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| Starting and Maintaining a Project | |
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| Load Project Settings Window | |
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| New Project Settings Window | |
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| General Settings | |
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| Video Settings | |
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| Audio Settings | |
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| Keyframe and Rendering Options | |
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| Capture Settings | |
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| Saving Project Settings | |
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| Quick Reference Settings Viewer | |
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| Starting a New Project or Working with an Existing Project | |
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| Organization Through Bins | |
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| Create a Unique Naming Structure | |
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| It's More Than Just a Name | |
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| Searching Through the Stats | |
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| Utilizing Bins in More Than One Project | |
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| Save, Save, and Resave | |
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| Safeguard Yourself with Auto Save and Archives | |
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| So Where Are These Files Kept, Anyway? | |
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| Archiving Project Files and Related Media | |
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| Moving Files: Working Cross-Platform | |
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| Deleting Files | |
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| Summary | |
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| Source Material: Getting It into Premiere | |
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| Copyright Issues: Don't Break the Law | |
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| Online Versus Offline | |
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| Digital Media Versus Analog Media | |
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| Types of Formats | |
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| The Basics of Video Levels | |
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| Working with Digital Source Material | |
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| Capturing from DV Source | |
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| Setting Up DV for Optimal Use | |
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| Logging Footage Using DV Control | |
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| Working with Analog Source Material | |
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| Choosing Resolution, Compression, and Quality Settings for Analog Sources | |
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| Capturing Analog Source Material Without Deck Control | |
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| Capturing Analog Source Material with Deck Control | |
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| Batch Capture: Letting the Computer Work for You | |
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| Digitizing from a Batch List | |
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| Redigitizing the Chosen Few | |
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| Capturing Audio Only | |
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| Comparing Audio File Size to Quality | |
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| Importing Still Graphics | |
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| Importing Sequential Files | |
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| Summary | |
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| Editing Fundamentals | |
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| Working with the Workspace | |
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| Monitors: Single View or Dual Mode | |
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| The Concept of Editing: Insert and Overlay | |
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| Overlay Editing | |
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| Insert Editing | |
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| The Concept of Life Versus Extract | |
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| One-, Two-, and Three-Point Editing Techniques | |
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| Saving Time When Selecting Source Clips | |
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| Storyboard Editing: Automate to Timeline | |
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| Stacking Up Clips | |
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| Viewing More Than One Track | |
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| Using the Navigator Window | |
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| Using the History Window | |
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| Maneuvering Around with Markers | |
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| Preview Before You Edit with Gang | |
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| Getting Rid of Unwanted Source Footage | |
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| Summary | |
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| Fine Tuning Using Trim Mode | |
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| The Art of Trimming | |
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| Entering Trim Mode | |
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| How Trim Mode Works | |
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| Controls in Trim Mode | |
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| Trimming One Side of an Edit | |
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| Trimming Both Sides of an Edit | |
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| Ripple Versus Roll: Trimming Without Trim Mode | |
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| Rolling Edit | |
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| Ripple Edit | |
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| Slip Edit | |
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| Slide Edit | |
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| Trimming Down Timeline Clips from the Source Monitor | |
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| Locking Tracks to Avoid Synchronization Problems | |
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| Holding That Clip in Place | |
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| Getting Creative with Split Edits | |
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| Summary | |
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| Adding the Right Transition | |
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| The Transitions Palette | |
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| Adding the Default Transition | |
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| Customizing the Transitions Palette | |
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| Adjusting Transition Settings | |
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| Checkerboarding: Using A/B Track Editing for Transitions | |
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| Single-Layer Editing Mode: Automatic Checkerboarding | |
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| Deciding Which Transition to Use | |
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| The Simple Art of the Cut | |
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| Smoothing Out Edit Points with Dissolves | |
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| Transitions Don't Appear Correctly | |
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| There's Not Enough Source Footage | |
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| Using Gradient Wipe Transitions | |
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| Using Moving Video Clips to Disguise Edit Points | |
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| Using Graphic Images for Transitions | |
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| Incorporating Third-Party Transitions | |
