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| Introduction, The Organ, Registration | |
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| Introduction | |
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| The organ | |
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| General description | |
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| Classes of pipes | |
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| Qualities of tone color | |
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| Mutation stops | |
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| Mixture stops | |
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| Registration | |
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| Germany in the seventeenth and eighteenth centuries | |
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| France in the seventeenth and eighteenth centuries | |
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| Italy in the seventeenth century | |
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| Germany in the nineteenth century | |
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| France in the nineteenth century | |
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| United States in the twentieth century | |
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| Use of the swell pedal and crescendo pedal | |
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| An Outline of Study for the Beginning Organist | |
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| Manual Technique, Manual Exercises, Part Playing | |
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| Manual technique | |
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| Position at the console | |
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| Manual exercises | |
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| Attack and release | |
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| Legato and detached notes | |
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| Finger extension | |
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| Finger independence | |
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| Finger substitution | |
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| Glissando | |
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| Finger crossing | |
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| Part playing | |
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| Learning Techniques and Compositions for Manuals | |
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| Learning techniques | |
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| Practicing | |
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| Fingering | |
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| Touch | |
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| Accents | |
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| Memorizing | |
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| Compositions for manuals | |
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| Pedal Technique and Pedal Exercises | |
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| Pedal technique | |
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| Position at the console | |
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| Practice techniques | |
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| Pedal exercises | |
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| Attack and release | |
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| Intervals within the compass of a fifth | |
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| Each foot moves the interval of a second | |
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| Each foot moves the interval of a third | |
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| Heel and toe pedal substitution | |
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| Each foot moves the interval of a fourth | |
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| Each foot moves the interval of a fifth | |
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| Each foot moves the interval of a sixth | |
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| Exercises based on pedal parts in compositions by J.S. Bach | |
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| Pedal glissando | |
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| Two- plane pedaling | |
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| Advanced pedal substitution | |
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| Alternate toe in wide intervals | |
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| Heel and toe in wide intervals | |
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| Broken chords | |
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| Pedal exercitum BWV 598, J.S. Bach | |
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| Double notes | |
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| Chords | |
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| Studies and Compositions for Manuals and Pedal | |
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| Performance Practice | |
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| Ornamentation | |
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| Spain | |
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| Italy | |
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| England | |
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| France | |
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| Germany | |
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| Ornaments | |
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| Embellishment of sixteenth-century music | |
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| Notes Inegales | |
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| Fingering | |
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| Sixteenth century | |
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| Seventeenth century | |
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| Eighteenth century | |
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| Touch | |
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| Legato | |
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| Nonlegato | |
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| Staccato | |
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| Phrasing | |
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| Articulation | |
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| Affektenlehre (Doctrine of Affections) | |
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| Tempo Rubato | |
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| Style and Interpretation | |
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| Service Playing | |
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| Service playing | |
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| Hymn playing | |
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| Adapting piano accompaniments | |
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| A supplementary list of easier service music | |
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| Scales for Manuals and Pedals | |
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| Practice techniques | |
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| Appendices | |
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| Graded course in organ playing | |
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| Organ specifications | |
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| Organ music of the renaissance and baroque | |
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| Bibliography | |
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| Glossary | |