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Introduction | |
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Introduction to the 1995 Edition | |
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Women as Singers in Christian Antiquity | |
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Music in an Early Community of Women | |
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Life at a Twelfth-Century Benedictine Convent | |
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Hildegard of Bingen: Abbess and Composer | |
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Three Women Troubadours | |
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Women Among the Minstrels and as Amateur Musicians | |
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The Renaissance Lady | |
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Vocal and Instrumental Music Performance at an Italian Convent | |
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The Rise of Women as Virtuoso Singers | |
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Francesca Caccini: Singer-Composer | |
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Elisabeth-Claude Jacquet de la Guerre: Composer and Harpsichordist | |
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The Venetian Conservatories | |
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Music as an Accomplishment | |
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Marianne von Martinez: Composer and Singer | |
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Maria Theresia von Paradis: Pianist on Tour | |
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Corona Schroter and Julie Candeille: Two Composers Speak Out | |
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Clara Schumann: Pianist | |
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Amy Fay: Pianist | |
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Lillian Nordica: Operatic Soprano | |
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Margaret Blake-Alverson: Contralto | |
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Sissieretta Jones: Soprano | |
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Fanny Mendelssohn Hensel | |
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Clara Schumann | |
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Ethel Smyth | |
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Luise Adolpha Le Beau | |
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Cosima Wagner | |
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The Female Amateur: From Accomplishment to Achievement | |
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Women as Teachers | |
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Women as Patrons in the Club Movement | |
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The Vienna Damen Orchester in New York, 1871 | |
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Caroline B. Nichols and the Boston Fadette Lady Orchestra | |
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Camilla Urso on Professional Equity for Women Violinists, 1893 | |
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Should Women Perform in the Same Orchestra with Men? | |
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George Upton: A Classic Formulation of Women's Inferiority | |
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Helen J. Clarke: Regarding Unequal Education in the Past | |
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Frederick Meadows-White: Regarding the "Great Composer" Aspect of the Question | |
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Amy Fay: Women Have Too Well Aided Men | |
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Mabel Daniels: Fighting Generalizations About Women | |
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A Corollary to the Question: Sexual Aesthetics in Music Criticism | |
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Elizabeth Sprague Coolidge: Patron of Chamber Music | |
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Nadia Boulanger: Teacher of Composers | |
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Women's Symphony Orchestras | |
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American Women Demand "Mixed" Orchestras | |
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Three Musicians Recall Their Careers: Antonia Brico Frederique Petrides, and Jeannette Scheerer | |
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Marian Anderson: Contralto | |
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Ethel Smyth: "Female Pipings in Eden" | |
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Carl E. Seashore: "Why No Great Women Composers?" | |
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Ruth Crawford-Seeger | |
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Elisabeth Lutyens | |
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Nancy Van de Vate | |
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The Women's Philharmonic | |
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Joan Tower: Composer | |
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Marcia J. Citron: Musicologist | |
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Select Bibliography | |
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Index | |