| |
| |
| Introduction | |
| |
| |
| |
| Songs of the Immigrants and Songs in American History and Politics | |
| |
| |
| Arrival | |
| |
| |
| Songs of the Immigrants | |
| |
| |
| Songs About the Immigrants | |
| |
| |
| The Revolutionary War | |
| |
| |
| The Postcolonial Era | |
| |
| |
| The War of 1812 | |
| |
| |
| The Mexican War | |
| |
| |
| The Period Before the Civil War | |
| |
| |
| The Civil War | |
| |
| |
| The Spanish-American War | |
| |
| |
| World War I | |
| |
| |
| Other Early Political Songs | |
| |
| |
| |
| Native American Music and Social Issues | |
| |
| |
| The Inadvertent Host | |
| |
| |
| Conquest and Removal | |
| |
| |
| Nineteenth-Century Indian History | |
| |
| |
| Indians in the Twentieth Century | |
| |
| |
| Traditional Music | |
| |
| |
| Twentieth-Century Music | |
| |
| |
| Musical Fusions by Various Indian Artists | |
| |
| |
| White Commentary on Indians | |
| |
| |
| Indian Classical Music | |
| |
| |
| The Business of Indian Music and a Look at the Future | |
| |
| |
| |
| African Americans | |
| |
| |
| The Slave Trade | |
| |
| |
| Early Music | |
| |
| |
| The Development and Evolution of Slavery | |
| |
| |
| Religion | |
| |
| |
| The Civil War and Its Aftermath | |
| |
| |
| The Period of Maximum Oppression: 1880-1914 | |
| |
| |
| Secular Folk Music | |
| |
| |
| Minstrels, Ragtime, and Broadway | |
| |
| |
| Birth and Evolution of the Blues | |
| |
| |
| White Blues and White Audiences | |
| |
| |
| World War II to the Sixties | |
| |
| |
| Gospel Music | |
| |
| |
| Pop and R&B | |
| |
| |
| Motown and Stax Records | |
| |
| |
| Soul | |
| |
| |
| Jazz | |
| |
| |
| Rap | |
| |
| |
| Songs by White People About African Americans | |
| |
| |
| Race: An Ongoing Issue | |
| |
| |
| |
| Women's Lives and Songs | |
| |
| |
| The Role of Women | |
| |
| |
| World War I and Women's Suffrage | |
| |
| |
| Between the World Wars | |
| |
| |
| The Fifties and Sixties | |
| |
| |
| The British Invasion, the 1650 Broadway Songwriters, and Motown | |
| |
| |
| Feminism and the Women's Movement | |
| |
| |
| Enduring Women's Issues, from the Seventies On | |
| |
| |
| Eighties and Nineties Ladies | |
| |
| |
| The Nineties and Beyond | |
| |
| |
| Women in Jazz | |
| |
| |
| Women's Roles in Music | |
| |
| |
| Songbook Analysis | |
| |
| |
| The Music Industry and Women's Music | |
| |
| |
| |
| Protest Songs: Music as a Tool for Social Change | |
| |
| |
| Joe Hill | |
| |
| |
| Songs of the Miners and Textile Workers | |
| |
| |
| Conservative Songs | |
| |
| |
| Music and the Communist Party | |
| |
| |
| The Radical Schools of the Thirties and Black Protest Music | |
| |
| |
| The Spanish Civil War and Protest Music | |
| |
| |
| Changes in American Life and the Union Movement | |
| |
| |
| The Almanac Singers | |
| |
| |
| Professional Protest | |
| |
| |
| The Hitler-Stalin Peace Pact | |
| |
| |
| Alan Lomax and Woody Guthrie | |
| |
| |
| Leadbelly | |
| |
| |
| Protest Music and Audiences | |
| |
| |
| World War II and the Almanacs | |
| |
| |
| Pete Seeger and People's Songs | |
| |
| |
| Josh White | |
| |
| |
| The Red Scares, the Election of 1948, and the End of People's Songs | |
| |
| |
| The Weavers | |
| |
| |
| The Effects of the Blacklist on Political Music | |
| |
| |
| Folk-Pop Crossover | |
| |
| |
| The Kingston Trio | |
| |
| |
| Music and the Civil Rights Movement | |
| |
| |
| Protest Singers of the Sixties | |
| |
| |
| Protest Music Today | |
| |
| |
| The Future of Protest Music | |
| |
| |
| Why Folk Music? Then and Now | |
| |
| |
| |
| Spanish-Speaking Groups | |
| |
| |
| The Southwest | |
| |
| |
| Immigration | |
| |
| |
| Political Militance | |
| |
| |
| Mexican American Music | |
| |
| |
| Evolution of Musical Style in Mexican American Music | |
| |
| |
| Mexicans in Anglo Music | |
| |
| |
| Puerto Rican Life and Music | |
| |
| |
| Cuba and the Exodus | |
| |
| |
| What's Going On: Chicano Consciousness and Music | |
| |
| |
| Ry Cooder | |
| |
| |
| |
| Rock and Roll | |
| |
| |
| Why Rock and Roll? | |
| |
| |
| Rock and Roll History | |
| |
| |
| "Rock Around the Clock" | |
| |
| |
| Elvis and Sun Records | |
| |
| |
| Rock and White Supremacy | |
| |
| |
| Cover Records | |
| |
| |
| "The Sound of Young America" | |
| |
| |
| Politics of the Sixties | |
| |
| |
| Peace, Love, Flowers, Drugs, and Music | |
| |
| |
| Peace, Love, and Disillusionment | |
| |
| |
| Disco | |
| |
| |
| Punk | |
| |
| |
| Hard Core | |
| |
| |
| Straight Edge vs. Punk's Underbelly | |
| |
| |
| Heavy Metal and Eighties Rock | |
| |
| |
| Grunge | |
| |
| |
| Jokers in the Deck | |
| |
| |
| Mainstream Artists | |
| |
| |
| Rage Against the Machine | |
| |
| |
| Rock and Roll and Race | |
| |
| |
| Women and Rock | |
| |
| |
| Rock and Roll Today | |
| |
| |
| |
| The Music of Hate | |
| |
| |
| Anti-African American Music | |
| |
| |
| Neo-Nazi Music | |
| |
| |
| |
| The Two Gulf Wars, 9/11/2001, and Afghanistan | |
| |
| |
| The Gulf War of 1991 | |
| |
| |
| 9/11 | |
| |
| |
| The Second Gulf War | |
| |
| |
| Iraq and Vietnam | |
| |
| |
| |
| Music and Social Change | |
| |
| |
| Omissions | |
| |
| |
| Music, Celebrity, and the Political Process | |
| |
| |
| Situations Where Music Had Influence | |
| |
| |
| Can Music Cause Social Change? | |
| |
| |
| Bibliography and Discography | |
| |
| |
| Index | |