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Prologue: Antiquity | |
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Music in the Biblical World | |
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Ancient Greece | |
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Music in the Roman Empire | |
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The Musical Legacies of Antiquity | |
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The Medieval Era | |
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Prelude to Part I | |
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Plainchant and Secular Monophony | |
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The Emergence of Plainchant | |
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The Elements of Plainchant | |
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The Expansion of Plainchant | |
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Secular Monophony | |
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Polyphony to 1300 | |
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Organum | |
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Clausula | |
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Motet | |
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Conductus | |
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Mensural Notation | |
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Music in the 14th Century | |
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France: The Ars Nova | |
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Italy: The Trecento | |
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England | |
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Instrumental Music | |
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Music of the Renaissance | |
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Prelude to Part II | |
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Renaissance Humanism | |
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The Protestant Reformation | |
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Renaissance Painting and Sculpture | |
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Music in Renaissance Society | |
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The Emergence of Renaissance Style | |
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Consonance and Dissonance: Trusting the Ear | |
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Sonority: The Contenance Angloise | |
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Texture: Pervading Imitation | |
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Josquin's Ave Maria...virgo serena and the Style of the Renaissance | |
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The Genres of Renaissance Music, 1420-1520 | |
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Sacred Vocal Music | |
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Secular Vocal Music | |
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Instrumental Music | |
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Music in the 16th Century | |
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Secular Vocal Music | |
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Sacred Vocal Music | |
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Instrumental Music in the 16th Century | |
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Mannerism | |
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The Baroque Era | |
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Prelude to Part III | |
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War, Revolution, and Colonial Expansion | |
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The Scientific Revolution | |
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The Musical Baroque | |
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The New Practice | |
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Searching for the Secrets of Ancient Greek Music | |
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The Florentine Camerata | |
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The Seconda Prattica | |
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Music in the Baroque Era: A Stylistic Overview | |
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Vocal Music, 1600-1650 | |
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Secular Song | |
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Opera | |
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Sacred Music | |
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Vocal Music, 1600-1750 | |
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Opera | |
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Sacred Music | |
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Conceptions of the Compositional Process | |
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Instrumental Music, 1650-1750 | |
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Instruments of the Baroque Era | |
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Instrumental Genres of the Baroque Era | |
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The Classical Era | |
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Prelude to Part IV | |
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The Age of Enlightenment | |
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War and Revolution | |
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The Industrial Revolution | |
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Music in Enlightenment Society | |
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The Art of the Natural | |
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Music and the Idea of Nature | |
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Music in the Classical Era: A Stylistic Overview | |
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Style and Form in the Mid-18th Century | |
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Instrumental Music in the Classical Era | |
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The Language of Instrumental Music | |
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Sonata | |
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String Quartet | |
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Cyclical Coherence | |
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The Symphony | |
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Concerto | |
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Vocal Music in the Classical Era | |
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The Rise of Opera Buffa | |
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Opera Wars | |
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Gluck and the Reform of Opera | |
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Mozart and the Synthesis of Operatic Styles | |
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Sacred Music | |
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Song | |
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The 19th Century | |
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Prelude to Part V | |
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Progres | |