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| Foreword to the Second Edition | |
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| Foreword to the First Edition | |
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| Acknowledgments | |
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| Introduction | |
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| History of Forensic Imaging | |
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| My Inspiration | |
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| The Practical Value | |
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| The History | |
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| Summary | |
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| Composition and Cardinal Rules | |
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| Use-Once (or, Use One Time) Camera versus a Professional Camera System | |
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| Composition and Cardinal Rules | |
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| Cardinal Rules of Crime Scene Photography | |
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| Summary | |
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| Basic Exposure (Non-Flash) Concepts | |
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| The Proper Exposure Triangle | |
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| Shutter Speed as Motion Control | |
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| Using Slow Shutter Speeds to Eliminate Rain and Snow | |
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| Reciprocal Exposures | |
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| The Reflective Light Meter | |
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| "Normal" and "Non-Normal" Scenes | |
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| Tools for Determining "Proper" Exposures with Tricky Scenes | |
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| Bracketing | |
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| The F/16 Sunny Day Rule | |
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| Causes for Complete Rolls of Film with Exposure Errors | |
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| Common Filters | |
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| The Eye Cup Cover | |
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| Summary | |
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| Focus, Depth of Field, and Lenses | |
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| Focus | |
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| Depth of Field | |
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| Lenses | |
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| Summary | |
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| Electronic Flash | |
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| Guide Numbers | |
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| Flash Sync Speeds | |
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| Set the Flash for the Film Used (If Still Using a Film Camera) | |
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| Manual Flash Mode | |
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| The Inverse Square Law | |
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| Automatic and Dedicated Flash Exposure Modes | |
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| Built-in Flash Units | |
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| Fill-in Flash | |
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| Oblique Light, Both Flash and Non-Flash (Flashlight) | |
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| Bounce Flash | |
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| Painting with Light | |
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| Summary | |
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| Crime Scene Photography | |
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| Photo Documentation Forms | |
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| Overall Photographs | |
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| Midrange Photographs | |
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| Close-Up Photographs | |
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| The Photographic Documentation of Bodies and Wounds | |
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| Summary | |
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| Ultraviolet, Infrared, and Fluorescence | |
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| The Electromagnetic Spectrum (EMS) | |
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| Ultraviolet Light (UV) | |
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| Infrared Light (IR) on the Electromagnetic Spectrum | |
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| Visible Light Fluorescence | |
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| Summary | |
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| Photogrammetry | |
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| Introduction to Photogrammetry | |
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| Perspective Grid Photogrammetry | |
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| Perspective Disc Photogrammetry | |
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| Natural Grid Photogrammetry | |
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| Reverse Projection Photogrammetry | |
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| Rhino Photogrammetry | |
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| Summary | |
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| Special Photography Situations | |
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| Accident Photography | |
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| Surveillance Photography | |
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| Aerial Photography | |
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| Underwater Photography | |
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| Summary | |
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| Digital Imaging Technologies | |
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| In the Beginning | |
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| Expose Yourself to Digital Imaging Concepts: Bits, Bytes, Pixels, and Dots | |
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| Take a Picture! It Lasts Longer � Or Does It? | |
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| Image S&M � Storage and Management of Your Digital Images | |
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| Summary | |
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| Digital Image Processing of Evidentiary Photography | |
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| Best Practices and Guidelines | |
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| General Guidelines and Requirements | |
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| The Order of Enhancements | |
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| Getting Started | |
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| The Imaging Process (The Act Formerly Known as "Enhancement") | |
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| Summary | |
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| Legal Issues Related to Photographs and Digital Images | |
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| Criteria of Photographs and Digital Images as Evidence | |
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| The Purpose of Crime Scene Photographs | |
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| Photographs of Suspects and Evidence | |
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| Legal Implications of Digital Imaging | |
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| International Association for Identification (IAI) Resolution 97-9 | |
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| Case Law Citations Relevant to Film and Digital Images | |
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| Canadian Cases | |
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| Summary | |
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| Appendix | |
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| Glossary | |
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| Subject Index | |