| |
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| Poetry | |
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| Reading a Poem in Its Elements | |
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| A Conversation on Writing with Carolyn Forch�, video interview available online @ www.mhhe.com/delbanco1e | |
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| An Interactive Reading: Carolyn Forche, The Museum of Stones | |
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| The Craft of Poetry | |
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| O My Luve’s Like a Red, Red Rose | |
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| Those Winter Sundays | |
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| A Fragment [“The moon has set”] | |
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| I Wandered Lonely as a Cloud | |
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| At Blackwater Pond | |
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| Sailing to Byzantium | |
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| Poem for People That Are Understandably Too Busy to Read Poetry | |
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| Going Further with Reading | |
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| An Interactive Reading: William Shakespeare My Mistress’ Eyes Are Nothing like the Sun | |
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| For Anne | |
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| Forms of Poetry | |
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| Lyric | |
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| Song of Solomon 4:1-7 [“Behold thou art fair, my love”] | |
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| Piano | |
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| Leda and the Swan | |
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| Epic | |
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| Lord Byron, Don Juan [“Bob Southey, you’re a poet”] | |
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| Lord Byron, Don Juan [“I want a hero”] | |
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| Dramatic | |
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| My Last Duchess | |
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| A Conversation on Translation with Stephen Mitchell, video interview available online @ www.mhhe.com/delbanco1e | |
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| Bhagavad Gita [The Secret of Life] | |
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| Rumi, Some Kiss We Want | |
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| Do Not Love You Except Because I Love You | |
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| For Review and Further Study | |
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| Go From Me | |
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| Love Among the Ruins | |
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| Therefore | |
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| Not In A Silver Casket Cool With Pearls | |
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| Living In Sin | |
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| Archaic Torso of Apollo | |
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| Writing About Poetry | |
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| A Conversation on Writing with Li-Young Lee, video interview available online @ www.mhhe.com/delbanco1e | |
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| Eating Alone | |
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| Eating Together | |
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| An Interactive Reading of Eating Alone | |
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| A Student’s Critical Analysis Paper on Eating Alone (three drafts) | |
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| Words | |
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| A Conversation on Writing with Marie Howe, video interview available online @ www.mhhe.com/delbanco1e | |
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| What the Living Do | |
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| Word Choice: Varieties of Diction | |
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| Ode on a Grecian Urn | |
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| Funeral Blues | |
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| We Real Cool | |
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| |
| General vs. Specific Language | |
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| Shall I compare thee to a summer’s day? | |
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| Dover Beach | |
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| Allusion | |
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| The Dover Bitch | |
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| Aubade | |
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| Denotation vs. Connotation | |
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| The Fish | |
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| A Blessing | |
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| Word Order | |
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| Stopping by woods on a snowy evening | |
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| The Emperor of Ice-Cream | |
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| Homage to my hips | |
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| |
