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Revolt And Revolution | |
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The Politics of Visibility in Revolutionary France | |
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19th c. Revolutions and Strategies of Visual Persuasion | |
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Socialist Movements and the Development of the Political Poster | |
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Avant Gardes and the Culture of Protest | |
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Science And Empiricism | |
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To Collect is to Quantify: Visual Practices in the Development of Modern Science | |
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Evolutionary Theory, Eugenics, and the Transparency of Inheritance | |
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Biology and Crime: Degeneracy and the Visual Trace | |
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Visual Models and Scientific Breakthroughs | |
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Gaze And Spectacle | |
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Gaze, Body, and Sexuality: Modern Rituals of Looking and Being Looked At | |
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The Flaneur/Flaneuse Phenomenon | |
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Spectacle and the Visual Calibration of Class and Gender | |
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Inscribing the Body: From Hysterical Marks to Tattoos and Piercings | |
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Acquisition, Display, And Desire | |
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To the Arcade: the World of the Shop and the Store | |
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Ephemeral Exhibitions: Expositions and Fairs | |
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Changing Museum Spaces: The Prado and the Guggenheim | |
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Design for a Display Culture: Marimekko to Ikea | |
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Conquest, Colonialism, And Globalization | |
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Orientalism and its Visual Regimes | |
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Marketing the Slave Trade | |
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Cultures of Confiscation | |
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Trading Cultures: The Boundary Issues of Globalization | |
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Image And Reality | |
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Multiples and Reproductions: The Social Economy of Prints and Photographs | |
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Anti-realism and Photography | |
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Inventing the Mise-en-Scene: German Expressionism and the Silent Film Set | |
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The Reality of the Abstract Image: Materiality and Transcendence | |
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Media And Visual Technologies | |
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Staying Connected: Information Technologies, Instantaneity, and Obsolescence | |
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I Looked it up on the Internet: Disorientation and Disinformation | |
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Carnival Mirrors: The Hermetic World of the Music Video | |
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The Digital Auteur: Sites, Blogs, and Self-fashioning | |
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Fool the Eye and the Body: Feats of Simulation and the World of the Video Game | |
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Notes | |
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Bibliography | |
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Index | |