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Musical Migrations Transnationalism and Cultural Hybridity in Latin/O America

ISBN-10: 1403960011
ISBN-13: 9781403960016
Edition: 2003 (Revised)
List price: $47.00 Buy it from $3.00
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Book details

List price: $47.00
Copyright year: 2003
Publisher: Palgrave Macmillan
Publication date: 3/6/2002
Binding: Paperback
Pages: 216
Size: 6.25" wide x 9.25" long x 0.75" tall
Weight: 0.682
Language: English

Frances R. Aparicio is professor of Latin American and Latino studies at the University of Illinois at Chicago.

Caribbean Transnationalisms
Amalgamating Musics: Popular Music and Cultural Hybridity in the Americas
“La Cuba de Ayer/La Cuba de Hoy”: The Politics of Music in the Cuban-American Community
“Con Sabor a Puerto Rico”: The Reception and Influence of Puerto Rican Salsa in Venezuela
“Le Franccedil;ais dans la Rue”: Caribbean Music, Language, and the African Diaspora
Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols
Mambo Kings to West African Textiles: A Synesthetic Approach to Black Atlantic Aesthetics
Cultural Hybridity in the Americas
Musical Frontiers in
Jose Maria Arguedas’s Representation ofla Danza de las Tijeras: A Contribution to the Formation of Andean Culture
Tradition, Modernity, and Artistic Agency in Trinidad’s Panorama Steelband Competition
El Mariachi: Musical Repertoire as Sociocultural Investment
Raza con Jazz, Rock con Raza: Latinos/as and Post-World War II Popular American Music
Rock’n’Roll in Peru’s Popular Quarters: Cultural Identity, Hybridity, and Transculturation
Caribbean Transnationalisms
Amalgamating Musics: Popular Music and Cultural Hybridity in the Americas
“La Cuba de Ayer/La Cuba de Hoy”: The Politics of Music in the Cuban-American Community
“Con Sabor a Puerto Rico”: The Reception and Influence of Puerto Rican Salsa in Venezuela
“Le Franccedil;ais dans la Rue”: Caribbean Music, Language, and the African Diaspora
Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols
Mambo Kings to West African Textiles: A Synesthetic Approach to Black Atlantic Aesthetics
Cultural Hybridity in the Americas
Musical Frontiers in
Jose Maria Arguedas’s Representation ofla Danza de las Tijeras: A Contribution to the Formation of Andean Culture
Tradition, Modernity, and Artistic Agency in Trinidad’s Panorama Steelband Competition
El Mariachi: Musical Repertoire as Sociocultural Investment
Raza con Jazz, Rock con Raza: Latinos/as and Post-World War II Popular American Music
Rock’n’Roll in Peru’s Popular Quarters: Cultural Identity, Hybridity, and Transculturation

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