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| Summary | |
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| Image Manipulation Within Timeline Segments | |
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| The Effects Palettes | |
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| Effect Controls: Adjusting the Parameters | |
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| Hiding and Removing Effects | |
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| Layering Multiple Effects on a Single Clip | |
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| Using Keyframes to Customize Effects | |
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| Animating a Clip with Motion | |
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| Using Keyframes to Set Transparency | |
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| Fading in and Fading Out | |
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| Capturing the Moment with Freeze Frames | |
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| Controlling the Speed at Which the World Moves | |
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| Changing Speeds at the Source | |
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| Fix It in the Mix | |
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| Video Levels 101 | |
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| What You See Might Not Be What You Get | |
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| Getting Just the Right Color (Correction) | |
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| Hue and Saturation | |
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| Changing the Color Balance Over Time | |
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| Highlighting a Single Color | |
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| Do You Have It in Another Color? | |
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| Various Results with Filters | |
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| Working in 3D Space | |
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| Summary | |
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| Getting Creative with Keys | |
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| What Is an Alpha Channel? | |
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| Types of Alpha Channels | |
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| Extreme Contrast for Image Separation | |
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| Using Luminance Keys with Non-Black-and-White Images | |
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| Using Color to Key Images | |
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| Chroma Key Fundamentals | |
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| Clothing and Props are "Key" | |
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| Image Matte Keys for Cookie-Cutter Effects | |
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| Creating Images for Matte Keys | |
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| Creating Soft-Edge Keys | |
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| Matte Keys to Emphasize Your Image | |
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| Using Animated Mattes to Track the Key | |
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| Using Any Moving Video as Your Matte Key | |
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| Summary | |
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| Audio Sweetening for Perfection | |
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| Working with Audio Files | |
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| Understanding Digital Audio Quality | |
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| Displaying Audio Properties | |
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| Layering Audio Tracks | |
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| Monitoring Audio Tracks | |
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| Labeling Tracks for Clarity | |
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| Adjusting Clip Volume with Gain Control | |
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| Mixing with the Audio Console | |
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| Grouping Sliders Using the Gang Feature | |
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| Adjusting Audio Gain Using Rubber Banding | |
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| Editing with the Help of Audio Waveform Display | |
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| Panning Audio to Enhance Stereo Effect | |
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| Cross-Fading Audio | |
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| Split Edits: Audio Cross-Fades with Linked Video Clips | |
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| Keeping Sync | |
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| Working with Sync Locks | |
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| Audio Filters for Mastering Your Sound | |
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| Audio Tip of the Day: Room Tone | |
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| Summary | |
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| The New Abobe Title Designer | |
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| A Whole New Look | |
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| Creating a New Title | |
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| From Creation to Implementation | |
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| Working with Existing Text | |
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| Using Text from Other Projects | |
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| Applying Text Attributes | |
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| Quick-Set Style Settings | |
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| Nontraditional Typing | |
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| Premiere's New Design Templates | |
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| Bringing in a Sample Frame | |
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| Creating Rolling and Crawling Titles | |
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| Animating Your Text | |
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| Creating Graphic Objects in Title Tool | |
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| Outside Help with Edit Original | |
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| One Last Tip: Third-Party Help for Quick and Easy Titles | |
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| Summary | |
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| Outputting Your Work | |
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| Prep Your Tape | |
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| Adding Black | |
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| Bars and Tone | |
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| The Slate: Who, What, When, and Where | |
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| Ten, Nine, Eight, ... | |
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| Creating a Countdown in Premiere | |
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| Building Your Own Custom Countdown | |
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| Outputting DV Using FireWire | |
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| Outputting to Tape Without Deck Control | |
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| Outputting to Tape Using Deck Control | |
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| Convergence: Exporting for Multimedia and the Internet | |
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| Codecs | |
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| Data Rate | |
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| Key Frames | |
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| Adobe's New MPEG Encoder | |
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| Batch Processing: All at Once | |
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| Markers: Adding Links and Chapters | |
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| Exporting Still Images or Image Sequences | |
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| EDLs: How to "Read" a Movie | |
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| Summary | |