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| Readers On Brian Mckernan | |
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| "A must for anyone who cares about navigating the new world of digital content | |
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| "The digital revolution 'Bible' ... an invaluable resource for anyone seriously interested in video, TV, streaming, and movies, and ... it's a great read." | |
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| "A must-have ... reveals the lessons learned from decades of failure and success ... and gives roadmaps to the future." | |
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| On Creating Digital Content: Video Production for Web, Broadcast, and Cinema, co-edited | |
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| Inside The Paradigm Shift That's Remaking The Moti0N Picture Industry | |
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| Not since the advent of sound has technology so greatly impacted motion pictures | |
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| With its huge cost-saving potential, digital technology can alter every aspect of the movie-making process, from shooting through postproduction to delivery and exhibition | |
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| The digital cinema revolution is the result of years of progress in the technologies of film, computer graphics, and high-definition television | |
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| Now Brian McKernan, founding editor of Digital Cinema magazine, provides an up-to-date look at how new digital technologies are reshaping the movie industry | |
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| Digital cinema -- how it came about, its history and pioneers Understanding digital image compression | |
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| The latest camera choices for digital cinematography -- from high end systems to the affordable world of indie filmmaking | |
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| Audio and the cinema -- why sound is half the picture | |
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| The revolution in postproduction -- the convergence of computer graphics, HDTV, film, and video | |
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| Nonlinear editing—software choices, new techniques, and digital compositing | |
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| Digital intermediates--color grading, changing the shot after the shoot, film transfer, and film recording | |
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| Independent digital filmmaking in Hollywood and across the nation -- the democratization of the movies | |
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| The new role of the cinematographer in the digital age | |
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| Understanding digital projection technologies | |
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| What digital cinema means to indie productions, exhibitors, film distribution, and the future of the movies | |
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| You'll also find insights on the cost-vs.-quality controversy, the impact of digital cinema on creative freedom, and the integration of film and digital from such leading filmmakers as | |
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| The insider's guide to the digital revolution[inside book] | |
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| Brian McKernan has been writing about media technologies for more than 20 years, and is the founding editor of Digital Cinema magazine | |
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| The co-editor of McGraw-Hill’s Creating Digital Content, he was editor of Videography magazine from 1987 to 1999 and the Age of Videography special edition | |
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| He originated the Digital Cinema Summit at the National Association of Broadcasters’ annual conference and is the co-founder of the Digital Cinema Society. | |