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Preface | |
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Enheduanna (ca. 2300 B.C.E.) | |
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from The Hymn to Inanna | |
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Shu-Sin's Ritual Bride (ca. 2000 B.C.E.) | |
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Bridegroom, beloved of my heart | |
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Makeda, Queen of Sheba (ca. 1000 B.C.E.) | |
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Wisdom is | |
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I fell | |
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Sappho (7th c. B.C.E.) | |
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Leave Crete | |
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Evening Star who gathers everything | |
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Sumangalamata (6th c. B.C.E.) | |
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At last free | |
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Patacara (6th c. B.C.E.) | |
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When they plow their fields | |
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Zi Ye (6th-3rd c. B.C.E.) | |
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All night I could not sleep | |
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Song of Songs: The Shulammite (ca. 3rd c. B.C.E.) | |
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I am dark, daughters of Jerusalem (Song 1:5-6) | |
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At night on my bed I longed for (Song 3:1-5) | |
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I was asleep but my heart stayed awake (Song 5:2-6) | |
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Come, my beloved (Song 7:12-14) | |
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Pan Zhao (48-117?) | |
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Needle and Thread | |
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Gnostic Gospel: Nag Hammadi Library (2nd-4th c.) | |
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from The Thunder: Perfect Mind | |
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A Roman Spell (2nd-4th c.?) | |
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I bind you by oath | |
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Sabina Lampadius (fl. ca. 377) | |
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As a symbol | |
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Antal (8th c.) | |
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O sister of wealth | |
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O you who guard over | |
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We rose before dawn | |
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Rabi'a (717-801) | |
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I am fully qualified to work as a doorkeeper . . . | |
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O my Lord,/if I worship you | |
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O my Lord,/the stars glitter | |
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Yeshe Tsogyel (757?-817?) | |
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Listen,/O brothers and sisters | |
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Lakshminkara (8th c.) | |
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Lay your head on a block of butter and chop - | |
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Three Tantric Buddhist Women's Songs (8th-11th c.) | |
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KYE HO! Wonderful!/Lotus pollen wakes up . . . | |
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Who speaks the sound of an echo? | |
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KYE HO! Wonderful!/You may say "existence". . . | |
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Kassiane (804?-?) | |
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Troparion | |
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Yu Xuanji (843?-868) | |
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At Home in the Summer Mountains | |
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Izumi Shikibu (974?-1034?) | |
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I cannot say | |
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Watching the moon | |
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Although I try | |
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Although the wind | |
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The way I must enter | |
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Ly Ngoc Kieu (1041-1113) | |
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Birth, old age | |
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Li Qingzhao (1084-1151?) | |
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Written to the Tune "The Fisherman's Honor" | |
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Hildegard of Bingen (1098-1179) | |
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Antiphon for Divine Wisdom | |
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Antiphon for the Holy Spirit | |
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Antiphon for the Angels | |
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Song to the Creator | |
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Alleluia-verse for the Virgin | |
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Kojiju (1121?-1201?) | |
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On the Spirit of the Heart as Moon-Disk | |
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Sun Bu-er (1124-?) | |
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Cut brambles long enough | |
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Late Indian summer's | |
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Zhou Xuanjing (12th c.) | |
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Meditating at midnight | |
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Cui Shaoxuan (dates unknown) | |
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Black hair and red cheeks: for how long? | |
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Mahadeviyakka (12th c.) | |
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(On Her Decision to Stop Wearing Clothes) | |
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So long as this breath fills your nostrils | |
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When I am hungry | |
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A vein of sapphires | |
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It was like a stream | |
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When the body becomes Your mirror | |
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I do not call it his sign | |
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Mechtild of Magdeburg (1207?-1282? or 1297?) | |
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I cannot dance, O Lord | |
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A fish cannot drown in water | |
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God speaks to the soul | |
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How the soul speaks to God | |
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How God answers the soul | |
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The desert has many teachings | |
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How God comes to the soul | |
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Effortlessly | |
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God's absence | |
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True love in every moment praises God | |
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Of all that God has shown me | |
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Marguerite Porete (?-1310) | |
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Beloved, what do you want of me? | |
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Hadewijch of Antwerp (13th c.) | |
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Love's maturity | |
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Knowing Love in herself | |
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Love's constancy | |
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The madness of love | |
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Love has subjugated me | |
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Hadewijch II (13th c.) | |
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All things/are too small | |
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If I desire something, I know it not | |
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Tighten/to nothing | |
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You who want/knowledge | |
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The French Beguine (late 13th c.) | |
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from The Soul Speaks | |
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Jusammi Chikako (fl. ca. 1300) | |
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On this summer night | |
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Janabai (1298?-1350?) | |
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Cast off all shame | |
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Catherine of Siena (1347-1380) | |
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from Prayer 20 | |
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Lal Ded (14th c.?) | |
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I drag a boat over the ocean | |
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I was passionate | |
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The soul, like the moon | |
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This world,/compared to You - | |
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Coursing in emptiness | |
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To learn the scriptures is easy | |
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I searched for my Self | |
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On the way to God the difficulties | |
