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| Preface to the Fourth Edition | |
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| Publisher's Acknowledgments | |
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| Introduction: The Study of Popular Culture and Cultural Studies | |
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| The 'Culture and Civilization' Tradition | |
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| Introduction | |
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| Culture and Anarchy | |
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| Mass Civilisation and Minority Culture | |
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| Culturalism | |
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| Introduction | |
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| The Full Rich Life & The Newer Mass Art: Sex in Shiny Packets | |
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| The Analysis of Culture | |
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| Preface from The Making of the English Working Class | |
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| The Young Andience | |
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| Marxism | |
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| Introduction | |
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| Ruling Class and Ruling Ideas | |
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| Base and Superstructure | |
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| Letter to Joseph Bloch | |
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| On Popular Music | |
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| Hegemony, Intellectuals and the Stae | |
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| Popular Culture and the 'turn to Gramsci' | |
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| Rockin' Hegemony: West Cost Rock and Amerika's War in Vietnam | |
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| Pleasurable Negotiations | |
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| The Redisoovery of 'Ideology' Return of the Repressed in Media Stndies | |
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| Post-Marxism without Apologies | |
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| Femintsm | |
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| Introduction | |
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| Dallas and the Ideology of Mass Culture | |
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| Femimist Approaches to Popular Culture: Giving Patriarchy its Due | |
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| Reading Reading the Romance | |
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| Soap Opera and Utopia | |
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| Imitation and Gender Insubordination | |
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| Psychoanalysis, Structuralism and Post-structuralism | |
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| Introduction | |
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| The Dream-Work | |
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| The Mirror Stage | |
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| Myth Today | |
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| The Structure of Myth & The Structure of the Western Film | |
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| Jules Verne: The Faulty Narrative | |
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| Ideology and Ideological State Apparatuses | |
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| Method | |
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| Feminism & The Principles of Poststructuralism | |
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| From Reality to the Real | |
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| 'Race', Racism and Representation | |
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| Introdustion | |
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| 'Get up, get into it and get involved' - Soul, Civil Rights and Black Power | |
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| The Color Purple Black Women as Cultural Readers | |
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| What Is This 'Black' in Black Popular Culture? | |
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| (interviewed by Anders Stephanson) Black Postmodernist Practices | |
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| Postmodern Blackness | |
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| Musical Jihad | |
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| Postmodernism | |
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| Introduction | |
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| The Precession of Simnlacra | |
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| From Here to Modernity: Feminism and Postmodermism | |
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| Feminism, Reading, Postmodernism | |
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| Postmodernism and 'The Other Side' | |
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| Fashion and Postmdernism | |
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| Genericity in the Nineties | |
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| Doctor Who and the Convergence of Media | |
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| The Polities of the Popular | |
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| Introduction | |
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| Distinction & The Aristocracy of Culture | |
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| Notes on Deconstructing 'the Popular' | |
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| Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of an Organizational Base for High Culture in America | |
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| Cultural Production | |
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| The Practice of Everyday Life | |
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| The New Validation of Popular Culture: Sense and Sentimentality in Academia | |
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| The Popular Economy | |
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| Feminist Desire and Female Pleasure | |
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| Pessimism, Optimism, Pleasure: The Future of Cultural Studies | |
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| Trajectories of Cultural Populism | |
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| Political Economy and Cultural Studies: Reconciliation or Divorce? | |
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| Cultural Studies vs. Political Economy: Is Anybody Else Bored With this Dehate? | |
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| Bibliography | |
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| Index | |