| Crossing Brooklyn Ferry | |
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| For Review and Further Study | |
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| |
| The ISM | |
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| |
| The Names | |
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| E.E. Cummings, in Just - | |
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| A Valediction: Forbidding Mourning | |
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| Love Song: I and Thou | |
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| Song of Obstacles | |
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| Just Words | |
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| |
| The World In Translation | |
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| A Checklist: Reading for Words | |
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| Suggestions for Writing about Words | |
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| VOICE: Persona, Tone, and Irony | |
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| |
| A Conversation on Writing with Stephen Dunn, video interview available online @ www.mhhe.com/delbanco1e | |
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| |
| After | |
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| Tone | |
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| |
| The Death of the Ball Turret Gunner | |
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| My Papa’s Waltz | |
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| Sunday Morning | |
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| The Author to Her Book | |
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| For Review and Further Study | |
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| I So Liked Spring | |
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| Mexicans Begin Jogging | |
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| Traveling Through the Dark | |
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| This Is Just To Say | |
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| Persona | |
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| On My First Son | |
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| Daddy | |
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| Flash Cards | |
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| Golden Retrievals | |
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| Ai, Riot Act, April 29, 1992 | |
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| |
| Crazy Jane Talks with the Bishop | |
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| For Review and Further Study | |
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| Herbert White | |
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| |
| Autobiography of a Chicano Teen Poet | |
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| Letter Home-New Orleans, November 1910 | |
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| Irony | |
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| To a Captious Critic | |
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| Dulce et Decorum Est | |
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| AD | |
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| Richard Corey | |
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| The Convergence of the Twain | |
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| To a Terrorist | |
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| For Review and Further Study | |
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| |
| next to of course god America I | |
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| Sonnet for the End of a Sequence | |
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| A Checklist: Reading for Voice | |
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| Suggestions for Writing about Voice | |
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| |
| Images and Symbols | |
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| |
| A Conversation on Writing with Jane Hirshfield, video interview available online @ www.mhhe.com/delbanco1e | |
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| Tree Button | |
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| On a branch | |
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| A caterpillar | |
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| In a Station of the Metro | |
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| Sea Poppies | |
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| The Red Wheelbarrow | |
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| Anecdote of the Jar | |
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| The Blue Bowl | |
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| Poems and Paintings | |
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| Musee des Beaux Arts with Breughel’s Fall of Icarus | |
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| Automat with Edward Hopper’s Automat | |
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| Girl Powdering Her Neck with Kitagawa Utamaro’s Ukiyo-e print of Girl Powdering Her Neck | |
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| For Review and Further Study | |
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| |
| Driving to Town Late to Mail a Letter | |
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| |
| Song for Saint Cecelia’s Day, 1687 | |
