | |
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| Popular Arts | |
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| The Postmodern Condition | |
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| Television and Aesthetics | |
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| Simulations | |
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| Plato and the Mass Media | |
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| Adorno''s Case Against Popular Music | |
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| Form and Funk | |
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| Why is Rock Music So Noisy? | |
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| Can White People Sing the Blues? | |
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| Kitsch | |
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| Jokes | |
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| Mannequins | |
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| Ventriloquism | |
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| Pornography | |
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| Liberty and Its Limits | |
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| Appendix | |
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| Classic Sources | |
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| Of the Standard of Taste | |
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| The Sublime | |
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| Judgments About the Beautiful | |
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| The Philosophy of Fine Art | |
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| Art As Experience | |
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| Contemporary Sources | |
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| Categories Of Art | |
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| The Role of Theory in Aesthetics | |
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| Art As a Social Institution | |
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| The Hysterical Sublime | |
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| Can Feminist Art Be Experienced Disinterestedly? | |
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| Are Art Museums Racist? | |
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| The War On Culture | |
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