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| Acknowledgements | |
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| General Introduction | |
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| Early Modernism. | |
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| The Arts and Crafts Movement in Great Britain. | |
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| Introduction | |
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| John Ruskin from Fors Clavigera (1871) | |
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| Christopher Dresser from Studies in Design (1874-76) | |
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| Richard Redgrave from Manual of Design (1876) | |
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| William Morris from The Prospects of Architecture in Civilization (1881) | |
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| Christopher Dresser from Japan: Its Architecture, Art, and Art Manufacturers (1882) | |
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| Oscar Wilde from Art and the Handicraftsman (1882) | |
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| Arthur H. Mackmurdo from Arbitrary Conditions of Art (1884) | |
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| William Morris from The Revival of Architecture (1888) | |
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| Walter Crane from The Claims of Decorative Art (1892) | |
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| John D. Sedding from Design (1891?) | |
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| Charles Rennie Mackintosh from Architecture (1893) | |
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| C. Robert Ashbee from A Few Chapters in Workshop Re-Construction and Citizenship (1894). | |
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| Continental Reforms | |
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| Introduction | |
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| Jakob Falke from Art in the House (1871) | |
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| George Hirth from The German Renaissance Room (1880) | |
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| Robert Dohme from The English House (1888) | |
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| Cornelius Gurlitt from Inside the Middle-Class House (1888) | |
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| Louis-Charles Boileau from Shops of the Bon March� in Paris—Grand Staircase (1876) | |
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| Charles Blanc from The Fine Arts at the Universal Exposition of 1878 (1878) | |
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| Eug�ne-Emmanuel Viollet-le-Duc from The Buildings of the Universal Exposition of 1878 (1878) | |
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| �mile Zola from Au Bonheur des Dames (1883) | |
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| Joris-Karl Huysmans from Against Nature (1884) | |
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| Samuel Bing from Artistic Japan (1888) | |
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| Joseph Eugene Anatole de Baudot from The Architecture of the Universal Exposition of 1889 (1889) | |
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| Louis Gonse from The Architecture of the Universal Exposition of 1889 (1889) | |
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| Edmond de Goncourt from Journal, m�moires de la vie litt�raire (1895). | |
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| Reforms in the United States | |
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| Introduction | |
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| Henry Hudson Holly from Modern Dwellings: Their Construction, Decoration, and Furniture (1876) | |
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| Robert Swain Peabody from Georgian Homes of New England (1877) | |
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| Clarence Cook from House Beautiful (1877) | |
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| Leopold Eidlitz from The Nature and Function of Art: More Especially of Architecture (1881) | |
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| Louis Sullivan from Characteristic and Tendencies of American Architecture (1885) | |
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| George William Sheldon from Artistic Country-Seats (1886) | |
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| John Root, et al from What are the Present Tendencies in Architectural Design in America (1887) | |
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| Mariana Griswold Van Rensselaer from Henry Hobson Richardson and His Works (1888) | |
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| Friedrich Baumann from Thoughts on Architecture (1889) | |
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| Louis Sullivan from Ornament in Architecture (1892) | |
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| Montgomery Schuler from Last Words about the World's Fair (1894) | |
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| Louis Sullivan from Emotion Architecture as Compared with Intellectual (1894). | |
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| Conceptual Underpinnings of Germa | |