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| Farm House By the River | |
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| Ode to a Nightingale | |
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| Scavenging on a Double Bluff | |
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| Patterns | |
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| The Quaker Graveyard In Nantucket | |
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| Lilacs | |
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| The Blue Swallows | |
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| The Stolen Branch | |
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| Motion | |
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| |
| I Shall Paint My Nails Red | |
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| |
| I Am Not Yours | |
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| |
| A Checklist: Reading for Images and Symbols | |
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| |
| Suggestions for Writing about Images and Symbols | |
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| |
| Figures of Speech | |
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| |
| A Conversation on Writing with Robert Pinsky, video interview available online @ www.mhhe.com/delbanco1e | |
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| |
| Shirt | |
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| |
| Sweet Like a Crow | |
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| |
| To Television | |
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| |
| Simile and Metaphor | |
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| |
| You fit into me | |
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| The Suitor | |
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| |
| Metaphors | |
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| |
| Jump Cabling | |
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| Symposium | |
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| |
| Hyperbole and Understatement | |
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| |
| Synechdoche and Metonymy | |
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| |
| Encounter | |
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| Inside Out | |
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| |
| Personification and Apostrophe | |
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| |
| Composed Upon Westminster Bridge, September 3, 1802 | |
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| |
| Ah! Sunflower | |
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| Fugitive Woman | |
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| Parodox and Oxymoron | |
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| |
| Kyoto, translated by Robert Hass | |
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| |
| William Butler Yeats: The Fisherman | |
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| |
| Pun | |
| |
| |
| Their Sex Life | |
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| |
| Humor | |
| |
| |
| I Hate You | |
| |
| |
| For Further Review and Study | |
| |
| |
| To Autumn | |
| |
| |
| The Secretary Chant | |
| |
| |
| Root Cellar | |
| |
| |
| A Noiseless, Patient Spider | |
| |
| |
| Saint Pumpkin | |
| |
| |
| A Checklist: Reading for Figures of Speech | |
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| |
| Suggestions for Writing about Figures of Speech | |
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| |
| Sound, Rhyme, and Rhythm | |
| |
| |
| Conversation on Writing with Thomas Lynch, video interview available online @ www.mhhe.com/delbanco1e | |
| |
| |
| Iambs for the day of burial | |
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| |
| Sound | |
| |
| |
| Digging | |
| |
| |
| For Further Review and Study | |
| |
| |
| Bright Star - Would I Were As Steadfast As Thou Art | |
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| |
| Only Until This Cigarette Is Ended | |
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| |
| A Birthday | |
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| |
| Rhyme | |
| |
| |
| True ease in writing comes from art, not chance [excerpt from “An Essay on Criticism”] | |
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| |
| The Fish | |
| |
| |
| The difference between Despair | |
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| |
| For Further Review and Study | |
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| |
| Women’s Work | |
| |
| |
| The Raiment We Put On | |
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| |
| Chopin | |
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| |
| Rhythm | |
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| |
| Stresses and Pauses | |
| |
| |
| Sadie and Maud | |
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| |
| Meter | |
| |
| |
| Scansion | |
| |
| |
| Trochee trips from long to short | |
| |
| |
| Metrical Variation | |
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| |
| Pied Beauty | |
| |
| |
| For Further Review and Study | |
| |
| |
| Anonymous, Bonnie Barbara Allen | |
| |
| |
| John Donne in California | |
| |
| |
| Hymn to God, My God, In My Sickness | |
| |
| |
| Poem at Thirty | |
| |
| |
| Jook | |
| |
| |
| A Checklist: Reading for Sound, Rhyme, and Rhythm | |
| |
| |
| Suggestions for Writing about Sound, Rhyme, and Rhythm | |
| |
| |
| Fixed Poetic Forms | |
| |
| |
| A Conversation on Writing with Edward Hirsch, video interview available online @ www.mhhe.com/delbanco1e | |
