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| Preface | |
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| Introduction | |
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| Ben Johnston: Art and Survival | |
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| Origins | |
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| An Overview of Tonality | |
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| Expanded Scale Resources | |
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| Extensions of Triadic Harmony | |
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| Musical Hierarchy | |
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| Vectoral Analysis | |
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| Edgard Varese: Density 21.5 | |
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| George Rochberg: No Center | |
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| Atonality and Serialism | |
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| Atonality and Pitch Class | |
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| Sets, Vectors, and Subsets | |
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| Serial Techniques | |
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| Combinatoriality | |
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| Integral Serialism | |
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| Vectoral Analysis | |
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| Anton von Webern: Symphonie, op. 21 | |
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| David Cope and Galen Wilson: An Interview with Pierre Boulez | |
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| Texturalism | |
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| Principles | |
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| Cluster Techniques | |
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| Rhythmic Developments | |
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| Vectoral Analysis | |
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| Krzysztof Penderecki: Capriccio for Violin and Orchestra | |
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| David Felder and Mark Schneider: An Interview with Krzysztof Penderecki | |
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| Timbralism and Tuning | |
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| Traditional Instrument Exploration | |
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| New Instruments | |
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| Timbre and Spatial Modulation | |
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| Non-Western Influences | |
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| Microtones and Tuning Systems | |
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| Vectoral Analysis | |
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| Peter Maxwell Davies: Eight Songs for a Mad King | |
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| Tom Everett: An Interview with Henry Brant | |
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| Indeterminacy | |
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| Improvisation | |
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| Indeterminacy | |
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| Composer Indeterminacy | |
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| Performer Indeterminacy | |
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| Composer and Performer Indeterminacy | |
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| Vectoral Analysis | |
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| John Cage: Cartridge Music | |
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| David Cope: An Interview with John Cage | |
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| Experimentalism | |
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| Fundamentals | |
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| Danger Music | |
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| Conceptualism | |
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| Biomusic | |
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| Soundscapes | |
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| Multimedia, Mixed Media, and Intermedia | |
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| Virtual Reality and the Internet | |
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| Vectoral Analysis | |
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| Pauline Oliveros: Sonic Meditation XIII | |
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| Morton Feldman: Between Categories | |
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| Electroacoustic Music | |
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| Background | |
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| Fundamental Concepts | |
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| Examples | |
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| Poeme electronique | |
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| Digital Electroacoustic Music | |
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| MIDI | |
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| Vectoral Analysis | |
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| Jean-Claude Risset: Inharmonic Soundscapes | |
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| Andrew R. Brown: An Interview with Paul Lansky | |
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| Algorithmic Composition | |
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| Background | |
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| Expert Systems | |
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| Neural Networks | |
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| Mathematical Sources | |
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| Interactive Composition | |
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| Current Programs | |
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| Vectoral Analysis | |
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| Iannis Xenakis: Atrees | |
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| John Cage, Lukas Foss, Iannis Xenakis: Short Answers to Difficult Questions | |
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| Minimalism | |
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| Sources | |
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| Minimalism | |
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| The New Tonality | |
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| Vectoral Analysis | |
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| Philip Glass: Einstein on the Beach | |
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| Andrew R. Brown: An Interview with Steve Reich | |
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| Integration | |
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| Background | |
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| Synthesis | |
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| Quotation | |
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| Vectoral Analysis | |
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| Luciano Berio: Sinfonia | |
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| David Felder: An Interview with Luciano Berio | |
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| Postlude | |
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| Appendix I | |
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| Glossary of Terms | |
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| Appendix II | |
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| Biographical Data | |
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| Appendix III | |
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| Notations | |
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| Introduction | |
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| Brief Bibliography | |
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| New Music Notations | |
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| Source Addresses | |
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| Record Companies | |
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| Periodicals | |
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| Music Publishers | |
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| Hardware | |
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| Software | |
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| MIDI Organizations and Publications | |
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| Web Addresses (a few interesting websites) | |
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| Bibliography | |