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| Preface | |
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| Introduction | |
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| From Veinte poemas de amor y una cancion desesperada (1924) | |
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| 1. Cuerpo de mujer / Body of woman | |
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| 7. Inclinado en las tardes / Inclined in the afternoons | |
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| 15. Me gustas cuando callas / I like you when you're quiet | |
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| 20. Puedo escribir los versos mas tristes / I can write the saddest verses | |
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| From Residencia en la tierra, I (1933) | |
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| Galope muerto / Dead Gallop | |
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| Unidad / Oneness | |
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| Arte poetica / Ars Poetica | |
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| Sistema sombrio / System of Gloom | |
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| El fantasma del buque de carga / The Phantom of the Cargo Ship | |
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| Significa sombras / It Means Shadows | |
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| From Residencia en la tierra, II (1935) | |
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| Solo la muerte / Only Death | |
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| Barcarola / Barcarole | |
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| Walking around / Walking Around | |
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| Oda con un lamento / Ode With a Lament | |
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| Entrada a la madera / Entrance Into Wood | |
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| Vuelve el otono / Autumn Returns | |
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| No hay olvido (sonata) / There's No Forgetting (Sonata) | |
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| From Tercera residencia (1947) | |
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| Explico algunas cosas / I Explain Some Things | |
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| From Canto general (1950) | |
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| Alturas de Macchu Picchu / The Heights of Macchu Picchu | |
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| Del aire al aire / From air to air | |
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| La poderosa muerte / Powerful death | |
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| Entonces en la escala / And then on the ladder | |
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| Sube conmigo / Climb up with me | |
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| Piedra en la piedra / Stone upon stone | |
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| A traves del confuso esplendor / Down through the blurred splendor | |
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| Sube a nacer conmigo / Rise up and be born with me | |
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| La United Fruit Co. / The United Fruit Co. | |
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| El Fugitivo XII: A todos, a vosotros / To everyone, to you | |
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| El gran oceano / The Great Ocean | |
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| From Los versos del capitan (1952) | |
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| El alfarero / The Potter | |
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| From Odas elementales (1954) | |
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| Oda a una castana en el suelo / Ode to a Chestnut On the Ground | |
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| Oda al libro (II) / Ode to the Book (II) | |
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| Oda a un reloj en la noche / Ode to a Watch In the Night | |
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| Oda al vino / Ode to Wine | |
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| From Estravagario (1958) | |
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| Fabula de la sirena y los borrachos / The Fable of the Mermaid and the Drunkards | |
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| El gran mantel / The Great Tablecloth | |
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| From Cien sonetos de amor (1960) | |
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| Plena mujer, manzana carnal / Full woman, carnal apple | |
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| No te amo como si fueras rosa / I don't love you as if you were a rose | |
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| From Plenos poderes (1962) | |
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| Deber del poeta / The Poet's Obligation | |
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| La palabra / The word | |
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| El mar / The Sea | |
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| El pueblo / The People | |
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| From Memorial de Isla Negra (1964) | |
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| La poesia / Poetry | |
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| Aquellas vidas / Those Lives | |
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| Pleno octubre / October Fullness | |
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| No hay pura luz / There Is No Clear Light | |
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| Insomnio / Insomnia | |
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| El futuro es espacio / The Future Is Space | |
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| From El mar y las campanas (posthumous) | |
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| Si, camarada, es hora de jardin / Right, comrade, it's the hour of the garden | |
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| From Jardin de invierno (posthumous) | |
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| El egoista / The Egoist | |
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| Jardin de invierno / Winter Garden | |