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Editors' Notes | |
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Acknowledgments | |
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Introduction | |
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Theory of Flight (1935) | |
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Poem Out of Childhood | |
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Poem Out of Childhood | |
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Song for Dead Children | |
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In a Dark House | |
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Effort at Speech between Two People | |
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Notes for a Poem | |
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Place-Rituals | |
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Tradition of This Acre | |
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Ritual of Blessing | |
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Wooden Spring | |
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Sonnet | |
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Letter, Unposted | |
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Sand-Quarry with Moving Figures | |
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Wedding Presents | |
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Three Sides of a Coin | |
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Breathing Landscape | |
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Four in a Family | |
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This House, This Country | |
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Theory of Flight | |
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Preamble | |
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The Gyroscope | |
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The Lynchings of Jesus | |
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Passage to Godhead | |
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The Committee-Room | |
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The Trial | |
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The Tunnel | |
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The Structure of the Plane | |
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The Structure of the Plane | |
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The Strike | |
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The Lover | |
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Night Flight: New York | |
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Theory of Flight | |
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The Blood Is Justified | |
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For Memory | |
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Life and Works | |
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Holy Dying | |
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Ritual for Death | |
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City of Monuments | |
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Study in a Late Subway | |
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Child and Mother | |
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Eccentric Motion | |
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Sundays, They Sleep Late | |
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Thousands of Days | |
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The Surrounded | |
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Burlesque | |
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Movie | |
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Metaphor to Action | |
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Citation for Horace Gregory | |
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Cats and a Cock | |
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The Blood Is Justified | |
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U.S. 1 (1938) | |
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The Book of the Dead | |
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The Road | |
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West Virginia | |
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Statement: Phillippa Allen | |
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Gauley Bridge | |
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The Face of the Dam: Vivian Jones | |
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Praise of the Committee | |
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Mearl Blankenship | |
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Absalom | |
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The Disease | |
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George Robinson: Blues | |
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Juanita Tinsley | |
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The Doctors | |
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The Cornfield | |
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Arthur Peyton | |
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Alloy | |
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Power | |
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The Dam | |
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The Disease: After-Effects | |
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The Bill | |
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The Book of the Dead | |
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Night-Music | |
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A Flashing Cliff | |
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Girl at the Play | |
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Burning Bush | |
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Eel | |
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Homage to Literature | |
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The Handclap | |
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Trophies | |
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Panacea | |
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In Hades, Orpheus | |
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The Drowning Young Man | |
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Boy with His Hair Cut Short | |
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Course | |
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More of a Corpse than a Woman | |
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Three Black Women | |
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Formosa | |
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Night-Music | |
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Time Exposures | |
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The Child Asleep | |
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Adventures, Midnight | |
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Night-Music | |
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Driveway | |
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Lover as Fox | |
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Gift-Poem | |
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Woman and Emblems | |
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Woman and Bird | |
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The Birthday | |
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Woman and Music | |
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Outpost | |
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Two Voyages | |
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The Cruise | |
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Mediterranean | |
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A Turning Wind (1939) | |
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Moment of Proof | |
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Reading Time: 1 Minute 26 Seconds | |
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Song, the Brain-Coral | |
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Target Practice | |
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Otherworld | |
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Landing at Liverpool | |
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The Island | |
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Otherworld | |
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Nuns in the Wind | |
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For Fun | |
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Correspondences | |
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Democritus Laughed | |
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Tree of Days | |
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1/26/39 | |
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Correspondences | |
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Noguchi | |
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Seventh Avenue | |
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The Shortest Way Home | |
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Palos Verdes Cliffs | |
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Paper Anniversary | |
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From the Duck-Pond to the Carousel | |
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Asylum Song | |
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The Victims, a Play for the Home | |
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M-Day's Child | |
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Speech for the Assistant, from Houdini | |
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Judith | |
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Lives | |
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"The risen image shines, its force escapes, we are all named" | |
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Gibbs | |
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Ryder | |
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Chapman | |
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Ann Burlak | |
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Ives | |
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Wake Island (1942) | |
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Beast in View (1944) | |
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One Soldier | |
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Beast in View | |
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Ajanta | |
