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| Preface | |
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| Introduction | |
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| Notation, Terminology, and Basic Theory | |
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| Elementary Acoustics and the Properties of Sound | |
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| Vibrating Strings | |
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| Vibrating Air Columns | |
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| Vibrating Bars, Plates, and Membranes | |
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| Music Notation | |
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| The Two Axes: Time and Pitch | |
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| Rhythm: Note Values and Rests | |
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| Dots and Ties | |
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| Meter, Beat, Tempo | |
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| Time Signatures: Simple and Compound Time | |
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| Artificial Division and Syncopation | |
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| Pitch: Staff, Clef, and Ledger Lines | |
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| Letter Names, Solfege Syllables, and Accidentals | |
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| Octave Designations | |
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| Manuscript Writing and Additional Symbols | |
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| Intervals and Scales | |
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| Basic Intervals: Half Steps and Whole Steps | |
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| Scales: Chromatic, Major, and Minor | |
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| Key Signatures and Circle of Fifths | |
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| Intervals | |
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| Relative, Parallel, and Closely Related Keys | |
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| Medieval Church Modes | |
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| Whole-Tone Scales | |
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| Pentatonic Scales | |
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| Other Scales | |
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| Tuning Systems and Temperament | |
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| Chords | |
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| Consonance and Dissonance | |
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| Triads: Root Position and Inversions | |
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| Seventh Chords and Larger Structures in Superimposed Thirds | |
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| Other Chord Structures (Fourths, Fifths, Seconds, and so on) | |
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| Symbolization | |
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| Basic Symbols and Definitions | |
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| Names of Scale Degrees and Chords | |
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| Figured Bass | |
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| Roman Numeral Chord Symbols: Functional Harmony | |
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| Chord Symbols in Popular Music and Jazz | |
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| Expression Marks and Foreign-Language Terms | |
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| Tempo | |
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| Dynamics | |
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| Style | |
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| Phrasing and Articulation | |
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| Abbreviations | |
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| Foreign Names for Scale Degrees and Keys | |
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| Tonal Harmony | |
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| Tonality and Key Feeling | |
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| Tonality | |
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| Key Feeling | |
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| Modulation, Secondary Dominants, and Altered Chords | |
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| Assignments | |
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| Melody Writing | |
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| Small Strophic Forms | |
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| Symmetry and Balance | |
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| Metric Structure | |
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| Melodic Cadences | |
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| Extensions and Irregularities | |
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| Assignments | |
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| Four-Part Vocal Texture (Satb) | |
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| Voice Ranges | |
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| Doubling | |
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| Spacing, Distance, Motion, and Crossing of Parts | |
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| Chord Inversions | |
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| Prohibitions in Four-Part Writing | |
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| Assignments | |
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| Chord Connection | |
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| Principles of Part Writing--Triads in Root Position | |
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| Triads in First Inversion | |
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| Triads in Second Inversion | |
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| Summary of Principles of Chord Connection | |
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| Exercises | |
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| Chord Choice | |
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| Harmonic Cadences | |
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| Selecting the Chords | |
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| Melodic Cadences | |
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| The Bass Line | |
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| The Inner Parts | |
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| Exercises | |
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| Harmonizing A Melody | |
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| Analysis of the Melody | |
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| Harmonizing an Unfigured Bass | |
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| Exercises | |
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| Elaboration | |
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| Nonharmonic Tones (Melodic Elaboration) | |
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| Definitions | |
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| Passing Tone | |
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| Neighboring Tone | |
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| Suspension and Anticipation | |
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| Anticipation | |
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| Appoggiatura and Escape Tone | |
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| Pedal, Free Tone, Combinations | |
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| Harmonizations Using Nonharmonic Tones | |
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| Exercises | |
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| Seventh and Ninth Chords (Harmonic Elaboration) | |
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| V[superscript 7] and VII[superscript 7] | |
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| II[superscript 7] and IV[superscript 7] | |
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| VI[superscript 7], I[superscript 7], and III[superscript 7] | |
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| Ninth Chords | |
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| Eleventh and Thirteenth Chords | |
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| Exercises | |
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| Altered Chords and Chromaticism (Tonal Elaboration) | |
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| The Principle of Melodic Alteration | |
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| Raised Tones: Secondary Dominants, Augmented Triads | |
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| Lowered Tones: Lowered Sixth Degree, Neapolitan Chord | |
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| Raised and Lowered Tones: Augmented Sixth Chords the Altered Dominant Chord, other Functions | |
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| Harmonic Alteration | |
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| Remote Modulation | |
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| The Twelve-Tone Scale | |
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| Solving Figured Bass | |
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| Models for Practice | |
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| Exercises | |
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| Analysis and Score-Reading | |
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| Keyboard Style | |
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| Solo Instrument (or Voice) with Accompaniment | |
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| Trios, Quartets and Small Ensembles | |
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| The Full Orchestral Score | |
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| The Analysis of an Extended Work | |
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| Third Movement: C Minor First Rondo Form (ABA) | |
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| Foreign-Language Names for Orchestral Instruments | |
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| Range and Transposition of Orchestral Instruments | |
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| Diagrams of Homophonic Forms | |
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| Bach Chorales for Analysis | |
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| Bibliography | |
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| Index | |