| |
| |
Introduction | |
| |
| |
Introduction to the New Edition | |
| |
| |
Introduction to the Reissue | |
| |
| |
Preface to the Translation | |
| |
| |
Essay of a Method for Playing the Transverse Flute | |
| |
| |
Dedication | |
| |
| |
Preface | |
| |
| |
Introduction. Of the Qualities Required of Those Who Would Dedicate Themselves to Music | |
| |
| |
| |
Short History and Description of the Transverse Flute | |
| |
| |
| |
Of Holding the Flute, and Placing the Fingers | |
| |
| |
| |
Of the Fingering or Application, and the Gamut or Scale of the Flute | |
| |
| |
| |
Of the Embouchure | |
| |
| |
| |
Of Notes, their Values, Metre, Rests, and Other Musical Signs | |
| |
| |
| |
Of the Use of the Tongue in Blowing upon the Flute | |
| |
| |
| |
Of the Use of the Tongue with the Syllable ti or di | |
| |
| |
| |
Of the Use of the Tongue with the Word tiri | |
| |
| |
| |
Of the Use of the Tongue with the Word did'll, or the so-called Double Tongue | |
| |
| |
Supplement: Several Remarks for the Use of the Oboe and Bassoon | |
| |
| |
| |
Of Taking Breath, in the Practice of the Flute | |
| |
| |
| |
Of the Appoggiaturas, and the Little Essential Graces Related to Them | |
| |
| |
| |
Of Shakes | |
| |
| |
| |
What a Beginner Must Observe in His Independent Practice | |
| |
| |
| |
Of Good Execution in General in Singing and Playing | |
| |
| |
| |
Of the Manner of Playing the Allegro | |
| |
| |
| |
Of Extempore Variations on Simple Intervals | |
| |
| |
| |
Of the Manner of Playing the Adagio | |
| |
| |
| |
Of Cadenzas | |
| |
| |
| |
What a Flautist Must Observe if he Plays in Public Concerts | |
| |
| |
| |
Of the Duties of Those Who Accompany or Execute the Accompanying or Ripieno Parts Associated with a Concertante Part | |
| |
| |
| |
Of the Qualities of a Leader of an Orchestra | |
| |
| |
| |
Of the Ripieno Violinists in Particular | |
| |
| |
| |
Of the Violist in Particular | |
| |
| |
| |
Of the Violoncellist in Particular | |
| |
| |
| |
Of the Double Bass Player in Particular | |
| |
| |
| |
Of the Keyboard Player in Particular | |
| |
| |
| |
Of the Duties That All Accompanying Instrumentalists in General Must Observe | |
| |
| |
| |
How a Musician and a Musical Composition Are to Be Judged | |
| |
| |
Bibliography | |
| |
| |
Appendix | |
| |
| |
Bibliography II | |
| |
| |
Bibliography III | |
| |
| |
Index of the Most Important Matters | |