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| Acknowledgments | |
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| Porn Studies: Proliferating Pornographies On/Scene: An Introduction | |
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| Contemporary Pornographies | |
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| How to Do Things with the Starr Report: Pornography, Performance, and the President's Penis | |
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| Sex in the Suburban: Porn, Home Movies, and the Live Action Performance of Love in Pam and Tommy Lee: Hardcore and Uncensored | |
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| Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women | |
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| Going On-line: Consuming Pornography in the Digital Era | |
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| Gay, Lesbian, and Homosocial Pornographies | |
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| Homosociality in the Classical American Stag Film: Off-Screen, On-Screen | |
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| The Cultural-Aesthetic Specificities of All-male Moving-Image Pornography | |
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| What Do You Call a Lesbian with Long Fingers? The Development of Lesiban and Dyke Pornography | |
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| The Gay Sex Clerk: Chuck Vincent's Straight Pornography | |
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| Pornography, Race, and Class | |
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| The Resurrection of Brandon Lee: The Making of a Gay Asian American Porn Star | |
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| Skin Flicks on the Racial Border: Pornography, Exploitation, and Interracial Lust | |
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| Crackers and Whackers: The White Trashing of Porn | |
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| Soft Core, Hard Core, and the Pornographic Sublime | |
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| Pinup: The American Secret Weapon in World War II | |
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| Gauging a Revolution: 16 mm Film and the Rise of the Pornographic Feature | |
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| Video Pornography, Visual Pleasure, and the Return of the Sublime | |
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| Pornography and/as Avant-Garde | |
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| Andy Warhol's Blow Job: Toward the Recognition of a Pornographic Avant-garde | |
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| Unbracketing Motion Study: Scott Stark's noema | |
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| Suggested Reading: An Annotated Bibliography | |
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| Pornographic Film and Video: A Select List of Archives and Commercial Sites | |
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| List of Contributors | |
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| Index | |