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| Acknowledgements | |
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| About the Authors | |
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| The Evolution of Music Supervision | |
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| Music Supervision's Evolution: A Convergence Timeline | |
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| Theory and Application | |
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| Merging Sound With Vision | |
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| Sound Delivers the Message | |
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| Exploring a Music Supervision Scenario, Cue to Cue | |
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| The Different Roles of a Music Supervisor | |
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| Tools of the Trade | |
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| Analog and Digital Worlds | |
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| The Software and Hardware Music Supervisors Encounter | |
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| Systems For Visual Designers and Editors | |
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| Emerging Technologies | |
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| Online Music Supervision | |
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| Watermarking | |
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| Sound Design | |
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| The Effect of Sound Effects | |
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| Music Supervisors and Sound Design in Action | |
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| Communicating the Vision With Sound Design | |
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| Production Relationships | |
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| Communication Basics | |
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| It's a Small World | |
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| The Amorphous Role of the Music Supervisor | |
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| Constant Communication Makes the Difference | |
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| How the Role of a Music Supervisor Unfolds | |
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| Keep Everything in Perspective | |
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| Music Styles and Effective Placement | |
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| Matching Music and Sounds to Media | |
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| How to Select the Right Audio | |
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| The First Steps | |
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| Research Groundwork: Music Genres | |
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| Criteria For Selecting the Right Style | |
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| Know Your Context | |
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| Should I Use Original Music? | |
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| Evolving Music Styles | |
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| Crossover Success | |
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| Putting It Together | |
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| Cue Sheets | |
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| The Importance of Cue Sheets | |
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| Cue Sheet Elements | |
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| Sample Cue Sheet | |
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| Sample Cue Sheet | |
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| Licensing | |
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| Licensing and the Music Supervisor | |
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| A Licensing Scenario for Broadcast TV | |
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| The Role of the Performing-Rights Societies | |
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| A Sample License Request | |
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| Master Licenses and More | |
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| Licensing for Film | |
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| Licensing for Digital Media | |
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| Licensing for Video Games | |
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| Licensing for Advertising | |
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| International Licensing Considerations | |
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| Simple Licensing Solutions | |
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| Remember | |
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| Legal Issues | |
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| License Agreements | |
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| Copyrights | |
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| Public Domain | |
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| Fair Use | |
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| Examples of Legal Pitfalls | |
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| What's the Worst Thing That Can Happen? | |
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| Music Supervisor Agreements | |
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| Your Lawyer Should Take a Look | |
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| Other Types of Agreements and Contracts | |
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| Getting the Job | |
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| What You Need | |
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| Building Your Resume | |
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| Creative Self-Marketing Methods | |
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| Networking | |
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| Do Great Work! | |
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| Stay on Top of Developments | |
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| The Future of Music Supervision | |
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| Convergence Returns | |
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| Continuing Education | |
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| Where Does This Leave the Music Supervisor? | |
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| Music Supervision is Innovation | |
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| Resources | |
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| Bibliography | |
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| Index | |