Printed Picture

ISBN-10: 0870707213
ISBN-13: 9780870707216
Edition: 2008
Authors: Richard Benson
List price: $60.00
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Book details

List price: $60.00
Copyright year: 2008
Publisher: Museum of Modern Art
Publication date: 10/1/2008
Binding: Hardcover
Pages: 308
Size: 8.25" wide x 10.75" long x 1.25" tall
Weight: 3.784
Language: English

Richard Benson was born on a small farm near Doncasater in 1966, After a childhood spent crashing tractors, he left home to become a journalist, and has since written for various newspapers and magazines. THE FARM is his first book and became an overnight success when it was shortlisted by Richard & Judy's Book Club. Richard Benson became The Dean of the Yale University School of Art and held that position for for ten years from 1996-2006. He was also a professor of photography there for the last 20, and an internationally renowned expert on photographic printing. He has won MacArthur and Guggenheim Fellowships, grants from the NEA, and many other awards. He has printed numerous distinguished photography books, including such classics as "The Works of Atget", Lee Friedlander's "The American Monument", and Irving Penn's "Passage". Benson is the author of several books about photography, including The Printed Picture - the catalog and text of an exhibition of the same name at The Museum of Modern Art in New York in 2008. Richard Benson made The New York Time's Best Seller List in 2012 with his title F FOR EFFORT!

Foreword
Introduction
Relief printing: Woodcut, metal type, and wood engraving
Intaglio and planographic printing: Engraving, etching, mezzotint, and lithography
Color printing: Hand coloring and multiple-impression color
Bits and pieces: Modern art prints, oddities, and photographic precursors
Early photography in silver: Daguerreotypes, early silver paper processes and tintypes
Non-silver processes: Carbon, blueprint, platinum, and a couple of others
Modern photography: Developing-out gelatin silver printing
Color notes: Primary colors and neutrality
Color photography: Separation-based processes and chromogenic prints
Photography in ink: relief and intaglio printing: The letterpress halftone and gravure printing
Photography in ink: planographic printing: Collotype and photo offset lithography
Digital processes: Binary issues, inkjet, dye sublimation, and digital C-prints
Where do we go from here? Some questions about the future
A glossary of terms
Index
Acknowledgments

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