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| White Buildings | |
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| Legend | |
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| Black Tambourine | |
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| Emblems of Conduct | |
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| My Grandmother's Love Letters | |
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| Sunday Morning Apples | |
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| Praise for an Urn | |
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| Garden Abstract | |
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| Stark Major | |
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| Chaplinesque | |
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| Pastorale | |
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| In Shadow | |
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| The Fernery | |
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| North Labrador | |
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| Repose of Rivers | |
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| Paraphrase | |
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| Possessions | |
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| Lachrymae Christi | |
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| Passage | |
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| The Wine Menagerie | |
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| Recitative | |
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| For the Marriage of Faustus and Helen | |
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| At Melville's Tomb | |
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| Voyages | |
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| The Bridge | |
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| Key West: An Island Sheaf | |
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| O Carib Isle! | |
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| The Mermen | |
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| To the Cloud Juggler | |
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| The Mango Tree | |
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| Island Quarry | |
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| Old Song | |
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| The Idiot | |
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| A Name for All | |
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| Bacardi Spreads the Eagle's Wing | |
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| Imperator Victus | |
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| Royal Palm | |
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| The Air Plant | |
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| The Hurricane | |
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| Key West | |
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| -And Bees of Paradise | |
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| To Emily Dickinson | |
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| Moment Fugue | |
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| By Nilus Once I Knew... | |
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| To Shakespeare | |
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| Poems Published in Magazines | |
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| C 33 | |
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| October-November | |
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| Carmen de Boheme | |
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| The Hive | |
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| Fear | |
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| Annunciations | |
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| Echoes | |
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| The Bathers | |
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| Modern Craft | |
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| Exile | |
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| Postscript | |
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| Forgetfulness | |
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| To Portapovitch | |
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| Legende | |
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| Interior | |
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| Porphyro in Akron | |
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| A Persuasion | |
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| Three Locutions des Pierrots | |
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| The Great Western Plains | |
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| America's Plutonic Ecstasies | |
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| Interludium | |
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| March | |
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| The Broken Tower | |
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| Unpublished Poems and Fragments | |
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| A Song for Happy Feast Days | |
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| Sonnet | |
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| The Moth That God Made Blind | |
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| To Earth | |
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| Medusa | |
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| Meditation | |
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| Episode of Hands | |
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| The Bridge of Estador | |
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| After Jonah | |
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| Euclid Avenue | |
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| To Buddha | |
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| "Where gables pack the rainless" | |
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| Well / Well / Not-At-All | |
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| Of an Evening | |
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| What Nots? | |
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| In a Court | |
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| With a Photograph to Zell, Now Bound for Spain | |
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| "This way where November takes the leaf" | |
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| "You are that frail decision that devised" | |
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| "Thou canst read nothing except through appetite" | |
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| To Liberty | |
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| Mirror of Narcissus | |
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| The Masters | |
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| "Her eyes had the blue of desperate days" | |
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| "O moon, thou cool sibilance of the sun, we utmost love" | |
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| Lenses | |
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| To the Empress Josephine's Statue | |
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| Supplication to the Muses on a Trying Day | |
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| "The sea raised up a campanile...The wind I heard" | |
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| Eternity | |
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| "So dream thy sails, O phantom bark" | |
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| A Postscript | |
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| The Sad Indian | |
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| "I have that sure enclitic to my act" | |
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| The Pillar and the Post | |
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| The Visible the Untrue | |
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| "Shall I subsume the shadow of the world-" | |
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| "Tenderness and resolution" | |
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| "Time cannot be worn strapped to the supple wrist" | |
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| "I rob my breast to reach those altitudes-" | |
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| "Enrich my resignation as I usurp those far" | |
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| "All this-and the housekeeper-" | |
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| A Traveller Born | |
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| "The alert pillow, the hayseed spreads" | |
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| "There are the local orchard boughs" | |
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| "Dust now is the old-fashioned house" | |
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| "They were there falling" | |
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| Havana Rose | |
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| Purgatorio | |
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| The Circumstance | |
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| Hieroglyphic | |
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| To Conquer Variety | |
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| Selected Prose | |
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| The Case Against Nietzsche | |
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| Joyce and Ethics | |
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| Review of The Ghetto and Other Poems | |
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| Review of Minna and Myself | |
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| Review of Winesburg, Ohio | |
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| A Note on Minns | |
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| Sherwood Anderson | |
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| Review of Eight More Harvard Poets | |
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| General Aims and Theories | |
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| A Letter to Harriet Monroe | |
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| Modern Poetry | |
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| Note on the Paintings of David Siqueiros | |
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| From Haunts of Proserpine | |
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| "A pure approach to any art..." | |
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| Selected Letters | |
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| Chronology | |
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| Biographical Notes | |
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| Note on the Texts | |
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| Copyrights and Permissions | |
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| Notes | |
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| Index of Poem Titles and First Lines | |
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| Index | |