| |
| |
| My First Theology Lesson | |
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| |
| Form, Fixed Form, Open Form | |
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| |
| Stanzas, Couplets, Tercets, Quatrains | |
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| |
| The Building Blocks of Form | |
| |
| |
| The Sonnet | |
| |
| |
| How Do I Love Thee? Let Me Count the Ways | |
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| |
| On First Looking into Chapman's Homer | |
| |
| |
| When, in Disgrace with Fortune and Men's Eyes | |
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| |
| Saga | |
| |
| |
| Villanelle | |
| |
| |
| Do not go gentle into that good night | |
| |
| |
| One Art | |
| |
| |
| Sestina | |
| |
| |
| Sestina | |
| |
| |
| Pantoum | |
| |
| |
| Pantoum of the Great Depression | |
| |
| |
| First Pantoum of Summer | |
| |
| |
| Haiku | |
| |
| |
| Deep autumn- | |
| |
| |
| Tethered horse | |
| |
| |
| Don’t worry, spiders | |
| |
| |
| Epigram | |
| |
| |
| What Is an Epigram? | |
| |
| |
| Prayer | |
| |
| |
| Two Epigrams | |
| |
| |
| Small Song | |
| |
| |
| Limerick | |
| |
| |
| There was an Old Man with a gong | |
| |
| |
| Starvation Diet | |
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| |
| The limerick’s never averse | |
| |
| |
| Elegy | |
| |
| |
| To an Athlete Dying Young | |
| |
| |
| In Memory of W. B. Yeats | |
| |
| |
| Elegy for Jane | |
| |
| |
| Ode | |
| |
| |
| Ode to the West Wind | |
| |
| |
| For Review and Further Study | |
| |
| |
| Changed Woman | |
| |
| |
| Knoxville, Tennessee | |
| |
| |
| Elektra on Third Avenue | |
| |
| |
| Mid-Term Break | |
| |
| |
| Elegy for My Father | |
| |
| |
| The Shipfitter’s Wife | |
| |
| |
| Sonnet for the Music in the Warsaw Ghetto | |
| |
| |
| Sonnet | |
| |
| |
| Video Blues | |
| |
| |
| Snow Melting | |
| |
| |
| The Assassination of John Lennon as Depicted by the Madame Tussaud Wax Museum Niagara Falls, Ontario, l987 | |
| |
| |
| A Checklist: Reading for Fixed Poetic Forms | |
| |
| |
| Suggestions for Writing about Fixed Poetic Forms | |
| |
| |
| Open Forms | |
| |
| |
| A Conversation on Writing with Robert Hass, video interview available online @ www.mhhe.com/delbanco1e | |
| |
| |
| Meditation at Lagunitas | |
| |
| |
| Open Form Poetry | |
| |
| |
| Song of Myself [I Celebrate myself, and sing myself] | |
| |
| |
| Defending Walt Whitman | |
| |
| |
| Since Feeling Is First | |
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| |
| After Making Love We Hear Footsteps | |
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| |
| Tar | |
| |
| |
| Sex without Love | |
| |
| |
| Dragonflies Mating | |
| |
| |
| Visual Poetry | |
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| |
| Easter Wings | |
| |
| |
| Swan and the Shadow | |
| |
| |
| War Symphony | |
| |
| |
| Vision and Prayer (i) | |
| |
| |
| Prose Poems | |
| |
| |
| The Colonel | |
| |
| |
| Football | |
| |
| |
| Corn Face Mesilla | |
| |
| |
| For Further Review and Study | |
| |
| |
| Turtle Soup | |
| |
| |
| Pumpkin Eater | |
| |
| |
| Spectrum | |
| |
| |
| A Supermarket in California | |
| |
| |
| On Becoming a Tiger | |
| |
| |
| Snake | |
| |
| |
| Ache of Marriage | |
| |
| |
| Nani | |
| |
| |
| God Is In the Cracks | |
| |
| |
| Autumn Begins in Martins Ferry, Ohio | |
| |
| |
| A Checklist: Reading for Open Forms | |
| |
| |
| Suggestions for Writing about Open Forms | |
| |
| |
| Song and Spoken Word | |
| |
| |
| A Conversation on Writing with Al Young, video interview available online @ www.mhhe.com/delbanco1e | |
| |
| |
| Doo-Wop: The Moves | |
| |
| |
| The Power of Rhythm | |
| |
| |
| Anonymous, Western Wind | |
| |
| |
| Story in Brief Song: Ballads | |
| |
| |
| Anonymous, Sir Patrick Spence | |
| |
| |
| Songs of the Countryside: Pastoral Poetry | |
| |
| |
| The Passionate Shepherd to His Love | |
| |
| |
| Shakespeare in Song | |
| |
| |
| Feare no more the heat of the sun | |
| |
| |
| Language as Melody | |
| |
| |
| Song: Go and catch a falling star | |
| |
| |
| Native American Poetry | |
| |
| |
| Morning Song | |
| |
| |
| Spoken Word Pioneers | |
| |
| |
| The Last Poets, My People | |
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| |
| Dusty Blues | |
| |
| |
| Three Spoken Word Poems | |
| |
| |
| So What! (for the White Dude who said this ain’t poetry) | |
| |
| |
| Grandmother | |
| |
| |
| Ship of State of Fools | |
| |
| |
| For Further Review and Study | |
| |
| |
| HIV | |
| |
| |
| Choices | |
| |
| |
| Jabberwocky | |
| |
| |
| The Revolution Will Not Be Televised | |
| |
| |
| The Blues | |
| |
| |
| The Electric Slide Boogie | |
| |
| |
| Postcards of El Barrio | |
| |
| |
| Poem Reaching for Something | |
| |
| |
| A Checklist: Reading Song and Spoken Word | |
| |
| |
| Suggestions for Writing about Song and Spoken Word | |
| |
| |
| Langston Hughes: | |
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| |
| A Case Study on Langston Hughes and his Contemporaries | |
| |
| |
| Difficult Beginnings | |
| |
| |
| A Turning Point | |
| |
| |
| The Harlem Renaissance | |
| |
| |
| Blues and Jazz | |
| |
| |
| Hughes’s Poetry | |
| |
| |
| Facts of Life | |
| |
| |
| Langston Hughes | |
| |
| |
| Ballad of the Landlord | |
| |
| |
| Dream Boogie | |
| |
| |
| The Dream Keeper | |
| |
| |
| Harlem | |
| |
| |
| Theme for English B | |
| |
| |
| Let America Be America Again | |
| |
| |
| The Negro Speaks Of Rivers | |
| |
| |
| I, Too | |
| |
| |
| Minstrel Man | |
| |
| |
