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Audio Examples | |
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Maps | |
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About The Garland Encyclopedia of World Music | |
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Preface | |
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Guide to Transliteration and Pronunciation | |
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Contributing Authors | |
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Introduction to the Musics of the Region | |
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Hearing the Music of the Middle East | |
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History of Scholarship: Narratives of Middle Eastern Music History | |
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Understanding the Musics of the Middle East: Issues and Processes | |
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Theory, Composition, and Performance | |
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The Eastern Arab System of Melodic Modes in Theory and Practice: A Case Study of Maqam Bayyati | |
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Music in Performance: 'Ud Lessons with George Michel | |
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Contemporary Turkish Makam Practice | |
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The Concept of Mode in Iranian Music: Shur | |
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Aspects of Turkish Folk Music Theory | |
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Rhythmic Modes in Middle Eastern Music | |
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Rhythmic Structure and Drum Improvisation in Yemen | |
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Music in Performance: Who Are the Whirling Dervishes? | |
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Ottoman Turkish Music: Genre and Form | |
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Performance Practice in Iran: Radif and Improvisation | |
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Music in Religious Expression | |
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Snapshot: Shaykh Yasin al-Tuhami in the Public Hadra: A Typical Layla Performance | |
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The Muslim Call to Prayer | |
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The Qur'an Recited | |
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Islamic Hymnody in Egypt: Al-Inshad al-Dini | |
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The Symbolic Universe of Music in Islamic Societies | |
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Manifestations of the Word: Poetry and Song in Turkish Sufism | |
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Music in the Religious Experience of Israeli Jews | |
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Maronite Music | |
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The Coptic Orthodox Church and Its Music | |
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Syriac Religious Music | |
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Popular Music and the Media | |
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The Impact of the Media on Egyptian Music | |
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Music in Performance: Cem Karaca, Live | |
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Turkish Rock and Pop Music | |
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Arabesk | |
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Israeli Mediterranean Music | |
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Rai | |
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Berber Popular Music | |
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The Popular Music of Arab Detroit | |
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Gender and Music | |
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Snapshot: Sallama al-Qass | |
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Historical Issues of Gender and Music | |
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Contemporary Issues of Gender and Music | |
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Learning and Transmission | |
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The Iraqi Maqam and Its Transmission | |
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Music in Performance: A Rehearsal with Firqat al-Musiqa al-'Arabiyya | |
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Institutionalization of Learning in Egypt | |
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The Use of Western Notation in Tunisian Art Music | |
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Learning Epic Traditions | |
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Historical Roots | |
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The Kitab al-Aghani | |
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Music in Ancient Arabia from Archaeological and Written Sources | |
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Arabic Writings on Music: Eighth to Nineteenth Centuries | |
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Theories of Rhythm and Meter in the Medieval Middle East | |
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Classification of Musical Instruments in the Medieval Middle East | |
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Musical Instruments in the Arab World | |
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Music Cultures and Regions | |
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North Africa: The Maghrib | |
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North Africa: Overview | |
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The Andalusian Musical Heritage | |
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Andalusian Nuba in Morocco | |
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Urban Music of Algeria | |
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Music in Performance: A Wedding in the Atlas Mountains | |
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Berber Musics in Morocco | |
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Music in Performance: Following the Entranced Ones--Gnawa Performances and Trance in Rabat, Morocco | |
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Malhun: Colloquial Song in Morocco | |
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Baron Rodolphe d'Erlanger | |
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Patronage and Policy in Tunisian Art Music | |
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The 'Isawiyya of Tunis | |
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Music of the Jews of Djerba, Tunisia | |
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The Eastern Arab World: The Mashriq | |
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Overview of Music in the Mashriq | |
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Performance of Arab Music in Twentieth-Century Egypt: Reconciling Authenticity and Contemporaneity | |
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Snapshot: Sabah Fakhri | |
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Musical Life in Aleppo, Syria | |
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The Palestinian Groom's Wedding Eve Celebration | |
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Palestinian Wedding Songs | |
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Snapshot: Munir Bashir | |
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Stardom in Egyptian Music: Four Case Studies | |
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Snapshot: Opening Night for a Star Performer--Umm Kulthum and Inta 'Umri | |
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Western Music, Colonialism, Cosmopolitanism, and Modernity in Egypt | |
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The Performers of Muhammad 'Ali Street In Cairo, Egypt | |
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Dance in Egypt | |
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Popular Music of the Intifada | |
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Nubian Music in Cairo | |
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The Arabian Peninsula | |
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The Arabian Peninsula: An Overview | |
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Sung Poetry in the Arabian Peninsula | |
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Musical Life in Sohar, Oman | |
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Al-ghina' al-San 'ani: Poetry and Music in San'a', Yemen | |
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Music in Performance: A Saudi Women's Wedding Party | |
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Women's Music of the Arabian Peninsula | |
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Dance in the Arabian Peninsula | |
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Music Making among Western Expatriates in the Arabian Peninsula | |
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Armenia | |
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Music of Armenia | |
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Kurdistan | |
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Kurdistan | |
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Turkey | |
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Snapshot: Tanburi Cemil Bey | |
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Turkey: An Overview | |
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Snapshot: Ismail Dede Efendi | |
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From Empire to Republic: Vocal Style in Twentieth-Century Turkey | |
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Snapshot: Arif Sag--Alevi Baglama Teacher and Performer Par Excellence | |
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Alevi Identity and Expressive Culture | |
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Turkish Song Duel | |
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Dance and Identity in Turkey | |
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Iran | |
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Iran: An Introduction | |
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Snapshot: 'Ali Aqa Almajoqi: The Life of a Khorasani Bakhshi | |
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The Asiq and His Music in Northwest Iran (Azerbaijan) | |
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Tradition and History: The Case of Iran | |
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A New Approach to the Theory of Persian Art Music: The Radif and the Modal System | |
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Dance in Iran | |
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Music, Trance, and Therapy in Baluchistan | |
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Central Asia | |
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Central Asia: Overview | |
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Snapshot: Abdurahim Hamidov--An Eminent Contemporary Master | |
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The Classical Music of Uzbeks and Tajiks | |
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Music of Azerbaijan | |
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Sacred Music and Chant in Islamic Central Asia | |
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Kazakh Music | |
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Music of Turkmenistan | |
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Music in Tuva | |
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When Uygurs Entertain Themselves | |
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Muqam in the Tradition of the Uygurs | |
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Israel | |
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Israel: An Overview | |
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Musical Life and Institutions in Israel: 1880-1990 | |
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Snapshot: Mizrahi Music in Israel--Zohar Argov and Zahava Ben Sing Perah be-Gani | |
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Music of the Maghribi Jews in North Africa and Israel | |
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Liturgical Music of the Yemenite Jews in Israel | |
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Music Scholarship in Israel | |
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Popular Music in Israel | |
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Glossary | |
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A Guide to Publications on Middle Eastern Music | |
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A Guide to Recordings of Middle Eastern Music | |
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A Guide to Films and Videos of Middle Eastern Music | |
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Notes on the Audio Examples | |
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Index | |