The Audience | |
The Audience: Its Role and Imagination | |
The Relationship Between Performer and Audience | |
The Special Nature of Theater: A Contrast with Film | |
The Chemistry of Performer-Audience Contact | |
Theater as a Group Experience Psychology of Groups | |
How Audience Makeup Affects the Theater Experience | |
The Separate Roles of Performers and Spectators | |
How Should the Audience Be Involved? Audience Participation through Direct Action | |
The Imagination of the Audience Tools of the Imagination: Symbol and Metaphor | |
The "Reality" of the Imagination | |
The Imaginary Worlds of Theater Realism and Nonrealism Distinguishing Stage Reality from Fact | |
Summary Exploring Theater on the Web | |
Background and Expectations of the Audience Background of Individual Spectators Background of the Period | |
Theater and Society Greek | |
Theater and Culture Elizabethan | |
Theater and Culture Modern | |
Theater and Culture Background Information on the Play or Playwright | |
Expectations: The Variety of Experiences in Modern | |
Theater Broadway and Touring | |
Theater Resident Professional | |
Theaters Alternative | |
Theaters: Off-Broadway and Elsewhere Children's Theater College and University | |
Theaters Multiethnic, Multicultural, and Gender | |
Theaters Summary Exploring | |
Theater on the Web | |
The Critic and the Audience Theatrical Criticism What | |
Is Criticism? Preparation for Criticism Critical Criteria | |
Descriptive and Prescriptive Criticism Fact and Opinion in Criticism | |
The Reviewer and the Critic Getting Started in Theater-Mel Gussow, Critic | |
The Audience's Relationship to Criticism: Two Issues | |
The Audience's Independent Judgment Analysis and Overanalysis Summary Exploring Theater on the Web | |
Stage Spaces Creating the Environment Theater Spaces | |
Proscenium Stage Arena Stage Thrust Stage Created and Found Spaces | |
All-Purpose Theater Spaces Special Requirements of Theater | |
Environments Summary Exploring Theater on the Web | |
Play Synopsis: A Raisin in the Sun Play Synopsis: Fefu and Her Friends Play Synopsis: King Oedipus | |
The Performers and the Director | |
Acting: Offstage and in the Past "Acting" in Everyday | |
Life Imitation Role Playing Acting in Life versus Acting Onstage | |
Photo Essay: Audra McDonald Stage Acting: A Historical Perspective | |
Physical Demands of Classical Acting Vocal Demands of Classical | |
Acting Performing in Classics Today Summary Exploring Theater on the Web | |
Stage Acting Today | |
The Acting Experience Challenges of Acting Today | |
The Development of Realistic Acting Performers' Training Today | |
Synthesis and Integration Judging Performances Summary Exploring Theater on the Web | |
The Director and the Producer | |
The Theater Director Evolution of the Director: A Historical Perspective | |
The Director and the Script Getting Started in Theater-Zelda Fichandler, Director | |
The Director and the Production | |
The Director's Power and Responsibility | |
The Producer or Manager | |
The Commercial Producer Noncommercial | |
Theaters Completing the Picture: Playwright, Director, and Producer Summary Exploring | |
Theater on the Web Play Synopsis: Death of a Salesman Play Synopsis: The Three Sisters | |
The Play: Types of Theater | |
The Text: Subject, Purpose, and Perspective Subject | |
Focus and Emphasis Purpose Viewpoint What Is Point of View? | |
The Dramatist's Point of View Society's Point of View Viewpoint and Genre | |
Summary Exploring Theater on the Web | |
Tragedy and Other Serious Drama Tragedy Traditional Tragedy Modern Tragedy Heroic Drama Bourg | |
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