| Preface | |
| introduction | |
| Two-Dimensional Design | |
| Two-Dimensional Design: Elementslinedefining Line | |
| Types of Line | |
| Expressive Uses of LineShapeDefining Shape | |
| Types of Shape | |
| Expressive Uses of ShapeTextureDefining Texture | |
| Creating Texture | |
| Expressive Uses of TextureValueDefining Value | |
| Value and Volume | |
| Expressive uses of Value Key | |
| words Key | |
| Questions Key | |
| Readings(Included in every chapter)Profile: Phillia Yi, Printmaker | |
| Color And Composition Studying ColorSeeing ColorDefining ColorHue / Value | |
| Intensity | |
| Temperature Composing in Color Color Systems | |
| Color CombinationsColor and CommunicationContrast | |
| Emotional Effects | |
| Symbolic ColorProfile: Ann Baddley Keister, Weaver | |
| Two-Dimensional Design: Organization basic CompositionUnity and Variety | |
| Weight and Gravity | |
| Balance | |
| Scale and Proportion | |
| Emphasis Expanded CompositionIllusion of Space | |
| The Dynamics of Space: Bringing Mulan to Life | |
| Illusion of Movement Maximizing Visual Impact Profile: Ken Stout, Painter | |
| Concepts And Critical Thinking | |
| Cultivating Creativitydesign and Creativity | |
| Seven Characteristics of Creative Thinking Goal Setting Time Management Profile | |
| Nancy Callahan, Artist, and Diane Gallo, Writer | |
| Concept Development Problem Seeking Problem-Solving Strategies Brainstorming Research Conceptual Expansion | |
| Variations on a Theme | |
| Metaphorical Thinking | |
| Interdisciplinary ConnectionsProfile | |
| Heidi Lasher-Oakes, Sculptor | |
| Developing Critical Thinkinge stablishing Criteria Critique Basics | |
| Stop, Look, Listen, Learn Types of Critiques Developing a Long-Term Project | |
| Turn Up the Heat: Pushing Your Project's Potential Accepting Responsibility Profile | |
| Bob Dacey, Illustrator | |
| Three-Dimensional Design | |
| Three Dimensional Design: Aspects And Elements Thinking in Three DimensionsForm and Function | |
| The Three Dimensions | |
| Drafting for Designers | |
| Degrees of Dimensionality Design Elements Line | |
| Shapes and Planes | |
| Volume / Mass / Space / Texture / Color and Light | |
| The Complexity of Three-Dimensional DesignProfile | |
| Rodger Mack, Sculptor | |
| Three Dimensional Design: Organization Principles of Three-Dimensional Design Balance | |
| Scale and Proportion | |
| Proximity | |
| Emphasis and Contrast | |
| Repetition Composition and Construction Choice of Materials | |
| Construction Methods | |
| Connections | |
| Transitions | |
| Unity and VarietyProfile | |
| David MacDonald, Ceramicist | |
| Physical And Cerebral Constructed Thought From Life to Art | |
| Connection and Separation | |
| Boundaries | |
| Bases and Places Physical Qualities of Sculptural Objects Physical Forces | |
| Material and Immaterial Cerebral Qualities of Sculptural Objects Building on a Tradition | |
| Reinventing Sculpture | |
| Contemporary Questions, Contemporary Answers | |
| Expressing Ideas in Physical FormProfile | |
| Rick Paul, Virtual Sculptor | |
| Time Design | |
| Aspects And Elements Of Time Building Blocks Relationships Between Shots | |
| Transitions from Shot to Shot Six Aspects of Time Duration | |
| Tempo / Intensity / Scope / Setting / Chronology Schindler's List | |
| Content and CompositionProfile | |
| Sharon Greytak, Filmmaker | |
| Narrative And Non-Narrative Telling Me a Story Working with Multiple Images | |
| Multiple Image Structure | |
| From Scene to Screenplay | |
| Establishing Boundaries | |
| Style / Degrees of Definition Story and Style in Citizen Kane Basic Construction | |
| Visualizing Citizen Kane | |
| Editing and Emotion Non-Narrative Profile | |
| Jerome Witkin, Painter | |
| Interdisciplinary Arts | |
| Books, Installations, Performances Exploring | |
| The Visual Book Selecting a Text / Writing a Text / Text and Typestyle | |
| Image-to-Page Relationships | |
| Word and Image Relationships | |
| Advantages of Visual Books Installation Art Uses of Space and Time | |
| The Importance of Context | |
| Advantages of Installation Art Performance Art Historical Background | |
| Characteristics of Performance Art | |
| The Advantages of Interdisciplinary Art Profile | |
| Bonnie Mitchell, Multimedia Designer and Artist | |
| Table of Contents provided by Publisher. All Rights Reserved. |