| |
| |
| Dedication | |
| |
| |
| Acknowledgments | |
| |
| |
| Figures and Captions | |
| |
| |
| Preface: How to Use this Book | |
| |
| |
| Introduction | |
| |
| |
| |
| Classic Auteur Theory: Introduction | |
| |
| |
| |
| A Certain Tendency of the French Cinema (1954) | |
| |
| |
| |
| |
| La Politique des Auteurs (1957) | |
| |
| |
| |
| |
| Films, Directors and Auteurs (1962) | |
| |
| |
| |
| |
| Notes on the Auteur Theory in 1962 (1962) | |
| |
| |
| |
| |
| Circles and Squares (1963) | |
| |
| |
| |
| |
| The Auteur Theory (1969) (excerpt) | |
| |
| |
| |
| |
| Direction and Authorship (1972) (excerpt) | |
| |
| |
| |
| |
| Ideas of Authorship (1973) | |
| |
| |
| |
| |
| Ideology, Genre, Auteur (1977) | |
| |
| |
| |
| Bibliography | |
| |
| |
| |
| The Contexts of Authorship: Introduction | |
| |
| |
| |
| The Death of the Author (1968) | |
| |
| |
| |
| |
| The English Cine-Structuralists (1973) | |
| |
| |
| |
| |
| Alternatives to Auteurs (1973) | |
| |
| |
| |
| |
| Women's Cinema as Counter-Cinema (1973) | |
| |
| |
| |
| |
| Refocusing Authorship in Women's Cinema (2003) | |
| |
| |
| |
| |
| The Men with the Movie Cameras (1972) | |
| |
| |
| |
| |
| Notes on a Screenwriter's Theory, 1973 (1974) | |
| |
| |
| |
| |
| Who Makes the Movies? (1976) | |
| |
| |
| |
| |
| Script/Performance/Text: Performance Theory and Auteur Theory (1978) | |
| |
| |
| |
| |
| Studio Authorship (2006) (excerpt) | |
| |
| |
| |
| |
| The Producer as Auteur (2006) | |
| |
| |
| |
| |
| Authorship, Design, and Execution (1987) | |
| |
| |
| |
| Bibliography | |
| |
| |
| |
| Close Readings: Introduction | |
| |
| |
| |
| Hitchcock's Imagery and Art (1977) | |
| |
| |
| |
| |
| John Ford's Young Mr. Lincoln (1970) | |
| |
| |
| |
| |
| Towards an Analysis of the Sirkian System (1972) | |
| |
| |
| |
| |
| My Name is Joseph H. Lewis (1983) | |
| |
| |
| |
| |
| Authorship as a Commodity: The Art Cinema and The Cabinet of Dr.Caligari (1984) | |
| |
| |
| |
| |
| The Place of Women in the Cinema of Raoul Walsh (1974) | |
| |
| |
| |
| |
| Female Authorship Reconsidered (The Case of Dorothy Arzner) (1990) | |
| |
| |
| |
| |
| Man's Favorite Sport?: The Action Films of Kathryn Bigelow (2004) | |
| |
| |
| |
| |
| Todd Haynes and Queer Authorship (2006) | |
| |
| |
| |
| |
| Twoness' in the Style of Oscar Micheaux (1993) | |
| |
| |
| |
| |
| Spike's Joint (1998) (excerpt) | |
| |
| |
| |
| Bibliography | |