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Acknowledgments | |
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Introduction | |
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The Nineteenth Century in Europe | |
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On the Daguerrotype | |
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A Lady Photographer who Never Photographs Men | |
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Annals of My Glass House | |
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Photography During the July Monarchy 1830-1848 | |
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The Camera Against the Paris Commune | |
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Extending the Grand Tour | |
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Tracing Nadar | |
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New Visions - The Avant-Gardes and After | |
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Germany: The Weimar Republic | |
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Photomontage Varvara Stepanova | |
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The Supremacy of the Message - Dada | |
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A Hundred Years of Photography | |
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I Worked with Man Ray | |
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The Photographic Conditions of Surrealism | |
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A Mutable Mirror: Claude Cahun | |
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The Armed Vision Disarmed - Radical Formalism from Weapon to Style | |
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Distant Voices: Fashion and Portraiture in the Studio in the Inter-War Years | |
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Olive Edis: Photography, 1914 | |
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Exhibitions and Commercial Work | |
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In Pursuit of Perfection | |
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Early Years | |
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Pictures and Stories: Documentary and Reportage in North America | |
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Life Begins | |
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Looking at Life | |
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The Assignment I'll Never Forget | |
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A Crisis in the Intimate | |
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One Time, One Place | |
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The Photo League | |
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Documentary Photography | |
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The Politics of Photography | |
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The Seige of St Malo | |
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Star Wars: The Photography as Polemicist in Vietnam | |
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History Lessons | |
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Photography at the Crossroads | |
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What Shall We Tell the Children? Photography and Its Text (Books) | |
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Crowned with Thorns: Creative Camera 1965-1978 | |
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On Photography | |
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On Photographers | |
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What Becomes a Legend Most: The Short, Sad Career of Diane Arbus | |
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Tina Modotti: Letters to Edward Weston | |
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On Photography | |
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Re-reading Edward Weston - Feminism, Photography and Psychoanalysis | |
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Ansel Adams: The Eloquent Light | |
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Good Intentions | |
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Witkin's Others | |
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The Other Side | |
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Time Exposure: The Photographs of Patrick Faigenbaum | |
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Cindy Sherman: Burning Down the House | |
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Postmodernisms and the Politics of Looking | |
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Winning the Game When the Rules Have Been Changed: Art Photography and Postmodernism | |
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Two Types of Photography Criticism Located in Relation to Lynn Silverman's Series | |
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Of Mother Nature and Marlboro Men: An Inquiry into the Cultural Meanings of Landscape Photography | |
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Dykes in Context: Some Problems in Minority Representation | |
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Dialogue with Spectatorship: Barbara Kruger and Victor Burgin | |
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Between Frames | |
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The Pleasure of the Phototext | |
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Interview: Fetishism of Black-and-White and the Vulgarity of Colour | |
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Decolonizing the Image | |
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Partial Recall | |
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The Unveiled: Algerian Women | |
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Essential Differences, Photographs of Mexican Women | |
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A Strategy of Appearances - The Australian Bicentenary | |
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Showing Our Faces - A Century of Black Women Photographed | |
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Memories and Fictions | |
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Gateway to a Labyrinth | |
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Isak Dinesen and Photo/Graphic Recollection | |
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Remembrance | |
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Notes | |
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Additional Notes on the Contributors | |
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Copyrights and Permissions | |