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| Synopsis of Contents | |
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| Notes on Contributors | |
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| Introduction | |
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| Introduction: Putting and Keeping Japan in Anthropology | |
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| Cultures, Histories, and Identities | |
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| The Imperial Past of Anthropology in Japan | |
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| Japanese Archaeology and Cultural Properties Management: Prewar Ideology and Postwar Legacies | |
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| Feminism, Timelines, and History-Making | |
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| Making Majority Culture | |
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| Political and Cultural Perspectives on "Insider" Minorities | |
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| Japan's Ethnic Minority: Koreans | |
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| Shifting Contours of Class and Status | |
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| The Anthropology of Japanese Corporate Management | |
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| Fashioning Cultural Identity: Body and Dress | |
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| Genders and Sexualities | |
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| Geographies and Boundaries, Spaces and Sentiments | |
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| On the "Nature" of Japanese Culture, or, Is There a Japanese Sense of Nature? | |
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| The Rural Imaginary: Landscape, Village, Tradition | |
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| Tokyo's Third Rebuilding: New Twists on Old Patterns | |
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| Japan's Global Village: A View from the World of Leisure | |
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| Socialization, Assimilation, and Identification | |
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| Formal Caring Alternatives: Kindergartens and Day-Care Centers | |
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| Post-Compulsory Schooling and the Legacy of Imperialism | |
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| Theorizing the Cultural Importance of Play: Anthropological Approaches to Sports and Recreation of Japan | |
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| Popular Entertainment and the Music Industry | |
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| There's More than Manga: Popular Nonfiction Books and Magazines | |
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| Body, Blood, Self, and Nation | |
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| Biopower: Blood, Kinship, and Eugenic Marriage | |
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| The Ie (Family) in Global Perspective | |
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| Constrained Person and Creative Agent: A Dying Student's Narrative of Self and Others | |
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| Nation, Citizenship, and Cinema | |
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| Culinary Culture and the Making of a National Cuisine | |
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| Religion and Science, Beliefs and Bioethics | |
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| Historical, New, and "New" New Religions | |
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| Folk Religion and its Contemporary Issues | |
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| Women Scientists and Gender Ideology | |
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| Preserving Moral Order: Responses to Biomedical Technologies | |
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| Index | |