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To the Instructor | |
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Preliminary: The Process of Reading, Responding to, and Writing About Literature | |
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What Is Literature, and Why Do We Study It? | |
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Types of Literature: The Genres | |
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Reading Literature and Responding to It Actively | |
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The Necklace | |
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Reading and Responding in a Notebook or Computer File | |
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Writing Essays on Literary Topics | |
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The Goal of Writing: To Show a Process of Thought | |
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Three Major Stages in Thinking and Writing: Discovering Ideas, Making Initial Drafts, and Completing the Essay | |
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Discovering Ideas ("Brainstorming") | |
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Assembling Materials and Beginning to Write | |
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Drafting Your Essay | |
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Writing a First Draft | |
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Developing an Outline | |
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The Use of References and Quotations in Writing About Literature | |
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Illustrative Essay (First Draft): How Setting in "The Necklace" Is Related to the Character of Mathilde | |
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Developing and Strengthening Your Essay Through Revision | |
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Checking Development and Organization | |
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Using Exact, Comprehensive, and Forceful Language | |
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Illustrative Essay (Revised Draft): How Maupassant Uses Setting in "The Necklace" to Show the Character of Mathilde | |
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Commentary on the Essay | |
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Essay Commentaries | |
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Special Topics for Studying and Discussing the Writing Process | |
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Writing About a Close Reading: Analyzing Entire Short Poems or Selected Short Passages from Fiction, Longer Poems, and Plays | |
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The Purpose and Requirements of a Close-Reading Essay | |
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The Location of the Passage in a Longer Work | |
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Writing About the Close Reading of a Passage in a Prose Work, Drama, or Longer Poem | |
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Illustrative Essay: Reading a Passage in Mark Twain's "Luck" | |
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Commentary on the Essay | |
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Writing an Essay on the Close Reading of a Poem | |
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Illustrative Essay: A Close Reading of Thomas Hardy's "The Man He Killed" | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing the Close Reading of Literary Works | |
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Writing About Character: The People in Literature | |
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Character Traits | |
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How Authors Disclose Character in Literature | |
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Types of Characters: Round and Flat | |
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Reality and Probability: Verisimilitude | |
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Writing About Character | |
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Illustrative Essay: The Character of Minnie Wright in Susan Glaspell's Trifles | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Character | |
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Writing About Point of View: The Position or Stance of the Work's Narrator or Speaker | |
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An Exercise in Point of View: Reporting an Accident | |
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Conditions That Affect Point of View | |
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Determining a Work's Point of View | |
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Mingling Points of View | |
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Summary: Guidelines for Point of View | |
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Writing About Point of View | |
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Illustrative Essay: Bierce's Control of Point of View in "An Occurrence at Owl Creek Bridge" | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Point of View | |
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Writing About Plot and Structure: The Development and Organization of Narratives and Drama | |
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Plot: The Motivation and Causation of Narratives and Plays | |
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Writing About the Plot of a Story or Play | |
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Illustrative Essay (on Plot): Conflicting Values in Thomas Hardy's "The Three Strangers" | |
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Commentary on the Essay | |
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Structure: The Organization of Fiction, Poetry, and Drama | |
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Formal Categories of Structure | |
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Formal and Actual Structure | |
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Sonnet 73: That Time of Year Thou Mayst in Me Behold | |
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Writing About Structure in Fiction, Poetry, and Drama | |
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Illustrative Essay (on Structure): Conflict and Suspense in Thomas Hardy's "The Three Strangers" | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Plot and Structure | |
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Writing About Setting: The Background of Place, Objects, and Culture in Literature | |
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What Is Setting? | |
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The Importance of Setting in Literature | |
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Writing About Setting | |
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Illustrative Essay: Poe's Use of Interior Setting to Augment the Eeriness of "The Masque of the Red Death" | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Setting | |
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Writing About an Idea or a Theme: The Meanings and the Messages in Literature | |
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Ideas and Assertions | |
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Ideas and Values | |
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The Place of Ideas in Literature | |
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How to Find Ideas | |
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Writing About a Major Idea in Literature | |
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Illustrative Essay: The Idea of Love's Power in Chekhov's The Bear | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Ideas | |
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Writing About Symbolism and Allegory: Keys to Extended Meaning | |
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Symbolism | |
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Allegory | |
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Fable, Parable, and Myth | |
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Allusion in Symbolism and Allegory | |
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Writing About Symbolism and Allegory | |
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Illustrative Essay: Symbolism in William Butler Yeats's "The Second Coming" | |
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Commentary on the Essay | |
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Illustrative Essay: The Allegory of Hawthorne's "Young Goodman Brown" | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Symbolism and Allegory | |
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Writing About a Work in Its Historical, Intellectual, and Cultural Context | |
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History, Culture, and Multiculturalism | |
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Literature in Its Time and Place | |
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Writing About a Work in Its Historical and Cultural Context | |
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Illustrative Essay: Hughes's References to Black Servitude and Black Pride in "Negro" | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Works in Their Historical, Intellectual, and Cultural Context | |
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Writing Essays of Comparison-Contrast and Extended Comparison-Contrast: Learning by Seeing Literary Works Together | |
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Guidelines for the Comparison-Contrast Method | |
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The Extended Comparison-Contrast Essay | |
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Writing a Comparison-Contrast Essay | |
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Illustrative Essay (Comparing and Contrasting Two Works): The Implication of "Westward" in Wordsworth's "Stepping Westward" and Donne's "Good Friday, 1613, Riding Westward" | |
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Commentary on the Essay | |
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Illustrative Essay (Extended Comparison-Contrast): Literary Treatments of Conflicts Between Private and Public Life | |
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Commentary on the Essay | |
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Special Topics for Studying and Discussing Comparison and Contrast | |
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Writing Examinations on Literature | |
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Critical Approaches Important in the Study of Literature | |
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MLA Recommendations for Documenting Electronic Sources | |
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Works Used for References and Illustrative Essays | |
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Stories | |
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An Occurrence at Owl Creek Bridge | |
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The Story of an Hour | |
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Unfinished Masterpieces | |
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The Three Strangers | |
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Young Goodman Brown | |
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Miss Brill | |
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The Necklace [in Chapter 1] | |
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First Confession | |
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The Masque of the Red Death | |
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Luck | |
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Poems | |
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Dover Beach | |
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The Tyger | |
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My Last Duchess | |
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Good Friday, 1613, Riding Westward | |
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Desert Places | |
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The Road Not Taken | |
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Channel Firing | |
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The Man He Killed | |
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Negro | |
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Bright Star | |
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Rhine Boat Trip | |
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Patterns | |
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Anthem for Doomed Youth | |
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Ballad of Birmingham | |
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Echo | |
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Sonnet 30: When to the Sessions of Sweet Silent Thought | |
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Sonnet 73: That Time of Year Thou Mayst in Me Behold [in Chapter 5] | |
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The Boxes | |
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Stepping Westward | |
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The Second Coming | |
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Plays | |
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The Bear | |
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Trifles | |
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A Glossary of Important Literary Terms | |
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Acknowledgments | |
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Index of Authors and Titles, Topics, Directors, Producers, and Chapter Titles | |