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The Journey | |
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The Cave | |
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Les Tendresses Bestiales | |
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Black Blood | |
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The Broken World | |
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Mortal Girl | |
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Child in the Great Wood | |
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The Meeting | |
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The Key | |
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Darkness Music | |
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Song | |
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Shooting Gallery | |
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Suicide Blues | |
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Wreath of Women | |
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Madboy's Song | |
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Drunken Girl | |
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Love and Its Doors and Windows | |
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The Minotaur | |
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Gift-Poem | |
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Holy Family | |
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Who in One Lifetime | |
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| |
from "To the Unborn Child" | |
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Leg in a Plaster Cast | |
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Bubble of Air | |
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Sea Mercy | |
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Long Past Moncada | |
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Chapultepec Park-1 | |
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Chapultepec Park-2 | |
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A Game of Ball | |
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Gold Leaf | |
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All Souls | |
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Evening Plaza, San Miguel | |
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Beast in View | |
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Letter to the Front | |
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"Women and poets see the truth arrive" | |
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"Even during war, moments of delicate peace" | |
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"They called us to a change of heart" | |
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Sestina | |
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"Much later, I lie in a white seaport night" | |
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"Home thoughts from home; we read you every day" | |
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"To be a Jew in the twentieth century" | |
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"Evening, bringing me out of the government building" | |
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"Among all the waste there are the intense stories" | |
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"Surely it is time for the true grace of women" | |
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The Soul and Body of John Brown | |
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The Green Wave (1948) | |
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| |
"Let poems and bodies love and be given to air" | |
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| |
Water Night | |
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Eyes of Night-Time | |
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This Place in the Ways | |
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Song, from "Mr. Amazeen on the River" | |
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Cloud, Airs, Carried Me Away | |
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Salamander | |
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His Head Is Full of Faces | |
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Mrs. Walpurga | |
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A Certain Music | |
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The Motive of All of It | |
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Green Limits | |
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The Children's Orchard | |
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Christmas Eve | |
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Crayon House | |
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| |
A Charm for Cantinflas | |
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Traditional Tune | |
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Foghorn in Horror | |
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Summer, the Sacramento | |
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Speech of the Mother, from The Middle of the Air | |
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Then I Saw What the Calling Was | |
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| |
Translations: Six Poems by Octavio Paz | |
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The Bird | |
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Poet's Epitaph | |
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Spark | |
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Two Bodies | |
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The Street | |
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Lovers | |
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Rari from the Marquesas | |
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Rari for Tahia and Piu | |
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Rari for O'Otua | |
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A True Confession | |
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Careful of the Day | |
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Rari for Hepuheku | |
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Rari | |
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Rari to Encourage Youth | |
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Rari, to Be Bothered by Mosquitoes | |
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Not Before I Fall Asleep | |
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Easter Eve 1945 | |
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Easter Eve 1945 | |
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Private Life of the Sphinx | |
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Nine Poems for the unborn child | |
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Orpheus (1949) | |
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Elegies (1949) | |
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First Elegy. Rotten Lake | |
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Second Elegy. Age of Magicians | |
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Third Elegy. The Fear of Form | |
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Fourth Elegy. The Refugees | |
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Fifth Elegy. A Turning Wind | |
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Sixth Elegy. River Elegy | |
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Seventh Elegy. Dream-Singing Elegy | |
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Eighth Elegy. Children's Elegy | |
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Ninth Elegy. The Antagonists | |
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Tenth Elegy. Elegy in Joy | |
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Body of Waking (1958) | |
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Haying Before Storm | |
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Phaneron | |
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The Young Girl of the Mississippi Valley | |
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A Birth | |
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King's Mountain | |
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Mother Garden's Round | |
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Rite | |
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Ringling | |
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After Their Quarrel | |
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Tree | |
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Night Feeding | |
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The Return | |
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Unborn Song | |
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The Two Illuminations | |
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F.O.M. | |
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Exile of Music | |
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On the Death of Her Mother | |
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| |
"Make and be eaten, the poet says" | |
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Hero Speech | |
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The Watchers | |
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A Ballad Theme | |
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| |
Asleep and Awake | |
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| |
Of Money. And the Past | |
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"Long enough. Long enough" | |
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The Loan | |
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Pouring Milk Away | |
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| |
Children, the Sandbar, that Summer | |
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| |
Born in December | |
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| |
The Sixth Night: Waking | |
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Nevertheless the Moon | |
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Speed, We Say | |
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The Birth of Venus | |
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The Place at Alert Bay | |
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Voices of Waking | |
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Divining Water | |
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| |
Translations: Octavio Paz | |
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| |
"The hand of day opens" | |
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| |
