Studying Shakespeare on Film

ISBN-10: 1403906726
ISBN-13: 9781403906724
Edition: 2006
Authors: Maurice Hindle
List price: $39.00 Buy it from $9.68
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Description: In this book, Maurice Hindle provides a 'hands-on' introductory guide to analysing and discussing Shakespeare on screen.

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Book details

List price: $39.00
Copyright year: 2006
Publisher: Palgrave Macmillan
Publication date: 1/15/2007
Binding: Paperback
Pages: 272
Size: 5.50" wide x 8.50" long x 0.50" tall
Weight: 0.792
Language: English

In this book, Maurice Hindle provides a 'hands-on' introductory guide to analysing and discussing Shakespeare on screen.

List of Illustrations
Acknowledgements
Abbreviations/Acronyms
Introduction
Shakespeare and the Language of Film
Filming and Staging Shakespeare: Some Contrasts
The Audience: Individual and Collective Experience
The Space of the Movie Screen
Imagery: Verbal and Visual
Putting It All Together
The History of Shakespeare on Film 1899-2005
Silent Shakespeare
The Thirties: Hollywood Shakespeare
The Forties: Olivier and Welles
The Fifties: Postwar diversity
The Sixties and Seventies: Cultural Revolution, Filmic Innovation
The Nineties: Branagh's Renaissance and the Shakespeare on Film Revival
and Beyond: Shakespeare on Film in the New Millennium
Communicating Shakespeare on Film: Modes, Styles, Genres
The Theatrical Mode
The Realistic Mode
The Filmic Mode
The Periodising Mode
Film Genre: Conventions and Codes
Genre conventions and the Shakespeare Film Adaptation
A Cross-cultural Shakespeare Adaptation: Kurosawa's Kumonosu-Djo (The Castle of the Spider's Web: Throne of Blood)
Shakespeare on Film: Critical Essays
Comedies: Much Ado About Nothing, A Midsummer Night's Dream
Histories: Henry V, Richard III
Tragedies: Romeo and Juliet, Hamlet, Macbeth
Shakespeare on Television
Film and TV: the Key Differences
The BBC-TV Series: Shooting the Complete Canon
TV Shakespeare: the Stage/Screen Hybrid
Box Office Data for Selected Shakespeare Film Adaptations on Theatrical Release in US Movie Theatres from 1989
Kenneth Brannagh's Much Ado About Nothing (1993): Structure of Emotional Registers and Rhythms
References
Suggested Further Reading
List of Films Discussed
Some Useful Websites
Glossary of Terms
Index
List of Illustrations
Acknowledgements
Abbreviations/Acronyms
Introduction
Shakespeare and the Language of Film
Filming and Staging Shakespeare: Some Contrasts
The Audience: Individual and Collective Experience
The Space of the Movie Screen
Imagery: Verbal and Visual
Putting It All Together
The History of Shakespeare on Film 1899-2005
Silent Shakespeare
The Thirties: Hollywood Shakespeare
The Forties: Olivier and Welles
The Fifties: Postwar diversity
The Sixties and Seventies: Cultural Revolution, Filmic Innovation
The Nineties: Branagh's Renaissance and the Shakespeare on Film Revival
l2000 mand Beyond: Shakespeare on Film in the New Millennium
Communicating Shakespeare on Film: Modes, Styles, Genres
The Theatrical Mode
The Realistic Mode
The Filmic Mode
The Periodising Mode
Film Genre: Conventions and Codes
Genre conventions and the Shakespeare Film Adaptation
A Cross-cultural Shakespeare Adaptation: Kurosawa's Kumonosu-Djo (The Castle of the Spider's Web: Throne of Blood)
Shakespeare on Film: Critical Essays
Comedies: Much Ado About Nothing, A Midsummer Night's Dream
Histories: Henry V, Richard III
Tragedies: Romeo and Juliet, Hamlet, Macbeth
Shakespeare on Television
Film and TV: the Key Differences
The BBC-TV Series: Shooting the Complete Canon
TV Shakespeare: the Stage/Screen Hybrid
Box Office Data for Selected Shakespeare Film Adaptations on Theatrical Release in US Movie Theatres from 1989
Kenneth Brannagh's Much Ado About Nothing (1993): Structure of Emotional Registers and Rhythms
References
Suggested Further Reading
List of Films Discussed
Some Useful Websites
Glossary of Terms
Index

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