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At the end of a crazy-moon night | |
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Vittoria Colonna (1492-1547) | |
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As a starved little bird, who sees and hears | |
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I see in my mind, surrounding God | |
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Mirabai (1498-1565?) | |
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O friends, I am mad | |
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Love has stained my body | |
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All I Was Doing Was Breathing | |
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The wild woman of the forests | |
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O friends on this Path | |
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The song of the flute, O sister, is madness | |
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O friend, understand: the body | |
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Why Mira Can't Go Back to Her Old House | |
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I was going to the river for water | |
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The Heat of Midnight Tears | |
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It's True I Went to the Market | |
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Teresa of Avila (1515-1582) | |
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(Lines written on a bookmark found in her Breviary) | |
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Maria de' Medici, Queen of France (1573-1642) | |
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(To the Virgin) | |
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Two Nahuatl Invocations (early 1600s) | |
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(Invocation for storing corn) | |
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(A midwife's invocation) | |
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Anne Bradstreet (1612-1672) | |
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from The Vanity of All Worldly Things | |
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Catharina Regina von Greiffenberg (1633-1694) | |
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On the Ineffable Inspiration of the Holy Spirit | |
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On the Fruit-Providing Autumn Season | |
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from On the Sweet Comfort Brought by Grace | |
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Sor Juana Ines de la Cruz (1648?-1695) | |
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Because my Lord was born to suffer | |
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Since Love is shivering | |
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Chiyo-ni (1703-1775) | |
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The morning glory! | |
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Grazing/ my fishing line | |
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From the mind/of a single, long vine | |
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Ann Griffiths (1776-1805) | |
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His left hand, in heat of noonday | |
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Emily Bronte (1818-1848) | |
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No coward soul is mine | |
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Bibi Hayati (?-1853) | |
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Is this darkness the night of Power . . . | |
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Before there was a trace of this world of men | |
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Emily Dickinson (1830-1886) | |
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Who has not found the Heaven - below - | |
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I never saw a Moor - | |
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Death is a dialogue between | |
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The Props assist the House | |
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Dare you see a Soul at the White Heat? | |
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I'm ceded - I've stopped being Theirs - | |
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'Tis little I - could care for Pearls - | |
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I had been hungry, all the Years - | |
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Mine - by the Right of the White Election! | |
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Wild Nights - Wild Nights! | |
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The Infinite a sudden Guest | |
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Let me not thirst with this Hock at my Lip | |
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A Georgia Sea Island Shout Song (19th c.) | |
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Down to the Mire | |
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Penny Jessye's Deathbed Spiritual (19th c.) | |
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Good Lord in That Heaven | |
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Christina Georgina Rossetti (1830-1894) | |
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After Communion | |
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from Behold a Shaking | |
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Amen | |
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from Later Life: A Double Sonnet of Sonnets | |
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Uvavnuk (19th c.) | |
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The great sea | |
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Two Kwakiutl Women's Prayers (ca. 1895) | |
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Prayer of a Woman in Charge of Berry Picking . . . | |
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Prayer to the Sockeye Salmon | |
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Owl Woman (mid-19th-early 20th c.) | |
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How shall I begin my song | |
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Brown owls come here in the blue evening | |
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Black Butte is far | |
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The morning star is up | |
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An Osage Woman's Initiation Song (early 20th c.) | |
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Planting Initiation Song | |
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A Traditional Navajo Prayer (early 20th c.) | |
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Dark young pine, at the center of the earth originating | |
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H. D. (1886-1961) | |
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White World | |
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from The Walls Do Not Fall [25] | |
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from The Walls Do Not Fall [36] | |
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from Sagesse [10] | |
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Anna Akhmatova (1889-1966) | |
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Everything is plundered, betrayed, sold | |
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A land not mine, still | |
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Summer Garden | |
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Gabriela Mistral (1889-1957) | |
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from Prayer | |
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The Rose | |
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Those Who Do Not Dance | |
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Song | |
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Nelly Sachs (1891-1970) | |
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How long have we forgotten how to listen! | |
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Your eyes, O my beloved | |
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Someone | |
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Rushing at times like flames | |
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In the evening your vision widens | |
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But perhaps God needs the longing | |
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Edith Sodergran (1892-1923) | |
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On Foot I Had to Walk Through the Solar Systems | |
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"There is no one . . ." | |
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Forest Lake | |
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Question | |
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Homecoming | |
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Marina Tsvetaeva (1892-1941) | |
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I know the truth | |
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I bless the daily labor | |
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If the soul was born with pinions | |
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God (3) | |
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The gold that was my hair has turned | |
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Kadya Molodowsky (1894-1975) | |
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Prayers: I | |
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Sub-ok (1902-1966) | |
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Spring at Yesan Station | |
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A Note on the Translations | |
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For Further Reading | |
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Acknowledgments | |
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About the Editor | |
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Alphabetical Index of Authors | |