| Mother to Son | |
| |
| |
| Motto | |
| |
| |
| Negro | |
| |
| |
| A New Song | |
| |
| |
| Night Funeral In Harlem | |
| |
| |
| Po’ Boy Blues | |
| |
| |
| Ardella | |
| |
| |
| Song for a Dark Girl | |
| |
| |
| The Weary Blues | |
| |
| |
| Essay: “The Negro Artist and the Racial Mountain” | |
| |
| |
| Hughes’ Contemporaries | |
| |
| |
| Incident | |
| |
| |
| Sonnet to a Negro in Harlem | |
| |
| |
| White City | |
| |
| |
| Reapers | |
| |
| |
| Touche | |
| |
| |
| Fragment | |
| |
| |
| Getting Started: A Research Project | |
| |
| |
| Further Suggestions for Writing and Research | |
| |
| |
| Some Sources for Research | |
| |
| |
| Art and Poetry: A Case Study on William Blake | |
| |
| |
| William Blake’s Art and Poetry | |
| |
| |
| An Unconventional Mind | |
| |
| |
| Blake in Context: Eighteenth Century London | |
| |
| |
| From Songs of Innocence | |
| |
| |
| Introduction to Songs of Innocence | |
| |
| |
| The Echoing Green with Illustrations | |
| |
| |
| The Little Lamb | |
| |
| |
| The Little Black Boy | |
| |
| |
| The Chimney Sweeper | |
| |
| |
| The Little Boy Lost | |
| |
| |
| The Little Boy Found | |
| |
| |
| Holy Thursday | |
| |
| |
| The Divine Image with Illustration | |
| |
| |
| From Songs of Experience | |
| |
| |
| Holy Thursday with Illustration | |
| |
| |
| The Chimney Sweeper | |
| |
| |
| The Sick Rose | |
| |
| |
| The Tyger | |
| |
| |
| London | |
| |
| |
| The Human Abstract | |
| |
| |
| A Little Boy Lost | |
| |
| |
| A Little Girl Lost | |
| |
| |
| The Voice of the Ancient Bard | |
| |
| |
| The Clod & the Pebble | |
| |
| |
| Garden of Love with Illustration | |
| |
| |
| Making Connections: Songs of Innocence and Experience | |
| |
| |
| Making Connections: Reading Text and Image | |
| |
| |
| Getting Started: A Research Project | |
| |
| |
| Learning to Read Images: William Blake’s The Fly with Illustration | |
| |
| |
| Further Suggestions for Writing and Research | |
| |
| |
| Some Sources for Research | |
| |
| |
| American Plain Style: | |
| |
| |
| Two Case Studies | |
| |
| |
| Emily Dickinson and Robert Frost | |
| |
| |
| The Roots of American Plain Style | |
| |
| |
| The Plain Style | |
| |
| |
| Emily Dickinson | |
| |
| |
| Success is counted sweetest | |
| |
| |
| I Taste a Liquor Never Brewed | |
| |
| |
| Some keep the Sabbath going to Church | |
| |
| |
| Safe in Their Alabaster Chambers | |
| |
| |
| I like a look of Agony | |
| |
| |
| Wild Nights-Wild Nights | |
| |
| |
| There’s a Certain Slant of Light | |
| |
| |
| I felt a Funeral in my Brain | |
| |
| |
| I’m Nobody! Who are You | |
| |
| |
| The Soul Selects Her Own Society | |
| |
| |
| After Great Pain, a Formal Feeling Comes | |
| |
| |
| Much Madness Is Divinest Sense | |
| |
| |
| I died for Beauty-but was scarce | |
| |
| |
| I Heard a Fly Buzz-When I Died | |
| |
| |
| The Brain-Is Wider Than the Sky | |
| |
| |
| I started early, took my dog | |
| |
| |
| Because I Could Not Stop for Death | |
| |
| |
| One Need Not Be A Chamber - To Be Haunted | |
| |
| |
| A narrow Fellow in the Grass | |
| |
| |
| The Bustle in a House | |
| |
| |
| Tell all the Truth, but tell it slant | |
| |
| |
| There is no Frigate like a Book | |
| |
| |
| Robert Frost | |
| |
| |
| Mowing | |
| |
| |
| After Apple-Picking | |
| |
| |
| Mending Wall | |
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| Birches | |
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| "Out, Out-" | |
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| The Oven Bird | |
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| The Road Not Taken | |
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| Fire and Ice | |
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| Nothing Gold Can Stay | |
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| Acquainted with the Night | |
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| Desert Places | |
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| Design | |
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| Come In | |
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| The Gift Outright | |
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| The Silken Tent | |
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| Getting Started: A Research Project | |
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| Further Suggestions for Writing and Research | |
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| Some Sources for Research | |
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| An Anothology of Poems For Further Reading | |
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| First Poem for You | |
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| To live in the Borderlands means you | |
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| The Unknown Citizen | |
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| To My Dear and Loving Husband | |
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| Come Walk with Me | |
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| Meeting at Night | |
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| Parting at Morning | |
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| Lord Byron, She Walks in Beauty | |
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| Most Like An Arch This Marriage | |
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| Quincea�era | |
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| Kubla Khan | |
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| l(a | |
