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| List of Illustrations | |
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| Series Editor's Preface | |
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| Acknowledgments | |
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| Introduction | |
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| South and Southeast Asia | |
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| Selected Periods and Dates | |
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| Edicts of the Indian Mauryan Emperor Ashoka | |
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| "The Great Ape Jataka" and "Ruru-Jataka": Selections from the Jataka | |
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| "The Country of Khotan and the Image Procession" and "The Image Procession and the Charitable Hospital": Selections from A Record of the Buddhist Countries Fa-Hsien [Faxian] | |
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| "Varaha, the Boar," "Brahma, Vishnu and the Linga of Shiva," "Mt Govardhana," "The Origin of the Goddess from the Gods," and "The Death of Mahisha, the Buffalo Demon," from Classical Hindu Mythology: A Reader in the Sanskrit Puranas | |
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| Playful Ambiguity and Political Authority at the Large Relief at Mammallapuram | |
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| Excerpts from Borobudur | |
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| Reading Love Imagery on the Indian Temple | |
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| Excerpts from Angkor Wat: Time, Space, and Kingship | |
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| "Akbar Riding the Elephant Havai" and "Akbar Supervising the Construction of Fatehpur Sikri," from The Akbarnama of Abul Fazl | |
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| Excerpts from The Jahangirnama: Memoirs of Jahangir, Emperor of India | |
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| Orthodoxy, Innovation, and Revival: Considerations of the Past in Imperial Mughal Tomb Architecture | |
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| Timeless Symbols: Royal Portraits from Rajasthan 17th-19th Centuries | |
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| Indian Images Collected | |
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| Image as Presence | |
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| Excerpts from Making Merit, Making Art: A Thai Temple in Wimbledon Sandra Cate | |
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| The Artist as Charismatic Individual: Raja Ravi Varma | |
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| The "East-West" Opposition in Chandigarh's Le Corbusier | |
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| Skyscraper Competition in Asia: New City Images and New City Forms | |
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| East Asia | |
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| Selected Periods and Dates | |
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| The Nine Tripods and Traditional Chinese Concepts of Monumentality | |
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| Shang and Zhou Bronze Inscriptions | |
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| A Magic Army for the Emperor | |
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| The Tigress | |
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| The Six Laws of Xie He | |
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| The Taming of the Shrew: Wang Xizhi (303-361) and Calligraphic Gentrification in the Seventh Century | |
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| Ise Jingu | |
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| Proclamation of the Emperor Shomu on the Erection of the Great Buddha Image | |
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| Of Nature and Art: Monumental Landscape | |
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| Guo Xi's Writings on Landscape Painting | |
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| Jocho's Statue of Amida at the Byodoin and Cultural Legitimization in Late Heian Japan | |
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| "The Oak Tree," from The Tale of Genji Murasaki Shikibu | |
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| The Unity of the Three Creeds: A Theme in Japanese Ink Painting of the Fifteenth Century | |
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| Symbolic Virtue and Political Legitimation: Tea and Politics in the Momoyama Period | |
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| Practices of Vision | |
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| Excerpts from Chinese Imperial City Planning Nancy Shatzman Steinhardt | |
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| Letters from European Travelers about the Forbidden City: "A Jesuit in Beijing: Louis Lecomte" and "An English Ambassador in Beijing: Aeneas Anderson" | |
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| The Conventional Success of Chen Shu | |
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| Artistic Tradition and the Depiction of Reality: True-View Landscape Painting of the Choson Dynasty | |
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| The Meaning of Western Perspective in Edo Popular Culture | |
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| The Kizaemon Tea-bowl | |
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| Excerpts from Quotations from Chairman Mao Zedong | |
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| Icons of Power: Mao Zedong and the Cultural Revolution | |
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| Morphology of Revenge: The Yomiuri Independant Artists and Social Protest Tendencies in the 1960s | |
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| Pseudo-languages: A Conversation with Wenda Gu, Xu Bing, and Jonathan Hay | |
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| Believing Is Seeing: Transforming Orientalism and the Occidental Gaze | |
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| Index | |