Life as We Have Known It The Voices of Working-Class Women

ISBN-10: 1844088014
ISBN-13: 9781844088010
Edition: 2012
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Description: 'I was born in Bethnal Green . . . a tiny scrap of humanity. I was my mother's seventh, and seven more were born after me . . . When I was ten years old I began to earn my own living.'Told in the distinctive and memorable voices of working class  More...

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Book details

Copyright year: 2012
Publisher: Little, Brown Book Group Limited
Publication date: 7/5/2012
Binding: Paperback
Pages: 208
Size: 5.00" wide x 7.75" long x 0.50" tall
Weight: 0.572
Language: English

'I was born in Bethnal Green . . . a tiny scrap of humanity. I was my mother's seventh, and seven more were born after me . . . When I was ten years old I began to earn my own living.'Told in the distinctive and memorable voices of working class women, Life as We Have Known It is a remarkable first-hand account of working lives at the turn of the last century. First published in association with the Women's Co-operative Guild in 1931, Life as We Have Known it is a unique evocation of a lost age, and a humbling testament to what Virginia Woolf called 'that inborn energy which no amount of childbirth and washing up can quench'. Here is domestic service; toiling in factories and in the fields, and of husbands - often old and ill before their time, some drinkers or gamblers. Despite telling of the hardship of a poverty-stricken marriage, the horrors of childbirth and of lives spent in search of jobs, these are spirited and inspiring voices.

Virginia Woolf was born in London, the daughter of the prominent literary critic Leslie Stephen. She never received a formal university education; her early education was obtained at home through her parents and governesses. After death of her father in 1904, her family moved to Bloomsbury, where they formed the nucleus of the Bloomsbury Group, a circle of philosophers, writers and artists. As a writer, Woolf was a great experimenter. She scorned the traditional narrative form and turned to expressionism as a means of telling her story. Mrs. Dalloway (1925) and To The Lighthouse (1927), her two generally acknowledged masterpieces, are stream-of-consciousness novels in which most of the action and conflict occur beneath a surface of social decorum. Mrs. Dalloway, set in London shortly after the end of World War I, takes place on a summer's day of no particular significance, except that intense emotion, insanity, and death intrude.To the Lighthouse's long first and third sections, each of which concerns one day 10 years apart, of the same family's summer holidays, are separated and connected by a lyrical short section during which the war occurs, several members of the family die, and decay and corruption run rampant. Orlando (1928) is the chronological life story of a person who begins as an Elizabethan gentleman and ends as a lady of the twentieth century; Woolf's friend, Victoria Sackville-West, served as the principal model for the multiple personalities. (The book was made into a movie in 1993.) Flush (1933) is a dog's soliloquy that, by indirection, recounts the love story of Robert Browning and Elizabeth Barrett Browning and their elopement and life in Florence. Her last short novel, Between the Acts (1941), was left without her final revision, but it is, nonetheless, a major representation of a society on the verge of collapse. Having had periods of depression throughout her life and fearing a final mental breakdown from which she might not recover, Woolf drowned herself in 1941. Her husband published part of her farewell letter to deny that she had taken her life because she could not face the terrible times of war. Leonard Woolf also edited A Writer's Diary (1953), which provides valuable insights into his wife's private thoughts and literary development. Equally informative are his own autobiographies, particularly Beginning Again and Downhill All the Way (1967), and The Letters of Virginia Woolf and Lytton Strachey . Virginia Woolf's Granite and Rainbow contains 27 essays on the art of fiction and biography. There are many sidelights on Woolf in the writings, letters, and biographies of other members of her Bloomsbury circle, such as Roger Fry, John Maynard Keynes (see Vol. 3), and Lytton Strachey (see Vol. 3). Also casting much light on her life, thought, and creative processes are The Common Reader (1925), The Second Common Reader (1933), A Room of One's Own (1929), Three Guineas (1938), The Captain's Death Bed and Other Essays, The Death of the Moth and Other Essays (1942), and various collections of her autobiographical writings, diaries, and letters. In addition, in recent years there has been a veritable industry of writers dealing with Woolf and her work.

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