"At daybreak go looking for your newborn name" | |
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Fable | |
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Day | |
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Proverbs | |
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"In her splendor islanded" | |
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"Like ivy the creeper with a thousand hands" | |
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| |
Life of the Poet | |
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The Prisoner | |
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| |
from Sun Stone | |
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Suite for Lord Timothy Dexter | |
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"They face us in sea-noon sun, just as he saw them waiting" | |
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How to Impress Massachusetts | |
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Three Nights I Dreamed | |
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Kings and Contemporaries | |
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The Pickle, the Temple | |
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The Kind of Woman | |
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Guessing Time | |
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Are You Born?-I | |
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"Murmurs from the earth of this land, from the caves and craters" | |
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"The tree of rivers seen and forgotten" | |
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"The power of war leads to a plan of lives" | |
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"A tree of rivers flowing through our lives" | |
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"The sea has opened, the limit of his dream" | |
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Powerplant | |
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"In the last hour of night, a zebra racing dawn" | |
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Fields Where We Slept | |
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Portrait of a Man, with a Background of Holdings | |
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"A red bridge fastening this city to the forest" | |
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"Power never dominion" | |
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"The sky is as black as it was when you lay down" | |
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"On your journey you will come to a time of waking" | |
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"This is the net of begetting and belief" | |
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Body of Waking | |
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"Sounds of night in the country of the opposites" | |
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Willkie in The Gulliver | |
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"Then full awake you will recognize the voice" | |
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"In your time, there have been those who spoke clearly" | |
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He Had a Quality of Growth | |
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Are You Born?-2 | |
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Waterlily Fire (1962) | |
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The Speaking Tree | |
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To Enter That Rhythm Where the Self Is Lost | |
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For a Mexican Painter | |
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A Song of Another Tribe | |
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Song | |
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Waterlily Fire | |
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The Burning | |
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The Island | |
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Journey Changes | |
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Fragile | |
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The Long Body | |
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The Speed of Darkness (1968) | |
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Clues | |
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The Poem as Mask | |
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Orpheus | |
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What Do I Give You? | |
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The Transgress | |
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The Conjugation of the Paramecium | |
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Junk-Heap at Murano | |
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Clues | |
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In Our Time | |
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Double Dialogue | |
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Homage to Robert Frost | |
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The Six Canons | |
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Forerunners | |
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Orgy | |
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The Overthrow of One O'Clock at Night | |
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Among Roses | |
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What I See | |
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Believing in Those Inexorable Laws | |
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| |
Song: Love in Whose Rich Honor | |
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Niobe Now | |
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Song: The Star in the Nets of Heaven | |
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Air | |
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Gift | |
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| |
Cries from Chiapas | |
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The War Comes into My Room | |
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Delta Poems | |
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Spirals and Fugues | |
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Anemone | |
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Fighting for Roses | |
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For My Son | |
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Poem | |
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The Power of Suicide | |
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The Seeming | |
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Song from Puck Fair | |
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NotYet | |
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| |
Landscape with Wave Approaching | |
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Segre Song | |
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Bunk Johnson Blowing | |
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Cannibal Bratuscha | |
| |
| |
What Have You Brought Home from the Wars? | |
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One Month | |
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| |
Silence of Volcanoes | |
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What They Said | |
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| |
A Little Stone in the Middle of the Road, in Florida | |
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| |
The Blue Flower | |
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Woman as Market | |
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Forgetting and Remembering | |
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| |
Word of Mouth | |
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The Return | |
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Word of Mouth | |
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Endless | |
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Games | |
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The Backside of the Academy | |
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Mountain: One from Bryant | |
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The Flying Red Horse | |
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The Outer Banks | |
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Lives | |
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| |
Akiba | |
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The Way Out | |
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| |
for the Song of Songs | |
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The Bonds | |
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Akiba Martyr | |
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The Witness | |
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| |
Kathe Kollwitz | |
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| |
| |
"Held between wars" | |
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| |
"Woman as gates, saying" | |
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| |
"Held among wars, watching" | |
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| |
| |
Song: The Calling-Up | |
| |
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| |
Self-Portrait | |
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| |
| |
| |
The Speed of Darkness | |
| |
| |
Breaking Open (1973) | |
| |
| |
| |
Searching / Not Searching | |
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| |
Waking This Morning | |
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| |
Despisals | |
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| |
What Do We See? | |
| |
| |
Looking at Each Other | |
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| |
Desdichada | |
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| |
Voices | |
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| |
Fire | |
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Waiting for Icarus | |
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| |
from City of Paradise | |
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The Question | |
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In Her Burning | |
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| |
Rondel | |
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| |
More Clues | |
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Myth | |
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| |
Searching/Not Searching | |
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| |
| |
