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| Corruption | |
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| The green baize table | |
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| Index of prohibited images | |
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| John in the wild IV | |
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| Judith and Holofernes | |
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| Medusa | |
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| Corruption | |
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| The Medicis | |
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| The monsters | |
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| The saints | |
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| Savonarola's cape | |
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| Three slaves and Michelangelo Buonarroti | |
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| The young slave | |
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| The awakening slave | |
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| Atlas | |
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| The ideal city | |
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| In the small refectory | |
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| Napoleon's boots and Dante's body | |
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| Paradise | |
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| Itza historian, Tayasal, Guatemala, 1525 | |
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| Father Urbita, Tayasal, Guatemala, 1618 | |
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| Itza historian : arrival of father Delgado, Tayasal, Guatemala, 1622 | |
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| The Africans of Ravenna | |
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| At the Chinese Museum, Locke, California | |
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| Still life with oranges and walnuts, 1722 | |
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| Camera obscura | |
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| Incomprehensible triangles | |
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| Camera obscura | |
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| Aperture | |
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| Gorgias | |
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| In the bardo | |
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| The bardo of first things | |
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| The bardo of the dream | |
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| The bardo of the mind in contemplation | |
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| The bardo of the dead | |
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| Thirst | |
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| The mirror stage | |
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| Foolish girl, counting the days | |
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| I dreamed last night I had a date with John F. Kennedy | |
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| I suppose they call this menopause, the way I'm flashing off and on | |
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| Subterranean | |
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| Joseph Le Conte at Soda Springs, Yosemite, 1870 | |
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| Marianne Moore at Mount Rainier, 1922 | |
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| At the bomb shelter expo with my father, Philadelphia, 1962 | |
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| Songs against ending | |
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| Monday music | |
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| Eight pieces for Gertrude Stein | |
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| Songs against ending | |
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| The fruit flies | |
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| The worm | |
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| The water beetle | |
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| The moths | |
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| Interlude with night cows, Amherst, Virginia | |
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| For Denise Levertov | |
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| White page of winter | |
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| Wild animals I have known | |
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| Frog prince no. 2 | |
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| The ugly duckling | |
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| The clone lover | |
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| The home of the hydromedusa | |
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| Paul Bunyan and his blue ox, Babe | |
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| Scattered remnant : the Altamont, California | |
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| Hush | |
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| Night swimming | |