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| Non-Fiction | |
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| Introduction | |
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| Postmodernism, Native American Literature and the Real: The Silko-Erdrich Controversy | |
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| (Crow Creek Dakota) The American Indian Fiction Writers: Cosmopolitanism, Nationalism, the Third World, and First Nation Sovereignty | |
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| (Sioux) Indian Humor | |
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| (Ohiyesa), (Sioux) The Ghost Dance War | |
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| (Laguna Pueblo, Sioux) The Sacred Hoop: A Contemporary Perspective | |
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| (Kiowa) The Man Made of Words | |
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| Decolonializing Criticism: Reading Dialects and Dialogues in Native American Literatures | |
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| (Acoma Pueblo) Towards a National Indian Literature: Cultural Authenticity in Nationalism | |
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| (Osage) History, Myth, and Identity Among Osages and Other Peoples | |
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| (Miwok-Pomo) | |
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| The Woman Who Loved a Snake: Orality in Mabel McKay's Stories | |
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| (Laguna Pueblo) Language and Literature from a Pueblo Perspective An Old-Time Indian Attack Conducted in Two Parts: Part One; Imitation "Indian" | |
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| Poems/Part Two;Gary Snyder's Turtle Island | |
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| Introduction: Only the Beginning | |
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| Fiction | |
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| The Approximate Size of My Favorite Tumor | |
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| This is What it Means to Say Phoenix, Arizona | |
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| (Mohawk) Swimming Upstream | |
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| (Crow Creek Dakota) A Good Chance The Power of Horses | |
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| (Anishinaabe) The Red Convertible | |
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| (Onondaga) Unfinished Business | |
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| (Cherokee) Aunt Parnetta's Electric Blisters | |
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| (Laguna Pueblo, Sioux) Deer Woman | |
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| (Anishinaabe) Sleeping in Rain | |
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| Aunt Moon's Young Man | |
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| (Mohawk) As It Was in the Beginning | |
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| (Cherokee) Borders A Seat in the Garden | |
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| (M�tis) The Hawk is Hungry | |
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| (Anishinaabe) Veterans' Dance | |
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| (Acoma Pueblo) The Killing of a State Cop | |
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| (Choctaw, Cherokee) Blessed Sunshine | |
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| (Osage) Report to the Nation: Repossessing Europe | |
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| (Miwok-Pomo) How I Got to Be Queen | |
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| (Laguna Pueblo) The Man to Send Rain Clouds | |
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| Tony's Story | |
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| Yellow Woman | |
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| (Koyukon Athabaskan) The Disposal of Mary Joe's Children | |
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| (Navajo) All the Colors of Sunset | |
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| (Pawnee-Otoe) The Warriors | |
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| (Gertrude Bonnin), (Sioux) The Soft-Hearted Sioux | |
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| Poetry | |
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| (Spokane, Coeur d'Alene) 13/16 The Business of Fancydancing | |
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| Capital Punishment | |
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| Defending Walt Whitman | |
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| The Exaggeration of Despair | |
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| How to Write the Great American Indian Novel | |
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| Crazy Horse Speaks | |
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| (Laguna Pueblo, Sioux) Dear World | |
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| A Gathering of Spirits Soundings | |
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| (Anishinaabe) Living History | |
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| Rewriting Your Life | |
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| Rituals, Yours;and Mine | |
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| Where I was That Day | |
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| (Mohawk) Bear: A Totem Dance as Seen by Raven | |
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| The Old Man's Lazy | |
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| Rattle | |
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| To-ta Ti-om | |
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| Turtle | |
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| Yellowjacket | |
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| Drum | |
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| Reflections on Milkweed | |
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| (Abenaki) Above the Line | |
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| Blessing the Waters | |
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| Red Blood: Chiapas, 1998 | |
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| (Menominee) Today Was a Bad Day Like TB | |
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| (Tlingit) Salmon Egg Puller; $15 an Hour | |
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| (Anishinaabe) Captivity | |
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| Indian Boarding School: The Runaways | |
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| Jacklight | |
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| Old Man Potchikoo | |
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| Dear John Wayne | |
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| Turtle Mountain Reservation | |
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| (Muskogee) | |
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| She Had Some Horses | |
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| Transformations | |
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| I Give You Back | |
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| Call It Fear | |
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| Eagle Poem | |
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| The Woman Hanging from the Thirteenth Floor Window | |
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| Grace | |
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| The Woman Who Fell from the Sky | |
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| (Chickasaw) Blessing | |
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| Song for My Name | |
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| Bamboo | |
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| Celebration: Birth of a Colt | |
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| Drought | |
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| The New Apartment, Minneapolis | |
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| The Truth Is | |
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| Elk Song | |
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| Geraniums | |
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| Heritage | |
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| It Must Be | |
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| Map | |
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| Morning: The World in the Lake | |
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| (Mohawk) Akwesasne | |
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| Legacy | |
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| Sweetgrass | |
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| They Tell Me I Am Lost | |
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| Wild Strawberry | |
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| Wolf "Aunt." | |
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| (Anishinaabe) Who Am I | |
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| (Kiowa) Angle of Geese | |
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| The Bear | |
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| At Risk | |
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| December 29, 1980: Wounded Knee Creek | |
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| The Colors of the Night | |
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| The Eagle-Feather Fan | |
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| (Acoma Pueblo) Bend in the River | |
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| The Creation, According to Coyote | |
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| Dry Root in a Wash | |
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| My Father's Song | |
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| A Story of How a Wall Stands | |
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| The Boy and Coyote | |
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| (Osage) And Don't Be Deaf to the Singing Beyond | |
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| Driving in Oklahoma | |
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| In Kansas | |
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| An Eagle Nation | |
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| What the Eagle Fan Says | |
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| Wazhazhe Grandmother | |
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| (Miwok-Hopi) I Expected My Skin and My Blood to Ripen | |
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| If I Am Too Brown or Too White for You | |
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| Three Thousand Dollar Death Song | |
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| (Laguna Pueblo) Indian Song: Survival Untitled | |
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| Untitled, From Ceremony | |
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| Storytelling | |
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| Story from Bear County | |
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| Toe'osh: A Laguna Coyote Story | |
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| When Sun Came to Riverwoman) | |
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| (Koyukon Athabaskan) Good Grease | |
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| The Last Wolf | |
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| There is No Word for Goodbye | |
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| Matmiya | |
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| (Navajo) Blue Horses Rush In | |
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| In Praise of Texas | |
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| Light a Candle | |
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| Raisin Eyes | |
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| (Black Feet-Gros Ventre) Christmas Comes to Moccasin Flat Surviving | |
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| Thanksgiving at Snake Butte | |
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| Snow Country Weavers | |
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| Riding the Earthboy 40 | |
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| (Oneida) Dream of Rebirth | |
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| For Heather, Entering Kindergarten | |
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| In the Longhouse, Oneida Museum | |
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| Black Eagle Child Quarterly | |
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| (Mesquakie) The First Dimension of Skunk | |
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| Winter of the Salamander | |
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| The Language of Weather | |
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| Morning Talking Mother | |
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| The Significance of a Water Animal | |
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| Nothing Could Take Away the Bear-King's Image | |
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| Drama | |
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| (Anishinaabe) Harold of Orange: A Screenplay | |
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| Timeline | |
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| Credits | |
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| Index | |