"What kind of woman goes searching and searching?" | |
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| |
Miriam: The Red Sea | |
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For Dolci | |
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Concrete | |
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| |
Brecht's Galileo | |
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Reading the Kieu | |
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The Floor of Ocean | |
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H.F.D. | |
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| |
The Artist as Social Critic | |
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| |
The President and the Laser Bomb | |
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Not Searching | |
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| |
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The Question | |
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| |
| |
"Searching/not searching. To make closeness" | |
| |
| |
| |
"What did I see? What did I not see?" | |
| |
| |
A Simple Experiment | |
| |
| |
Along History | |
| |
| |
Boys of These Men Full Speed | |
| |
| |
All the Little Animals | |
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Next | |
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Two Years | |
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| |
Iris | |
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| |
| |
Orange and Grape | |
| |
| |
Ballad of Orange and Grape | |
| |
| |
Rock Flow, River Mix | |
| |
| |
Martin Luther King, Malcolm X | |
| |
| |
Looking | |
| |
| |
Don Baty, the Draft Resister | |
| |
| |
Te Hanh: Long-Ago Garden | |
| |
| |
Welcome from War | |
| |
| |
Facing Sentencing | |
| |
| |
Secrets of American Civilization | |
| |
| |
Wherever | |
| |
| |
Bringing | |
| |
| |
A Louis Sonnet | |
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After Melville | |
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The Writer | |
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Gradus Ad Parnassum | |
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From a Play: Publisher's Song | |
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In the Night the Sound Woke Us | |
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In the Underworld | |
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Afterwards | |
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Flying to Hanoi | |
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It Is There | |
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The Running of the Grunion | |
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Sacred Lake | |
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Northern Poems | |
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Songs of the Barren Grounds | |
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The Old Days | |
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Inland, Away | |
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I'm Here Again | |
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Not Much Good | |
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My Breath | |
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I Recognize This Song | |
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The Black Ones, the Great Ones | |
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Trout Fishing | |
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How Lovely It is | |
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The Word-Fisher | |
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Stroking Songs | |
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A Girl for a Boy-Stroking Song | |
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The Baby on the Mountain-Stroking Song | |
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The Wiping Moss from the Ruins | |
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Stroking Songs, Childhood Songs | |
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Being Born | |
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Shooting Star | |
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Breaking Open | |
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Columbus | |
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Burning the Dreams | |
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Death and the Dancer | |
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Rational Man | |
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The Hostages | |
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The Gates (1976) | |
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St. Roach | |
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Dream-Drumming | |
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Double Ode | |
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Painters | |
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Rune | |
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How We Did It | |
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Islands | |
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Blue Spruce | |
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Artifact | |
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Ms. Lot | |
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Boys in the Branches | |
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Song : Lying in Daylight | |
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Hypnogogic Figure | |
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The Lost Romans | |
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Canal | |
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For Kay Boyle | |
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Resurrection of the Right Side | |
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The Wards | |
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The Sun-Artist | |
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Poem White Page White Page Poem | |
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Fable | |
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Neruda, the Wine | |
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Before Danger | |
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Song : Remembering Movies | |
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Work, for the Day Is Coming | |
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Recovering | |
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Parallel Invention | |
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Poem | |
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Not to Be Printed, Not to Be Said, Not to Be Thought | |
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Back Tooth | |
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Destruction of Grief | |
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Trinity Churchyard | |
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Burnishing, Oakland | |
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The Iris-Eaters | |
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Slow Death of the Dragon | |
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Mendings | |
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Then | |
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The Gates | |
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"Waiting to leave all day I hear the words" | |
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"Walking the world to find the poet of these cries" | |
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New Friends | |
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"The Cabinet minister speaks of liberation | |
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"Among the days" | |
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The Church of Galilee | |
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The Dream of Galilee | |
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Mother as Pitchfork | |
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"You grief woman you gave me a scarlet coverlet" | |
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"Air fills with fear and the kinds of fear" | |
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"Long ago, soon after my son's birth" | |
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"For that I cannot name the names" | |
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"Crucified child-is he crucified? he is tortured" | |
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"So I became very dark very large" | |
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"All day the rain" | |
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Juvenilia | |
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Antigone | |
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Cities of the Morning | |
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Autumn in the Garden | |
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The Ballad of the Missing Lines | |
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November Sketches | |
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To a Lady Turning Middle-Aged | |
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Place-Poems: New York | |
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O City | |
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Fourteenth Street | |
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The New School for Social Research | |
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Sheridan Square Conversation | |
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The New Bridge | |
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Park Avenue | |
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College Special | |
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Empire State Tower | |
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"Dear place, sweet home" | |
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For an Aesthete | |
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Pastorale No. 2 | |
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A New Poem | |
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An Unborn Poet | |
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Abbreviations | |
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Annotations | |
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Textual Notes | |
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Bibliography | |
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Index of Titles | |
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Index of First Lines | |