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| anyone lived in a pretty how town | |
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| buffalo bill’s defunct | |
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| Batter My Heart, Three-Personed God, for You | |
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| Death, Be not Proud | |
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| The Flea | |
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| The Sun Rising | |
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| The Love Song of J. Alfred Prufrock | |
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| Dear John Wayne | |
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| Bilingual/Bilingue | |
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| Something Scary | |
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| The Details We Fall For | |
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| Letter with No Address | |
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| The Darkling Thrush | |
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| Love | |
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| Upon Julia's Clothes | |
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| Delight In Disorder | |
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| To the Virgins, to make much of Time | |
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| God’s Grandeur | |
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| The Windhover | |
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| Loveliest of trees, the cherry now | |
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| When I was One and Twenty | |
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| To Celia | |
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| La Belle Dame Sans Merci | |
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| Facing It | |
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| Colossus | |
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| Liberty | |
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| Ars Poetica | |
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| To His Coy Mistress | |
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| Narcissus | |
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| The Victor Dog | |
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| For the Anniversary of My Death | |
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| Paradise Lost [“Of Man’s first disobedience…”] | |
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| When I Consider How My Light Is Spent | |
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| Anthem of Doomed Youth | |
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| Here | |
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| Ethics | |
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| Desire | |
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| Mirror | |
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| Annabel Lee | |
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| The River Merchant’s Wife: A Letter | |
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| The Nymph's Reply to the Shepherd | |
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| Ballad of Birmingham | |
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| Naming of Parts | |
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| Aunt Jennifer’s Tigers | |
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| Diving into the Wreck | |
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| Leaving Port Authority for the St. Regis Rez | |
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| Echo | |
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| a lyric | |
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| Fog | |
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| Letter Written on a Ferry While Crossing Long Island Sound | |
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| Let me not to the marriage of true minds | |
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| Not marble nor the gilded monuments | |
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| That time of year thou mayest in me behold | |
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| My Mother’s Chair | |
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| Ozymandias | |
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| To the Sad Moon | |
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| Saturday at the Canal | |
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| Thirteen Ways of Looking at a Blackbird | |
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| Lord Tennyson, Ulysses | |
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| Bluehawk | |
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| On Begin Brought from Africa to America | |
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| The Writer | |
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| Spring and All | |
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| London, 1802 | |
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| The World Is Too Much With Us | |
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| The Solitary Reaper | |
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| Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota | |
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| The Second Coming | |
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| When You Are Old | |