Enacting Others Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith

ISBN-10: 0822347997
ISBN-13: 9780822347996
Edition: 2011
Authors: Cherise Smith
List price: $24.95
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Description: The artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee have all crossed racial, ethnic, gender, and class boundaries in works that they have conceived and performed. Cherise Smith analyzes their complex engagements with issues  More...

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Book details

List price: $24.95
Copyright year: 2011
Publisher: Duke University Press
Publication date: 3/7/2011
Binding: Paperback
Pages: 328
Size: 6.00" wide x 9.50" long x 1.00" tall
Weight: 1.320
Language: English

The artists Adrian Piper, Eleanor Antin, Anna Deavere Smith, and Nikki S. Lee have all crossed racial, ethnic, gender, and class boundaries in works that they have conceived and performed. Cherise Smith analyzes their complex engagements with issues of identity through close readings of a significant performance, or series of performances, by each artist. She examines Piperrs"s public embodiment of the Mythic Being, a working-class black man, during the early 1970s; Antinrs"s full-time existence as the fictitious black ballerina Eleanora Antinova for several weeks in 1981; Deavere Smithrs"s shifting among more than twenty characters of different ages and racial, ethnic, gender, and class backgrounds in her showTwilight: Los Angeles. She also considers Leers"s performances of membership in cultural groups-including swing dancers, hip-hop devotees, skateboarders, drag queens, and yuppies-in herProjectseries (19972001). Smith historicizes the politics of identity by exploring each performance in relation to the discourses prevalent in the United States at the time of its development. She is attentive to how the artists manipulated clothing, mannerisms, voice, and other signs to negotiate their assumed identities. Smith argues that by drawing on conventions such as passing, blackface, minstrelsy, cross-dressing, and drag, they highlighted the constructedness and fluidity of identity and identifications.Enacting Othersprovides a provocative account of how race informs contemporary art and feminist performance practices.

Preface
Acknowledgments
Introduction
�The Politics of My Position�
Adrian Piper and Mythic Being
The Other �Other�
Eleanor Antin and the Performance of Blackness
�Other-Oriented� Performance
Anna Deavere Smith and Twilight: Los Angeles
Nikki S. Lee's Projects and the Repackaging of the Politics of Identity
Conclusion
Notes
Bibliography
Index

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