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Foreword | |
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Preface | |
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Acknowledgments | |
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Editor's Note | |
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1851-1875 | |
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1852: Henry Cole, "On the International Results of the Exhibition of 1851" | |
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1852: Horatio Greenough, "The Law of Adaptation" | |
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1853: John Ruskin, "The Nature of Gothic" | |
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1856: Owen Jones, Grammar of Ornament | |
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1867: Karl Marx, "The Capitalist Character of Manufacture" | |
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1868: Charles Eastlake, Hints on Household Taste | |
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1873: Christopher Dresser, Principles of Decorative Design | |
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1876-1900 | |
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1877: William Morris, "The Lesser Arts" | |
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1882: Lewis Foreman Day, "To Ladies and Amateurs" | |
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1893: Candace Wheeler, "Decorative and Applied Art" | |
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1897: Henry van de Velde, "A Chapter on the Design and Construction of Modern Furniture" | |
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1899: Thorstein Veblen, "Pecuniary Canons of Taste" | |
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1901-1925 | |
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1901: Frank Lloyd Wright, "The Art and Craft of the Machine" | |
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1905: Josef Hoffmann and Koloman Moser, "The Work-Program of the Wiener Werkstatte" | |
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1908: C. R. Ashbee, Craftsmanship in Competitive Industry | |
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1909: Filippo Tommaso Marinetti, "The Foundation and Manifesto of Futurism" | |
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1910: Adolf Loos, "Ornament and Crime" | |
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1911: Hermann Muthesius, "Aims of the Werkbund" | |
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1911: Frederick Winslow Taylor, The Principles of Scientific Management | |
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1914: Hermann Muthesius and Henry van de Velde, Statements from the Werkbund Conference of 1914 | |
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1919: Christine Frederick, "The Labor-Saving Kitchen" | |
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1919: Walter Gropius, "Program of the Staatliche Bauhaus in Weimar" | |
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1922: Theo van Doesburg, "The Will to Style" | |
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1922: Alexander Rodchenko and Varvara Stepanova, "Program of the First Working Group of Constructivists" | |
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1923: Le Corbusier, "Eyes Which Do Not See: Automobiles" | |
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1925: Helen Appleton Read, "The Exposition in Paris" | |
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1926-1950 | |
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1928: Henry Ford, "Machinery, The New Messiah" | |
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1930: Fortune, "Color in Industry" | |
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1930: Sigmund Freud, Civilization and Its Discontents | |
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1932: Earnest Elmo Calkins, "What Consumer Engineering Really Is" | |
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1934: Alfred H. Barr, Jr. and Philip Johnson, Machine Art | |
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1934: Norman Bel Geddes, "Streamlining" | |
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1935: Marcy Babbitt, "As a Woman Sees Design: An Interview with Belle Kogan" | |
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1936: Fortune, "What Man Has Joined Together..." | |
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1940: Harold Van Doren, "The Designer's Place in Industry" | |
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1941: Eliot Noyes, Organic Design in Home Furnishings | |
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1950: Edgar Kaufmann, Jr., What is Modern Design? | |
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1951-1975 | |
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1951: Raymond Loewy, "The MAYA Stage" | |
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1953: Dwight D. Eisenhower, "Peaceful Uses of Atomic Energy" | |
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1955: Henry Dreyfuss, "Joe and Josephine" | |
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1958: Program of the Hochschule fur Gestaltung, Ulm | |
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1959: Richard Nixon and Nikita Khrushchev, "The Kitchen Debate" | |
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1963: Ann Ferebee, "Is Industrial Design Color Blind?" | |
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1964: Edward Carpenter, "Statement: The Designing Women" | |
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1965: Ralph Nader, Unsafe at Any Speed | |
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1966: Robert Venturi, Complexity and Contradiction in Architecture | |
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1969: R. Buckminster Fuller, Operating Manual for Spaceship Earth | |
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1971: Victor Papanek, Design for the Real World | |
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1973: Richard Nixon, "Address to the Nation About Policies To Deal With the Energy Shortages" | |
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1976-2000 | |
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1976: Alexander Kira, "Historical Aspects of Personal Hygiene Facilities" | |
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1984: Klaus Krippendorff and Reinhart Butter, "Product Semantics: Exploring the Symbolic Qualities of Form" | |
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1984: Barbara Radice, "Memphis and Fashion" | |
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1984: Dieter Rams, "Omit the Unimportant" | |
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1985: The Japan Management Association, "Just-In-Time at Toyota" | |
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1988: C. Thomas Mitchell, "The Product As Illusion" | |
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1990: Americans With Disabilities Act (U.S. Public Law 101-336) | |
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1991: Kenichi Ohmae, "Global Products" | |
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1992: David H. Rice, "What Color Is Design?" | |
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1996: Charles Jencks, "The Post-Modern Information World and the Rise of the Cognitariat" | |
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1998: Kenji Ekuan, "Japanese Aesthetics" | |
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1999: Hartmut Esslinger, "Frog Stands For..." | |
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1999: Donald Norman, "Time for a Change: Design in the Post-Disciplinary Era" | |
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Index | |