Disguised as a Poem My Years Teaching at San Quentin

ISBN-10: 155553452X
ISBN-13: 9781555534523
Edition: 2000
List price: $24.95
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Description: When Judith Tannenbaum last met with her poetry writing class at San Quentin prison, one of the students commented, "Now I'm going to give you an assignment: write about these past four years from your point of view; tell your story; let us know  More...

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Book details

List price: $24.95
Copyright year: 2000
Publisher: University Press of New England
Publication date: 9/1/2000
Binding: Paperback
Pages: 224
Size: 5.25" wide x 8.50" long x 0.75" tall
Weight: 0.682

When Judith Tannenbaum last met with her poetry writing class at San Quentin prison, one of the students commented, "Now I'm going to give you an assignment: write about these past four years from your point of view; tell your story; let us know what you learned." This beautifully crafted memoir is the fulfillment of that assignment. In stirring and intimate prose, Tannenbaum details the challenges, rewards, and paradoxes of teaching poetry to maximum-security inmates convicted of capital crimes. Recounting how she and her students shared profound and complicated lessons about humanity and life both inside and outside San Quentin's walls, Tannenbaum tells provocative stories of obsession, racism, betrayal, despair, courage, and beauty. Contrary to the growing public perception of prisoners as demons, the men in this poetry class-Angel, Coties, Elmo, Glenn, Richard, Spoon-emerge not as beasts or heroes but as human beings with expressive voices, thoughts, and feelings strikingly similar to the free. Tannenbaum provides revealing views of conditions in the cellblocks and shows how the realities of prison life often paralleled her own life experiences. She also relates such events as visits to her group by prominent poets (including Nobel Prize-winner Czeslaw Milosz); a prison production of Waiting for Godot sponsored by Samuel Beckett himself; and the presentation of her students' work to a class of sixth and eighth graders, who connected to the prisoners' words by writing their own poems to the inmates. This honest, unbiased account of how one woman artist came to share purpose and inspiration with the prisoners at San Quentin demonstrates the power of human bonds and the power of poetry and other art forms as a means of self-expression and communication within and beyond locked cells.

JUDITH TANNENBAUM serves as Training Coordinator of the WritersCorps program in San Francisco. For over twenty-five years she has taught poetry to prisoners, primary-age children, continuation high school students, and youngsters at a summer program for gifted teenagers. She has written extensively on issues of community art and cultural democracy and is the author of Teeth, Wiggly as Earthquakes: Writing Poetry in the Primary Grades, The World Saying Yes, four chapbooks, and a portfolio of her poems. She lives in the San Francisco Bay Area.

Preface
Acknowledgments
The First Three Months
Cleansing the Doors of Perception
"Endless Echoes of Steel Kissing Steel"
"You Gotta Walk That Lonesome Valley ..."
"Like a Poet"
"In the Very Essence of Poetry There Is Something Indecent"
Long-Term, In-Depth
"To All Mankind They Were Addressed": Godot at San Quentin
"Which Side Are You On?"
"Love Begins Right Here in This Place"
Notes

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