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| (R) indicates Rhythmic Reading exercises | |
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| Preface In Memorium | |
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| Acknowledgments | |
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| Melody: Diatonic Intervals Rhythm: Division of the Beat | |
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| Rhythm: Simple meter; the Beat and Its Division into Two Parts RHYTHMIC READING | |
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| The quarter note as the beat unit | |
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| Beat-note values and larger only | |
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| The quarter note as the beat unit and its division | |
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| Dotted notes and tied notes | |
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| Two-part drills | |
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| Note values other than the quarter note as beat values | |
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| Two-part drills | |
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| Melody: Stepwise Melodies, Major Keys | |
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| Rhythm: Simple Time (Meter); the Beat and its Division into Two Parts | |
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| Major keys, treble clef, the quarter note as the beat unit | |
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| Key signatures with no more than three sharps or three flats | |
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| Bass clef | |
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| Other meter signatures | |
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| Duets | |
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| Structured Improvisation | |
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| Melody: Intervals from the Tonic Triad, Major Keys | |
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| Rhythm: Simple Meters | |
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| Major keys, treble clef, intervals of the third, fourth, fifth, and octave from the tonic triad | |
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| The quarter note as the beat unit | |
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| Bass clef | |
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| Interval of the sixth; minor sixth, up to , and major sixth, up to , or descending | |
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| The half note and the eighth note as beat units | |
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| Duets | |
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| Key signatures with five, six, and seven sharps or flats | |
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| Structured Improvisation | |
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| Melody: Intervals from the Tonic Triad, Major Keys | |
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| Rhythm: Compound Meters; the Beat and Its Division into Three Parts | |
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| Rhythmic reading: The dotted quarter note as the beat unit | |
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| Single lines and two-part drills | |
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| Sight singing: Major keys, treble clef; the dotted quarter note as the beat unit | |
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| Sight singing: Bass clef | |
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| Rhythmic reading: The dotted half note and the dotted eighth note as beat units, including two-part drills | |
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| Sight singing: The dotted half note and dotted eighth note as beat units | |
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| Duets | |
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| Structured Improvisation | |
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| Melody: Minor Keys; Intervals from the Tonic Triad | |
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| Rhythm: Simple and Compound Meters | |
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| Simple meters | |
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| Compound meters | |
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| Duets | |
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| Structured Improvisation | |
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| Melody: Intervals from the Dominant (V) Triad; Major and Minor Keys | |
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| Rhythm: Simple and Compound Meters | |
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| Intervals of the third from the V triad; major keys; simple meters | |
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| Intervals of the third from the V triad; minor keys; simple meters | |
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| Intervals of the fourth and fifth from the V triad; major and minor keys; simple meters | |
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| Interval of the sixth from the V triad; simple meters | |
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| Compound meters; various intervals from the V triad | |
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| Numerators of three, compound meters | |
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| Duets | |
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| Structured Improvisation | |
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| The C Clefs: Alto and Tenor Clefs | |
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| The alto clef | |
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| The tenor clef | |
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| Additional practice in the C clefs | |
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| Melody: Further Use of Diatonic Intervals | |
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| Rhythm: Simple and Compound Meters | |
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| Single-line melodies | |
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| Duets | |
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| Structured Improvisation | |
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| Melody: Intervals from the Dominant Seventh Chord (V7); Other Diatonic Intervals of the Seventh | |
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| Rhythm: Simple and Compound Meters | |
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| The complete dominant seventh chord | |
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| The interval of the minor seventh; up to or reverse | |
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| The interval of the tritone | |
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| Other uses of diatonic intervals of the seventh | |
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| Structured Improvisation | |
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| Melody: Diatonic Intervals Rhythm: Subdivision of the Beat | |