Tonal Harmony

ISBN-10: 0072852607

ISBN-13: 9780072852608

Edition: 5th 2004 (Revised)

Authors: Stefan M. Kostka, Dorothy Payne

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Description:

Designed to meet the two-semester theory curriculum for music majors, 'Tonal Harmony' emphasizes practicality and ease-of-use for both the student and the professor. It includes a complete coursebook and manual for students with a supplement's package with a collection of CD audio examples for the professor.
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Book details

List price: $99.38
Edition: 5th
Copyright year: 2004
Publisher: Glencoe/McGraw-Hill
Publication date: 6/10/2003
Binding: Hardcover
Pages: 688
Size: 8.00" wide x 10.00" long x 1.25" tall
Weight: 3.146
Language: English

Preface To the Student
Fundamentals
Elements of Pitch
The Keyboard and Octave
Registers Notation of the Staff
The Major Scale
The Major Key Signatures
Minor Scale
Minor Key Signatures
Scale Degree Names Intervals
Perfect, Major, and Minor Intervals
Augmented and Diminished Intervals
Inversion of Intervals
Consonant and Dissonant Intervals
Summary
Elements of Rhythm
Rhythm Durational Symbols
Beat and Tempo Meter
Division of the Beat
Simple Time
Signatures Compound Time Signatures
Time Signatures
Summarized More on Durational Symbols
Summary
Introduction to Triads and Seventh Chords
Introduction Triads
Seventh Chords Inversions of Chords
Inversion Symbols and Figured Bass
Lead Sheet Symbols
Recognizing Chords in Various Textures
Summary
Diatonic Chords in Major and Minor Keys
Introduction The Minor Scale
Diatonic Triads in Major Diatonic Triads in Minor Diatonic
Seventh Chords in Major Diatonic
Seventh Chords in Minor
Summary
Diatonic Triads
Principles of Voice Leading
Introduction
The Melodic Line Notating Chords
Voicing a Singe Triad Parallel Motion
Summary
Root Position Part Writing
Introduction
Root Position
Part Writing with Repeated Roots
Root Position
Part Writing with Roots a 4th (5th)
Apart Root Position
Part Writing with Roots a 3rd (6th)
Apart Root Position
Part Writing with Roots a 3rd(7th)
Apart Instrumental Ranges and Transpositions
Summary
Harmonic Progression
Introduction
Sequences and the Circle of Fifths
The I and V Chords
The II Chord
The VI Chord
The III Chord
The VII Chord
The IV Chord
Common Exceptions Differences in the Minor Mode Progressions
Involving Seventh Chords
Harmonizing a Simple Melody
Conclusion
Summary
Triads in First Inversion
Introduction Bass Arpeggiation
Substituted First Inversion Triads
Parallel Sixth Chords
Part Writing First Inversion Triads
Soprano-Bass Counterpoint
Summary
Triads in Second Inversion
Introduction Bass Arpeggiation and the Melodic Bass
The Cadential Six-Four
The Passing Six-Four
The Pedal Six-Four
Part Writing for Second Inversion Triads
Summary
Cadences, Phrases, and Periods Musical Form Cadences
Cadences and Harmonic Rhythm Motives and Phrases Mozart: 'An die Freude' Period Forms
Summary
Non Chord Tones 1
Introduction
Classification of Non-Chord Tones
Passing Tones
Neighboring Tones
Suspensions and Retardations
Figured Bass and Lead Sheet Symbols
Embellishing a Simple Texture
Summary
Non-Chord Tones 2
Appoggiaturas Escape Tones
The Neighbor Group Anticipations
The Pedal Point Special Problems in the Analysis of Non-Chord Tones
Summary
Diatonic Seventh Chords
The V7 Chord
Introduction
General Voice-Leading Considerations
The V7 in Root Position
The V7 in Three Parts
Other Resolutions of the V7
The Inverted V7 Chord
The V6/5 Chord
The V4/3 Chord
The V4/2 Chord
The Approach to the Seventh
Summary
The II7 and VII7 Chords
Introduction
The II7 Chord
The VII7 Chord in Major
The VII7 Chord in Minor
Summary
Other Diatonic Seventh Chords
The IV7 Chord
The VI7 Chord
The I7 Chord
The III7 Chord
Seventh Chords and the Circle-of -Fifths Progression
Summary
Chromaticism 1
Secondary Functions 1
Chromaticism and Altered Chords
Secondary Functions Secondary Dominant Chords
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