Fragmented Melodies

ISBN-10: 9956558109

ISBN-13: 9789956558100

Edition: 2007

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Book details

Copyright year: 2007
Publisher: Langaa Research & Publishing Common Initiative Group
Size: 5.50" wide x 8.25" long x 0.25" tall
Weight: 0.242
Language: English

Thomas Middleton, 1580-1627 Middleton wrote in a wide variety of genres and styles, and was a thoroughly professional dramatist. His comedies were generally based on London life but seen through the perspective of Roman comedy, especially those of Plautus. Middleton is a masterful constructor of plots. "A Chaste Maid in Cheapside" (1630) is typical of Middleton's interests. It is biting and satirical in tone: the crassness of the willing cuckold Allwit is almost frightening. Middleton was very preoccupied with sexual themes, especially in his tragedies, "The Changeling" (1622), written with William Rowley, and "Women Beware Women" (1621). The portraits of women in these plays are remarkable. Both Beatrice-Joanna in "The Changeling" and Bianca in "Women Beware Women" move swiftly from innocence to corruption, and Livia in "Women Beware Women" is noteworthy as a feminine Machiavelli and manipulator. In his psychological realism and his powerful vision of evil, Middleton resembles Shakespeare.

Medusa's Spellp. 1
Itangi's Songp. 2
Femme Noirep. 3
Blind Tangop. 4
Joy on the wings of autumnp. 5
Subliminal Echop. 6
Slaving Tonicp. 7
Witches Brewp. 8
Phantasmal Sisterp. 9
Fight Songs!p. 11
The Ghost Still Lingersp. 12
Inside The Fencep. 13
A Symphony In Reticencep. 14
Bantu Voicesp. 15
Inherited Bondagep. 17
Mosquito hallelujahs in a city of dissident mysticsp. 18
Unleashing Nyamfukap. 22
Mrs. Regina Tita's Death Celebrationp. 24
6:15 A.M.p. 26
Little Black Boyp. 27
Morning Time in Kigalip. 29
Scions of the dispossessed: ghetto dwellersp. 31
Okra Soup and palm-wine at Mrs. Mary Ngwa's chicken parlor on Ghana Streetp. 32
Hollywood vs. Africap. 34
Blues For The Wretched: reclaiming a Rock n Roll pastp. 36
A plea for the living (For Bobe Wole Soyinka)p. 38
Pa Ndzana's Declaration On The Eve of the G8 meetingp. 40
Juju Musicp. 42
Beyond Our Desecrated Shores (Exile, Blues, Hip-Hop, Jazz & Beyond)p. 44
Assaba's Farewellp. 45
Identity: a study in continuump. 47
Dancing Bikutsi on The landlady's Porch!p. 48
A Familiar Dilemmap. 49
Recipe for Empire Buildingp. 50
Rooftop sessions with Mars in sightp. 51
Sax Man (Is he still black?)p. 52
Njangp. 53
Timeless Voodoop. 55
Subliminal Catharsis [my side of the story]p. 57
Unlikely Originsp. 59
Magic that is you (Anonymous)p. 61
Chaos (For Nina Simone)p. 62
Homeboundp. 64
A dying homelandp. 65
A rhythm-filled conceptionp. 66
Speaking of Collaborators - Traitorus Joe Brutus and co. (A follow-up to Bate Besong's The Collaborators)p. 67
Speaking of Collaborators pt. 2 - Traitorus Joe Brutus and co. (A follow-up to Bate Besong's The Collaborators)p. 68
Pastor Ngalla's Lengthy Sunday Servicep. 69
Lightning Strikes The Sinking Glass Towerp. 70
Bate Besong: Inextinguishable flame... timeless spiritp. 71
Abakwap. 73
Table of Contents provided by Blackwell. All Rights Reserved.
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