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Foreword | |
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Preface | |
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Note to the Reader | |
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The Eye's Caress: Looking, Appreciation, and Connoisseurship | |
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The Lamp of Memory, I | |
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Aesthetics and History in the Visual Arts | |
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Art | |
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Looking at Pictures | |
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The History of Art as a Humanistic Discipline | |
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The Modern Cult of Monuments: Its Essence and Its Development | |
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Principles of Art History | |
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Italian Painters of the Renaissance | |
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Conversations with Berenson | |
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Fundamental Laws of Sculpture | |
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From Light into Paint | |
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Of Turnerian Mystery: Secondly, Willful | |
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Rudiments of Connoisseurship | |
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On Art and Connoisseurship | |
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Connoisseurship | |
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The Nature of Gothic | |
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The Original Intent of the Artist | |
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Art in Transition | |
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Crimes against the Cubists | |
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The Autonomy of Restoration: Ethical Considerations in Relation to Artistic Concepts | |
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The Emergence of Modern Conservation Theory | |
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That Mighty Sculptor, Time | |
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Restoration from the Perspective of the Humanities | |
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Theory of Restoration, I | |
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The Integration of the Image: Problems in the Restoration of Monuments | |
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Knowing How to "Question" the Object before Restoring It | |
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Introduction to Archaeological Conservation | |
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Historical Perspective | |
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Historic Preservation: Philosophy, Criteria, Guidelines, I | |
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Degradation, Conservation, and Restoration of Works of Art: Historical Overview | |
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Further Materials for a History of Conservation | |
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The Surgery of Memory: Ancient Sculpture and Historical Restorations | |
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Restoration and Anti-Restoration | |
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Restoration | |
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Manifesto of the Society for the Protection of Ancient Buildings | |
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The Lamp of Memory, II | |
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Reintegration of Losses | |
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On Restorations | |
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The Problem of the Integration of Lacunae in the Restoration of Paintings | |
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Theory of Restoration, II | |
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Problems of Presentation | |
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Theory of Restoration and Methodological Unity | |
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Historic Preservation: Philosophy Criteria, Guidelines, II | |
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The Idea of Patina | |
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The Idea of Patina and the Cleaning of Paintings | |
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Theory of Restoration, III | |
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The Cleaning of Pictures in Relation to Patina, Varnish, and Glazes | |
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A Review of the History and Practice of Patination | |
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The Surface of Objects and Museum Style | |
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The Role of Science and Technology | |
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Scientific Research and the Restoration of Paintings | |
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The Scientist's Role in Historic Preservation with Particular Reference to Stone Conservation | |
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The Science and Art of Conservation of Cultural Property | |
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Annotated Bibliography | |
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About the Authors | |
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Illustration Credits | |
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Index | |