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| Caribbean Transnationalisms | |
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| Amalgamating Musics: Popular Music and Cultural Hybridity in the Americas | |
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| “La Cuba de Ayer/La Cuba de Hoy”: The Politics of Music in the Cuban-American Community | |
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| “Con Sabor a Puerto Rico”: The Reception and Influence of Puerto Rican Salsa in Venezuela | |
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| “Le Franccedil;ais dans la Rue”: Caribbean Music, Language, and the African Diaspora | |
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| Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols | |
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| Mambo Kings to West African Textiles: A Synesthetic Approach to Black Atlantic Aesthetics | |
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| Cultural Hybridity in the Americas | |
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| Musical Frontiers in | |
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| Jose Maria Arguedas’s Representation ofla Danza de las Tijeras: A Contribution to the Formation of Andean Culture | |
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| Tradition, Modernity, and Artistic Agency in Trinidad’s Panorama Steelband Competition | |
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| El Mariachi: Musical Repertoire as Sociocultural Investment | |
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| Raza con Jazz, Rock con Raza: Latinos/as and Post-World War II Popular American Music | |
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| Rock’n’Roll in Peru’s Popular Quarters: Cultural Identity, Hybridity, and Transculturation | |
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| |
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| Caribbean Transnationalisms | |
| |
| |
| Amalgamating Musics: Popular Music and Cultural Hybridity in the Americas | |
| |
| |
| |
| “La Cuba de Ayer/La Cuba de Hoy”: The Politics of Music in the Cuban-American Community | |
| |
| |
| |
| “Con Sabor a Puerto Rico”: The Reception and Influence of Puerto Rican Salsa in Venezuela | |
| |
| |
| |
| “Le Franccedil;ais dans la Rue”: Caribbean Music, Language, and the African Diaspora | |
| |
| |
| |
| Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols | |
| |
| |
| |
| Mambo Kings to West African Textiles: A Synesthetic Approach to Black Atlantic Aesthetics | |
| |
| |
| |
| |
| Cultural Hybridity in the Americas | |
| |
| |
| Musical Frontiers in | |
| |
| |
| |
| Jose Maria Arguedas’s Representation ofla Danza de las Tijeras: A Contribution to the Formation of Andean Culture | |
| |
| |
| |
| Tradition, Modernity, and Artistic Agency in Trinidad’s Panorama Steelband Competition | |
| |
| |
| |
| El Mariachi: Musical Repertoire as Sociocultural Investment | |
| |
| |
| |
| Raza con Jazz, Rock con Raza: Latinos/as and Post-World War II Popular American Music | |
| |
| |
| |
| Rock’n’Roll in Peru’s Popular Quarters: Cultural Identity, Hybridity, and Transculturation | |
| |