Indie Producers Handbook Creative Producing from a to Z

Name: Indie Producers Handbook Creative Producing from a to Z
Price: 3.54 USD
Availability: InStock
ISBN: 9781580650373

ISBN-10: 1580650376

ISBN-13: 9781580650373

Edition: 2001

Authors: Myrl A. Schreibman

List price: $21.95

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Book details

List price: $21.95
Copyright year: 2001
Publisher: Watson-Guptill Publications, Incorporated
Publication date: 8/1/2001
Binding: Paperback
Pages: 270
Size: 6.25" wide x 9.25" long x 0.75" tall
Weight: 1.034
Language: English

Myrl A. Schreibmanis an award-winning producer-director and an adjunct professor at the UCLA Department of Film, Television, and Digital media.Movie Makermagazine named hisIndie Producer’s Handbook: Creative Producing from A to Zthe number-one book on producing. He lives in Los Angeles.



Acknowledgments


Foreword


Introduction


Prologue



Thinking Like a Producer


End Result


The Five Questions



Understanding Producing


Make the Shoe Fit the Foot


Relationships and Ego


Getting Started


Negotiating


The Stages of Production


Looking Backwards



Looking at the Written Project


Breaking Down the Screenplay


Preparing the Production Board



The Production Budget


The Budget Top Sheet


Above and Below-the-Line


The Completion Bond


Financially Protecting the Creativity



Above-The-Line


Story and Delivery


Cast--Actors--Onscreen Talent


The SAG Bond


Casting Philosophies


Fringe Benefits Above-the-Line



The Production Period--Part 1


There Is No Substitute for Pre-production


Murphy's Law


Hiring Below-the-Line


Production Staff--The Assist Team


Visual Preparation


Property Department


Camera Department


Electrical Department


Set Operations



The Production Period--Part 2


Wardrobe Department


Makeup and Hair Department


The Sound Department


Transportation


Locations


Stages and Studios


Second Unit Production


Production Film--Tape Laboratory


Tests


Below-the-Line Fringe--Production Period



The Editing Period


Picture Edit--Part 1


Post-production Process Decisions


Sound Edit--Part 2


Digital Post-production Effects


Sound Editing


The MandE Track


Music


Music Rights


Working with the Composer



The Completion Period


Post-production Sound Lab


Post-production Film Lab


Main and End Titles



Administration


Publicity


Insurance


Miscellaneous


Fees



Putting It All Together


Deferments


Psychology of Production Layout


The Lox and Bagels Meetings



Producing


The Producer as Coach


Producing Tools and Resources


Producing Finance Partners


Finance


Co-financing


Completion Bonds


Film Festivals


Epilogue


Index


About the Author