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| Editor's Preface to the Expanded Second Edition | |
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| Preface to the Second Edition | |
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| Preface | |
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| Fundamental Analytical Considerations | |
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| The Style-Analytical Approach | |
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| Large Dimensions | |
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| Middle Dimensions | |
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| Small Dimensions | |
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| The Four Contributing Elements and the Fifth Combining Element (SHMRG) | |
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| Movement and Shape | |
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| The Style-Analytical Routine | |
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| Evaluation | |
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| Sound | |
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| Timbre | |
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| Dynamics | |
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| Texture and Fabric | |
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| Contributions of Sound to Movement | |
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| Contributions of Sound to Shape | |
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| Sound in Large Dimensions | |
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| Sound in Middle Dimensions | |
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| Sound in Small Dimensions | |
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| Harmony | |
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| Dissonant Styles | |
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| Counterpoint | |
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| Contributions of Harmony to Movement | |
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| Contributions of Harmony to Shape | |
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| Harmony in Large Dimensions | |
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| Harmony in Middle Dimensions | |
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| Harmony in Small Dimensions | |
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| Melody | |
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| Melody in Large Dimensions | |
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| Melody in Middle Dimensions | |
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| Melody in Small Dimensions | |
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| Rhythm | |
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| The Layers of Rhythm | |
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| The Component States of Rhythm | |
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| Rhythmic Typology | |
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| Rhythmic Contributions to Shape | |
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| Rhythm in Large Dimensions | |
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| Rhythm in Middle Dimensions | |
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| Rhythm in Small Dimensions | |
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| The Growth Process | |
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| The Morphology of Growth | |
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| Style Stratification | |
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| Typology of Growth | |
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| Articulation | |
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| Growth in Large Dimensions | |
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| Thematic Relationship | |
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| Growth in Middle Dimensions | |
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| Growth in Small Dimensions | |
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| The Influence of Texts | |
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| Symbols for Analysis and Stereotypes of Shape | |
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| Stereotypes of Shape | |
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| Variation Form | |
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| Fugue | |
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| Mixtures of Variation and Recurrence | |
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| Two-Part Form (Binary Form; Dance Form) | |
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| Three-Part Form (ABA Form; Da Capo Form) | |
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| Rondo Form (Ritornello Form; Formes fixes) | |
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| Sonata Form | |
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| Sonata-Rondo Form | |
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| Concerto-Sonata Form | |
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| Evaluation | |
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| Scope | |
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| Historical Considerations | |
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| Objective Values-Control of SHMRG | |
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| Objective Evaluations: (1) Unity | |
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| (2) Variety and Complexity | |
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| (3) Balance | |
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| Subjective Evaluation | |
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| Style Analysis in Full Action | |
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| Confusion of Dimensions | |
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| Significant and Accessory Observations | |
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| Large Dimensions | |
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| Middle Dimensions | |
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| Small Dimensions | |
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| Conclusions | |
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| Writing About Music | |
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| Endnotes | |
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| Index | |