| |
| |
| |
| Cameras: Tools of the Trade | |
| |
| |
| |
| You and Your Camera | |
| |
| |
| Ready, Aim, Shoot | |
| |
| |
| Photo Philosophy 101: What Photography Is | |
| |
| |
| From Pinhole to Point-and-Shoot | |
| |
| |
| Cameras, Cameras, Cameras! | |
| |
| |
| Cameras Don't Shoot Pictures--People Do | |
| |
| |
| Photograph or Snapshot? | |
| |
| |
| |
| 35mm Point-and-Shoot Cameras | |
| |
| |
| What's the Best Camera? | |
| |
| |
| No Loading Required! | |
| |
| |
| Fixed-Focus Reloadable Cameras | |
| |
| |
| Autofocus Zoom Cameras | |
| |
| |
| The Best of Both Worlds | |
| |
| |
| |
| Camera Features | |
| |
| |
| A Gray Area That Makes Things Clear | |
| |
| |
| Focusing Modes | |
| |
| |
| Zoom Modes | |
| |
| |
| Exposure Modes | |
| |
| |
| Metering Modes | |
| |
| |
| Flash Modes | |
| |
| |
| Advance Modes | |
| |
| |
| Continuous Advance | |
| |
| |
| Multiple-Exposure Mode | |
| |
| |
| Other Features | |
| |
| |
| |
| Master the Mechanics | |
| |
| |
| I'm in the Booklet | |
| |
| |
| Power Trip: What You Need to Know About Batteries | |
| |
| |
| Becoming Attached to Your Camera | |
| |
| |
| Steady as She Goes | |
| |
| |
| Pushing the Button | |
| |
| |
| Through the Looking Glass | |
| |
| |
| Focusing | |
| |
| |
| Setting Shooting Modes | |
| |
| |
| Loading Film (Aaarrrggghhh!) | |
| |
| |
| Taking Care | |
| |
| |
| |
| APS: Amazingly, Positively Simple! | |
| |
| |
| What Is APS? | |
| |
| |
| Would You Believe It? I Have a Code | |
| |
| |
| Image Quality | |
| |
| |
| But Seriously, Now | |
| |
| |
| APS Cameras | |
| |
| |
| APS Films | |
| |
| |
| APS Accessories | |
| |
| |
| |
| Other Vital Stuff | |
| |
| |
| |
| All About Films | |
| |
| |
| How Film Works | |
| |
| |
| 35mm vs. APS | |
| |
| |
| Film Speed | |
| |
| |
| So Which Film Should You Use? | |
| |
| |
| |
| Exposure Exposed | |
| |
| |
| Why It's Important | |
| |
| |
| What Is Proper Exposure, Anyway? | |
| |
| |
| Shutter Speeds and F-Stops | |
| |
| |
| How the Camera Determines Proper Exposure | |
| |
| |
| What If Your Meter Fails? | |
| |
| |
| Bracketing Exposures | |
| |
| |
| |
| Processing: Turning Your Film Into Pictures | |
| |
| |
| Types of Processing Labs | |
| |
| |
| Working with the Lab | |
| |
| |
| Digital Services | |
| |
| |
| Doing It Yourself | |
| |
| |
| |
| Lenses-Interchangeable Eyes | |
| |
| |
| What Is a Lens? | |
| |
| |
| Getting Focused | |
| |
| |
| Letting the Light Shine In | |
| |
| |
| The Long and Short of It | |
| |
| |
| How Deep Is My Field? | |
| |
| |
| Interchangeable Eyes | |
| |
| |
| Double Your Pleasure | |
| |
| |
| Lens Talk | |
| |
| |
| TLC for Lenses | |
| |
| |
| |
| The Brilliance of Flash | |
| |
| |
| Why Use Flash? | |
| |
| |
| Fascinating Flash Facts | |
| |
| |
| Back in the Good Old Days (Not!) | |
| |
| |
| Flash Exposure | |
| |
| |
| Fill-Flash | |
| |
| |
| Slow-Sync Flash | |
| |
| |
| Strobe Flash | |
| |
| |
| Bounce Flash | |
| |
| |
| Off-Camera Flash | |
| |
| |
| Problems, and What to Do About Them | |
| |
| |
| Angle of Coverage | |
| |
| |
| |
| Useful Shooting Accessories | |
| |
| |
| Lens Hoods | |
| |
| |
| Triggering Devices | |
| |
| |
| Tripods | |
| |
| |
| Other Camera Supports | |
| |
| |
| Storing and Carrying Your Photo Gear | |
| |
| |
| Date-Backs | |
| |
| |
| Optional Power Sources | |
| |
| |
| |
| Photo Filters | |
| |
| |
| Colored Filters | |
| |
| |
| Filter Factors | |
| |
| |
| Color Balance | |
| |
| |
| Fine-Tuning Color with CC Filters | |
| |
| |
| Mixed Light Sources | |
| |
| |
| Polarizing Filters | |
| |
| |
| Neutral-Density Filters | |
| |
| |
| Graduated Filters | |
| |
| |
| Types of Filters | |
| |
| |
| Taking Care of Your Filters | |
| |
| |
| |
| How to Make Better Photos with Any Camera, Right Now | |
| |
| |
| |
| The Secret Is in the Seeing | |
| |
| |
| The Magic of Seeing | |
| |
| |
| Missing the Bull's-Eye Can Be a Good Thing | |
| |
| |
| The Rule of Thirds | |
| |
| |
| Viewfinder Awareness | |
| |
| |
| Simplicity | |
| |
| |
| Form vs. Function | |
| |
| |
| A Sense of Direction | |
| |
| |
| Tripods--the Serious Shooter's Best Friend | |
| |
| |
| Where Should I Put That Horizon? | |
| |
| |
| The Classic S-Curve | |
| |
| |
| It's Okay to Move the Camera | |
| |
| |
| Framed! | |
| |
| |
| Timing Is Everything | |
| |
| |
| Putting It All Together | |
| |
| |
| Making It Happen | |
| |
| |
| |
| Does the Camera See What I See? | |
| |
| |
| As Time Goes By, in the Blink of an Eye | |
| |
| |
| Freezing Motion with Flash | |
| |
| |
| Long Time, Go See! | |
| |
| |
| Really Long Exposures | |
| |
| |
| Depth of Field: A Little or a Lot | |
| |
| |
| Do You See What I See? | |
| |
| |
| Odd Eyes | |
| |
| |
| Overexposed? | |
| |
| |
| Double Your Pleasure | |
| |
| |
| |
| Shedding Light on the Subject | |
| |
| |
| Light and Shadow | |
| |
| |
| Hard Light and Soft Light | |
| |
| |
| How Much Is Enough? | |
| |
| |
| What Color Is White? | |
| |
| |
| Putting It All Together | |
| |
| |
| Common Photographic Light Sources | |
| |
| |
| |
| How to Photograph ... | |
| |
| |
| |
| How to Photograph People | |
| |
| |
| Saving Faces | |
| |
| |
| The Height of Deception | |
| |
| |
| Lighting Up Their Lives | |
| |
| |
| People Films | |
| |
| |
| Posing | |
| |
| |
| What's Going On Behind My Back? | |
| |
| |
| Weddings | |
| |
| |
| Pets | |
| |
| |
| |
| How to Photograph Landscapes | |
| |
| |
| Aerial Photography | |
| |
| |
| Clouds | |
| |
| |
| That Person-al Touch | |
| |
| |
| Landscape Lenses | |
| |
| |
| Landscape Films | |
| |
| |
| |
| How to Photograph Action | |
| |
| |
| Freeze It or Blur It? | |
| |
| |
| Getting Focused | |
| |
| |
| Action Lenses | |
| |
| |
| Point of View | |
| |
| |
| Lighting | |
| |
| |
| Action Films | |
| |
| |
| |
| How to Get Closer to Your Subjects | |
| |
| |
| How to Get Close | |
| |
| |
| Close-Up Lenses | |
| |
| |
| Split-Field Lenses | |
| |
| |
| Extension Tubes | |
| |
| |
| Bellows | |
| |
| |
| Macro Lenses | |
| |
| |
| Lens-Reversing Rings | |
| |
| |
| Tele-Converters | |
| |
| |
| Close-Up Equipment Tips | |
| |
| |
| Close-Up Shooting Tips | |
| |
| |
| |
| How to Photograph Great, Outdoors | |
| |
| |
| Bagging Beasties | |
| |
| |
| People Outdoors | |
| |
| |
| Flora | |
| |
| |
| Buildings | |
| |
| |
| Outdoor Films | |
| |
| |
| |
| Travel Photography | |
| |
| |
| Research | |
| |
| |
| Deciding What to Take | |
| |
| |
| Taking It | |
| |
| |
| On the Way | |
| |
| |
| Things to Photograph While Traveling | |
| |
| |
| |
| Using the Light That Is There | |
| |
| |
| What You Need to Shoot in Dim Light | |
| |
| |
| Focusing in Dim Lighting | |
| |
| |
| Photographing Shows and Concerts | |
| |
| |
| Night Photography | |
| |
| |
| |
| Extras! Extras! | |
| |
| |
| |
| In-Camera Special Effects | |
| |
| |
| Special-Effects Lenses | |
| |
| |
| Focus Effects | |
| |
| |
| Reflections and Flare | |
| |
| |
| Special Films | |
| |
| |
| Special-Effects Filters | |
| |
| |
| A Parting Thought | |
| |
| |
| |
| Digital Imaging | |
| |
| |
| What Do You Need? | |
| |
| |
| Editing Photos | |
| |
| |
| Getting In | |
| |
| |
| Storage | |
| |
| |
| Getting the Photos Back Out | |
| |
| |
| Other Fun Stuff | |
| |
| |
| |
| In the Darkroom | |
| |
| |
| Black-and-White | |
| |
| |
| Film Development | |
| |
| |
| Doing It | |
| |
| |
| The Contact Sheet | |
| |
| |
| Making Your First Print | |
| |
| |
| Processing and Drying the Print | |
| |
| |
| Appendixes | |
| |
| |
| |
| Buying Photo Equipment | |
| |
| |
| |
| Displaying Your Pictures | |
| |
| |
| |
| Photo Addresses and Websites | |
| |
| |
| |
| Further Reading | |
| |
| |
| |
| Contemporary Camera Equipment | |
| |
| |
| Index | |